B Jenkins:
The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet's mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvis...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2010]
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| Schriftenreihe: | Refiguring American Music
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet's mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Moten's verse, the arts, scholarship, and activism intertwine. Cadences echo from his mother's Arkansas home through African American history and avant-garde jazz riffs. Formal innovations suggest the ways that words, sounds, and music give way to one another.The first and last poems in the collection are explicitly devoted to Moten's mother; the others relate more obliquely to her life and legacy. They invoke performers, writers, artists, and thinkers including not only James Baldwin, Roland Barthes, Frederick Douglass, Billie Holiday, Audre Lorde, Charlie Parker, and Cecil Taylor, but also contemporary scholars of race, affect, and queer theory. The book concludes with an interview conducted by Charles Henry Rowell, the editor of the journal Callaloo. Rowell elicits Moten's thoughts on the relation of his poetry to theory, music, and African American vernacular culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (124 pages) |
| ISBN: | 9780822392675 |
| DOI: | 10.1515/9780822392675 |
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Datensatz im Suchindex
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| adam_txt | |
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| author | Moten, Fred |
| author2 | Kun, Josh McGovern, Charles |
| author2_role | edt edt |
| author2_variant | j k jk c m cm |
| author_facet | Moten, Fred Kun, Josh McGovern, Charles |
| author_role | aut |
| author_sort | Moten, Fred |
| author_variant | f m fm |
| building | Verbundindex |
| bvnumber | BV047049057 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780822392675 (OCoLC)1226698364 (DE-599)BVBBV047049057 |
| dewey-full | 811/.6 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.6 |
| dewey-search | 811/.6 |
| dewey-sort | 3811 16 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9780822392675 |
| format | Electronic eBook |
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| id | DE-604.BV047049057 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:09Z |
| institution | BVB |
| isbn | 9780822392675 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456453 |
| oclc_num | 1226698364 |
| open_access_boolean | |
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| physical | 1 online resource (124 pages) |
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| publishDate | 2010 |
| publishDateSearch | 2010 |
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| publisher | Duke University Press |
| record_format | marc |
| series2 | Refiguring American Music |
| spelling | Moten, Fred Verfasser aut B Jenkins Fred Moten; Josh Kun, Charles McGovern Durham Duke University Press [2010] © 2010 1 online resource (124 pages) txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) The fourth collection of poetry from the literary and cultural critic Fred Moten, B Jenkins is named after the poet's mother, who passed away in 2000. It is both an elegy and an inquiry into many of the themes that Moten has explored throughout his career: language, music, performance, improvisation, and the black radical aesthetic and political tradition. In Moten's verse, the arts, scholarship, and activism intertwine. Cadences echo from his mother's Arkansas home through African American history and avant-garde jazz riffs. Formal innovations suggest the ways that words, sounds, and music give way to one another.The first and last poems in the collection are explicitly devoted to Moten's mother; the others relate more obliquely to her life and legacy. They invoke performers, writers, artists, and thinkers including not only James Baldwin, Roland Barthes, Frederick Douglass, Billie Holiday, Audre Lorde, Charlie Parker, and Cecil Taylor, but also contemporary scholars of race, affect, and queer theory. The book concludes with an interview conducted by Charles Henry Rowell, the editor of the journal Callaloo. Rowell elicits Moten's thoughts on the relation of his poetry to theory, music, and African American vernacular culture In English POETRY / American / African American bisacsh Kun, Josh edt McGovern, Charles edt https://doi.org/10.1515/9780822392675 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Moten, Fred B Jenkins POETRY / American / African American bisacsh |
| title | B Jenkins |
| title_auth | B Jenkins |
| title_exact_search | B Jenkins |
| title_exact_search_txtP | B Jenkins |
| title_full | B Jenkins Fred Moten; Josh Kun, Charles McGovern |
| title_fullStr | B Jenkins Fred Moten; Josh Kun, Charles McGovern |
| title_full_unstemmed | B Jenkins Fred Moten; Josh Kun, Charles McGovern |
| title_short | B Jenkins |
| title_sort | b jenkins |
| topic | POETRY / American / African American bisacsh |
| topic_facet | POETRY / American / African American |
| url | https://doi.org/10.1515/9780822392675 |
| work_keys_str_mv | AT motenfred bjenkins AT kunjosh bjenkins AT mcgoverncharles bjenkins |