Painting the City Red: Chinese Cinema and the Urban Contract
Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People's Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester a...
Gespeichert in:
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| Weitere Verfasser: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2010]
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| Schriftenreihe: | Asia-Pacific: Culture, Politics, and Society
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People's Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China's abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage.Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans' villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing. In Painting the City Red, Braester reveals the role that film and theater have played in mediating state power, cultural norms, and the struggle for civil society in Chinese cities |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (420 pages) 48 illustrations |
| ISBN: | 9780822392750 |
| DOI: | 10.1515/9780822392750 |
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| 520 | |a Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People's Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China's abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage.Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans' villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing. In Painting the City Red, Braester reveals the role that film and theater have played in mediating state power, cultural norms, and the struggle for civil society in Chinese cities | ||
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9780822392750 |
| language | English |
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| series2 | Asia-Pacific: Culture, Politics, and Society |
| spelling | Braester, Yomi Verfasser aut Painting the City Red Chinese Cinema and the Urban Contract Yomi Braester; Masao Miyoshi, Harry Harootunian, Rey Chow Durham Duke University Press [2010] © 2010 1 online resource (420 pages) 48 illustrations txt rdacontent c rdamedia cr rdacarrier Asia-Pacific: Culture, Politics, and Society Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People's Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China's abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage.Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans' villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing. In Painting the City Red, Braester reveals the role that film and theater have played in mediating state power, cultural norms, and the struggle for civil society in Chinese cities In English HISTORY / Asia / China bisacsh Cities and towns in motion pictures City and town life in motion pictures Motion pictures China Theater China Chow, Rey edt Harootunian, Harry edt Miyoshi, Masao edt https://doi.org/10.1515/9780822392750 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Braester, Yomi Painting the City Red Chinese Cinema and the Urban Contract HISTORY / Asia / China bisacsh Cities and towns in motion pictures City and town life in motion pictures Motion pictures China Theater China |
| title | Painting the City Red Chinese Cinema and the Urban Contract |
| title_auth | Painting the City Red Chinese Cinema and the Urban Contract |
| title_exact_search | Painting the City Red Chinese Cinema and the Urban Contract |
| title_exact_search_txtP | Painting the City Red Chinese Cinema and the Urban Contract |
| title_full | Painting the City Red Chinese Cinema and the Urban Contract Yomi Braester; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_fullStr | Painting the City Red Chinese Cinema and the Urban Contract Yomi Braester; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_full_unstemmed | Painting the City Red Chinese Cinema and the Urban Contract Yomi Braester; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_short | Painting the City Red |
| title_sort | painting the city red chinese cinema and the urban contract |
| title_sub | Chinese Cinema and the Urban Contract |
| topic | HISTORY / Asia / China bisacsh Cities and towns in motion pictures City and town life in motion pictures Motion pictures China Theater China |
| topic_facet | HISTORY / Asia / China Cities and towns in motion pictures City and town life in motion pictures Motion pictures China Theater China |
| url | https://doi.org/10.1515/9780822392750 |
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