A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897-1941
Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinemat...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2011]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 1 depicts and analyzes the early years of Iranian cinema. Film was introduced in Iran in 1900, three years after the country's first commercial film exhibitor saw the new medium in Great Britain. An artisanal cinema industry sponsored by the ruling shahs and other elites soon emerged. The presence of women, both on the screen and in movie houses, proved controversial until 1925, when Reza Shah Pahlavi dissolved the Qajar dynasty. Ruling until 1941, Reza Shah implemented a Westernization program intended to unite, modernize, and secularize his multicultural, multilingual, and multiethnic country. Cinematic representations of a fast-modernizing Iran were encouraged, the veil was outlawed, and dandies flourished. At the same time, photography, movie production, and movie houses were tightly controlled. Film production ultimately proved marginal to state formation. Only four silent feature films were produced in Iran; of the five Persian-language sound features shown in the country before 1941, four were made by an Iranian expatriate in India.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (456 pages) 74 illustrations, 1 table |
| ISBN: | 9780822393009 |
| DOI: | 10.1515/9780822393009 |
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| 520 | |a Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 1 depicts and analyzes the early years of Iranian cinema. Film was introduced in Iran in 1900, three years after the country's first commercial film exhibitor saw the new medium in Great Britain. An artisanal cinema industry sponsored by the ruling shahs and other elites soon emerged. The presence of women, both on the screen and in movie houses, proved controversial until 1925, when Reza Shah Pahlavi dissolved the Qajar dynasty. Ruling until 1941, Reza Shah implemented a Westernization program intended to unite, modernize, and secularize his multicultural, multilingual, and multiethnic country. Cinematic representations of a fast-modernizing Iran were encouraged, the veil was outlawed, and dandies flourished. At the same time, photography, movie production, and movie houses were tightly controlled. Film production ultimately proved marginal to state formation. Only four silent feature films were produced in Iran; of the five Persian-language sound features shown in the country before 1941, four were made by an Iranian expatriate in India.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 | ||
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| isbn | 9780822393009 |
| language | English |
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| spelling | Naficy, Hamid Verfasser aut A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 Hamid Naficy Durham Duke University Press [2011] © 2011 1 online resource (456 pages) 74 illustrations, 1 table txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.Volume 1 depicts and analyzes the early years of Iranian cinema. Film was introduced in Iran in 1900, three years after the country's first commercial film exhibitor saw the new medium in Great Britain. An artisanal cinema industry sponsored by the ruling shahs and other elites soon emerged. The presence of women, both on the screen and in movie houses, proved controversial until 1925, when Reza Shah Pahlavi dissolved the Qajar dynasty. Ruling until 1941, Reza Shah implemented a Westernization program intended to unite, modernize, and secularize his multicultural, multilingual, and multiethnic country. Cinematic representations of a fast-modernizing Iran were encouraged, the veil was outlawed, and dandies flourished. At the same time, photography, movie production, and movie houses were tightly controlled. Film production ultimately proved marginal to state formation. Only four silent feature films were produced in Iran; of the five Persian-language sound features shown in the country before 1941, four were made by an Iranian expatriate in India.A Social History of Iranian CinemaVolume 1: The Artisanal Era, 1897-1941Volume 2: The Industrializing Years, 1941-1978Volume 3: The Islamicate Period, 1978-1984Volume 4: The Globalizing Era, 1984-2010 In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History https://doi.org/10.1515/9780822393009 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Naficy, Hamid A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History |
| title | A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 |
| title_auth | A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 |
| title_exact_search | A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 |
| title_exact_search_txtP | A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 |
| title_full | A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 Hamid Naficy |
| title_fullStr | A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 Hamid Naficy |
| title_full_unstemmed | A Social History of Iranian Cinema, Volume 1 The Artisanal Era, 1897-1941 Hamid Naficy |
| title_short | A Social History of Iranian Cinema, Volume 1 |
| title_sort | a social history of iranian cinema volume 1 the artisanal era 1897 1941 |
| title_sub | The Artisanal Era, 1897-1941 |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Social aspects Iran Motion pictures Iran History |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Social aspects Iran Motion pictures Iran History |
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