Hip Hop Desis: South Asian Americans, Blackness, and a Global Race Consciousness
Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young "hip hop desis" express a global race consciousness that reflects both their sense of connection with Blacks as racializ...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2010]
|
| Schriftenreihe: | Refiguring American Music
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young "hip hop desis" express a global race consciousness that reflects both their sense of connection with Blacks as racialized minorities in the United States and their diasporic sensibility as part of a global community of South Asians. She emphasizes the role of appropriation and sampling in the ways that hip hop desis craft their identities, create art, and pursue social activism. Some desi artists produce what she calls "ethnic hip hop," incorporating South Asian languages, instruments, and immigrant themes. Through ethnic hip hop, artists, including KB, Sammy, and Deejay Bella, express "alternative desiness," challenging assumptions about their identities as South Asians, children of immigrants, minorities, and Americans. Hip hop desis also contest and seek to bridge perceived divisions between Blacks and South Asian Americans. By taking up themes considered irrelevant to many Asian Americans, desi performers, such as D'Lo, Chee Malabar of Himalayan Project, and Rawj of Feenom Circle, create a multiracial form of Black popular culture to fight racism and enact social change |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (366 pages) 26 illustrations |
| ISBN: | 9780822392897 |
| DOI: | 10.1515/9780822392897 |
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| 520 | |a Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young "hip hop desis" express a global race consciousness that reflects both their sense of connection with Blacks as racialized minorities in the United States and their diasporic sensibility as part of a global community of South Asians. She emphasizes the role of appropriation and sampling in the ways that hip hop desis craft their identities, create art, and pursue social activism. Some desi artists produce what she calls "ethnic hip hop," incorporating South Asian languages, instruments, and immigrant themes. Through ethnic hip hop, artists, including KB, Sammy, and Deejay Bella, express "alternative desiness," challenging assumptions about their identities as South Asians, children of immigrants, minorities, and Americans. Hip hop desis also contest and seek to bridge perceived divisions between Blacks and South Asian Americans. By taking up themes considered irrelevant to many Asian Americans, desi performers, such as D'Lo, Chee Malabar of Himalayan Project, and Rawj of Feenom Circle, create a multiracial form of Black popular culture to fight racism and enact social change | ||
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Datensatz im Suchindex
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| author | Sharma, Nitasha Tamar |
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| dewey-ones | 782 - Vocal music |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9780822392897 |
| language | English |
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| physical | 1 online resource (366 pages) 26 illustrations |
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| spelling | Sharma, Nitasha Tamar Verfasser aut Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness Nitasha Tamar Sharma; Josh Kun, Ronald Radano Durham Duke University Press [2010] © 2010 1 online resource (366 pages) 26 illustrations txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young "hip hop desis" express a global race consciousness that reflects both their sense of connection with Blacks as racialized minorities in the United States and their diasporic sensibility as part of a global community of South Asians. She emphasizes the role of appropriation and sampling in the ways that hip hop desis craft their identities, create art, and pursue social activism. Some desi artists produce what she calls "ethnic hip hop," incorporating South Asian languages, instruments, and immigrant themes. Through ethnic hip hop, artists, including KB, Sammy, and Deejay Bella, express "alternative desiness," challenging assumptions about their identities as South Asians, children of immigrants, minorities, and Americans. Hip hop desis also contest and seek to bridge perceived divisions between Blacks and South Asian Americans. By taking up themes considered irrelevant to many Asian Americans, desi performers, such as D'Lo, Chee Malabar of Himalayan Project, and Rawj of Feenom Circle, create a multiracial form of Black popular culture to fight racism and enact social change In English SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Hip-hop Influence Rap (Music) Social aspects United States South Asian Americans Music Social aspects South Asian Americans Race identity Kun, Josh edt Radano, Ronald edt https://doi.org/10.1515/9780822392897 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sharma, Nitasha Tamar Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Hip-hop Influence Rap (Music) Social aspects United States South Asian Americans Music Social aspects South Asian Americans Race identity |
| title | Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness |
| title_auth | Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness |
| title_exact_search | Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness |
| title_exact_search_txtP | Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness |
| title_full | Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness Nitasha Tamar Sharma; Josh Kun, Ronald Radano |
| title_fullStr | Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness Nitasha Tamar Sharma; Josh Kun, Ronald Radano |
| title_full_unstemmed | Hip Hop Desis South Asian Americans, Blackness, and a Global Race Consciousness Nitasha Tamar Sharma; Josh Kun, Ronald Radano |
| title_short | Hip Hop Desis |
| title_sort | hip hop desis south asian americans blackness and a global race consciousness |
| title_sub | South Asian Americans, Blackness, and a Global Race Consciousness |
| topic | SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Hip-hop Influence Rap (Music) Social aspects United States South Asian Americans Music Social aspects South Asian Americans Race identity |
| topic_facet | SOCIAL SCIENCE / Ethnic Studies / Asian American Studies Hip-hop Influence Rap (Music) Social aspects United States South Asian Americans Music Social aspects South Asian Americans Race identity |
| url | https://doi.org/10.1515/9780822392897 |
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