Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law
In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofil...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2011]
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
Zusammenfassung: | In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofili, in hip-hop and the compositions of Béla Bartók and Zoltán Kodály, and in audio mash-ups, remixed news broadcasts, pranks, culture jamming, and numerous other cultural forms. The borrowing practices that they consider often run afoul of intellectual property regimes, and many of the contributors address the effects of copyright and trademark law on creativity. Among the contributors are the novelist and essayist Jonathan Lethem, the poet and cultural critic Joshua Clover, the filmmaker Craig Baldwin, the hip-hop historian Jeff Chang, the 'zine-maker and sound collage artist Lloyd Dunn, and Negativland, the infamous collective that was sued in 1991 for sampling U2 in a satirical sound collage. Cutting Across Media is both a serious examination of collage and appropriation practices and a celebration of their transformative political and cultural possibilities.Contributors. Craig Baldwin, David Banash, Marcus Boon, Jeff Chang, Joshua Clover, Lorraine Morales Cox, Lloyd Dunn, Philo T. Farnsworth, Pierre Joris, Douglas Kahn, Rudolf Kuenzli, Rob Latham, Jonathan Lethem, Carrie McLaren, Kembrew McLeod, Negativland, Davis Schneiderman, David Tetzlaff, Gábor Vályi, Warner Special Products, Eva Hemmungs Wirtén |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
Beschreibung: | 1 online resource (376 pages) 28 illustrations, incl. 4 in color |
ISBN: | 9780822393214 |
DOI: | 10.1515/9780822393214 |
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isbn | 9780822393214 |
language | English |
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spelling | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law Rudolf Kuenzli, Kembrew McLeod Durham Duke University Press [2011] © 2011 1 online resource (376 pages) 28 illustrations, incl. 4 in color txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres. They take up issues of appropriation in the popular and the avant-garde, in altered billboards and the work of the renowned painter Chris Ofili, in hip-hop and the compositions of Béla Bartók and Zoltán Kodály, and in audio mash-ups, remixed news broadcasts, pranks, culture jamming, and numerous other cultural forms. The borrowing practices that they consider often run afoul of intellectual property regimes, and many of the contributors address the effects of copyright and trademark law on creativity. Among the contributors are the novelist and essayist Jonathan Lethem, the poet and cultural critic Joshua Clover, the filmmaker Craig Baldwin, the hip-hop historian Jeff Chang, the 'zine-maker and sound collage artist Lloyd Dunn, and Negativland, the infamous collective that was sued in 1991 for sampling U2 in a satirical sound collage. Cutting Across Media is both a serious examination of collage and appropriation practices and a celebration of their transformative political and cultural possibilities.Contributors. Craig Baldwin, David Banash, Marcus Boon, Jeff Chang, Joshua Clover, Lorraine Morales Cox, Lloyd Dunn, Philo T. Farnsworth, Pierre Joris, Douglas Kahn, Rudolf Kuenzli, Rob Latham, Jonathan Lethem, Carrie McLaren, Kembrew McLeod, Negativland, Davis Schneiderman, David Tetzlaff, Gábor Vályi, Warner Special Products, Eva Hemmungs Wirtén In English ART / History / General bisacsh Collage Social aspects Copyright Art Fair use (Copyright) United States Fair use (Copyright) Intellectual property Quotation Social aspects Kuenzli, Rudolf edt McLeod, Kembrew edt https://doi.org/10.1515/9780822393214 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law ART / History / General bisacsh Collage Social aspects Copyright Art Fair use (Copyright) United States Fair use (Copyright) Intellectual property Quotation Social aspects |
title | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law |
title_auth | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law |
title_exact_search | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law |
title_exact_search_txtP | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law |
title_full | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law Rudolf Kuenzli, Kembrew McLeod |
title_fullStr | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law Rudolf Kuenzli, Kembrew McLeod |
title_full_unstemmed | Cutting Across Media Appropriation Art, Interventionist Collage, and Copyright Law Rudolf Kuenzli, Kembrew McLeod |
title_short | Cutting Across Media |
title_sort | cutting across media appropriation art interventionist collage and copyright law |
title_sub | Appropriation Art, Interventionist Collage, and Copyright Law |
topic | ART / History / General bisacsh Collage Social aspects Copyright Art Fair use (Copyright) United States Fair use (Copyright) Intellectual property Quotation Social aspects |
topic_facet | ART / History / General Collage Social aspects Copyright Art Fair use (Copyright) United States Fair use (Copyright) Intellectual property Quotation Social aspects |
url | https://doi.org/10.1515/9780822393214 |
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