A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941-1978
Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinemat...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Durham
Duke University Press
[2011]
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 2 spans the period of Mohammad Reza Shah's rule, from 1941 until 1978. During this time Iranian cinema flourished and became industrialized, at its height producing more than ninety films each year. The state was instrumental in building the infrastructures of the cinema and television industries, and it instituted a vast apparatus of censorship and patronage. During the Second World War the Allied powers competed to control the movies shown in Iran. In the following decades, two distinct indigenous cinemas emerged. The more popular, traditional, and commercial filmfarsi movies included tough-guy films and the "stewpot" genre of melodrama, with plots reflecting the rapid changes in Iranian society. The new-wave cinema was a smaller but more influential cinema of dissent, made mostly by foreign-trained filmmakers and modernist writers opposed to the regime. Ironically, the state both funded and censored much of the new-wave cinema, which grew bolder in its criticism as state authoritarianism consolidated. A vital documentary cinema also developed in the prerevolutionary era.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (560 pages) 83 photographs, 7 tables |
| ISBN: | 9780822393016 |
| DOI: | 10.1515/9780822393016 |
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| 520 | |a Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 2 spans the period of Mohammad Reza Shah's rule, from 1941 until 1978. During this time Iranian cinema flourished and became industrialized, at its height producing more than ninety films each year. The state was instrumental in building the infrastructures of the cinema and television industries, and it instituted a vast apparatus of censorship and patronage. During the Second World War the Allied powers competed to control the movies shown in Iran. In the following decades, two distinct indigenous cinemas emerged. The more popular, traditional, and commercial filmfarsi movies included tough-guy films and the "stewpot" genre of melodrama, with plots reflecting the rapid changes in Iranian society. The new-wave cinema was a smaller but more influential cinema of dissent, made mostly by foreign-trained filmmakers and modernist writers opposed to the regime. Ironically, the state both funded and censored much of the new-wave cinema, which grew bolder in its criticism as state authoritarianism consolidated. A vital documentary cinema also developed in the prerevolutionary era.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 | ||
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Datensatz im Suchindex
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| author | Naficy, Hamid |
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| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:09Z |
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| isbn | 9780822393016 |
| language | English |
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| spelling | Naficy, Hamid Verfasser aut A Social History of Iranian Cinema, Volume 2 The Industrializing Years, 1941-1978 Hamid Naficy Durham Duke University Press [2011] © 2011 1 online resource (560 pages) 83 photographs, 7 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 2 spans the period of Mohammad Reza Shah's rule, from 1941 until 1978. During this time Iranian cinema flourished and became industrialized, at its height producing more than ninety films each year. The state was instrumental in building the infrastructures of the cinema and television industries, and it instituted a vast apparatus of censorship and patronage. During the Second World War the Allied powers competed to control the movies shown in Iran. In the following decades, two distinct indigenous cinemas emerged. The more popular, traditional, and commercial filmfarsi movies included tough-guy films and the "stewpot" genre of melodrama, with plots reflecting the rapid changes in Iranian society. The new-wave cinema was a smaller but more influential cinema of dissent, made mostly by foreign-trained filmmakers and modernist writers opposed to the regime. Ironically, the state both funded and censored much of the new-wave cinema, which grew bolder in its criticism as state authoritarianism consolidated. A vital documentary cinema also developed in the prerevolutionary era.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History https://doi.org/10.1515/9780822393016 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Naficy, Hamid A Social History of Iranian Cinema, Volume 2 The Industrializing Years, 1941-1978 PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History |
| title | A Social History of Iranian Cinema, Volume 2 The Industrializing Years, 1941-1978 |
| title_auth | A Social History of Iranian Cinema, Volume 2 The Industrializing Years, 1941-1978 |
| title_exact_search | A Social History of Iranian Cinema, Volume 2 The Industrializing Years, 1941-1978 |
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| title_full | A Social History of Iranian Cinema, Volume 2 The Industrializing Years, 1941-1978 Hamid Naficy |
| title_fullStr | A Social History of Iranian Cinema, Volume 2 The Industrializing Years, 1941-1978 Hamid Naficy |
| title_full_unstemmed | A Social History of Iranian Cinema, Volume 2 The Industrializing Years, 1941-1978 Hamid Naficy |
| title_short | A Social History of Iranian Cinema, Volume 2 |
| title_sort | a social history of iranian cinema volume 2 the industrializing years 1941 1978 |
| title_sub | The Industrializing Years, 1941-1978 |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History |
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