The Speed Handbook: Velocity, Pleasure, Modernism
Speed, the sensation one gets when driving fast, was described by Aldous Huxley as the single new pleasure invented by modernity. The Speed Handbook is a virtuoso exploration of Huxley's claim. Enda Duffy shows how the experience of speed has always been political and how it has affected nearly...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2009]
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Schriftenreihe: | Post-Contemporary Interventions
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Speed, the sensation one gets when driving fast, was described by Aldous Huxley as the single new pleasure invented by modernity. The Speed Handbook is a virtuoso exploration of Huxley's claim. Enda Duffy shows how the experience of speed has always been political and how it has affected nearly all aspects of modern culture. Primarily a result of the mass-produced automobile, the experience of speed became the quintessential way for individuals to experience modernity, to feel modernity in their bones.Duffy plunges full-throttle into speed's "adrenaline aesthetics," offering deft readings of works ranging from F. Scott Fitzgerald's The Great Gatsby, through J. G. Ballard's Crash, to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how society was incited to abhor slowness and desire speed. He examines how people were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed's political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (316 pages) 18 illustrations |
ISBN: | 9780822392378 |
DOI: | 10.1515/9781478090748 |
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520 | |a Speed, the sensation one gets when driving fast, was described by Aldous Huxley as the single new pleasure invented by modernity. The Speed Handbook is a virtuoso exploration of Huxley's claim. Enda Duffy shows how the experience of speed has always been political and how it has affected nearly all aspects of modern culture. Primarily a result of the mass-produced automobile, the experience of speed became the quintessential way for individuals to experience modernity, to feel modernity in their bones.Duffy plunges full-throttle into speed's "adrenaline aesthetics," offering deft readings of works ranging from F. Scott Fitzgerald's The Great Gatsby, through J. G. Ballard's Crash, to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how society was incited to abhor slowness and desire speed. He examines how people were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed's political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed | ||
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isbn | 9780822392378 |
language | English |
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spelling | Duffy, Enda Verfasser (DE-588)1136749314 aut The Speed Handbook Velocity, Pleasure, Modernism Enda Duffy; Stanley Fish, Fredric Jameson Durham Duke University Press [2009] © 2009 1 online resource (316 pages) 18 illustrations txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Speed, the sensation one gets when driving fast, was described by Aldous Huxley as the single new pleasure invented by modernity. The Speed Handbook is a virtuoso exploration of Huxley's claim. Enda Duffy shows how the experience of speed has always been political and how it has affected nearly all aspects of modern culture. Primarily a result of the mass-produced automobile, the experience of speed became the quintessential way for individuals to experience modernity, to feel modernity in their bones.Duffy plunges full-throttle into speed's "adrenaline aesthetics," offering deft readings of works ranging from F. Scott Fitzgerald's The Great Gatsby, through J. G. Ballard's Crash, to the cautionary consumerism of Ralph Nader. He describes how speed changed understandings of space, distance, chance, and violence; how the experience of speed was commodified in the dawning era of mass consumption; and how society was incited to abhor slowness and desire speed. He examines how people were trained by new media such as the cinema to see, hear, and sense speed, and how speed, demanded of the efficient assembly-line worker, was given back to that worker as the chief thrill of leisure. Assessing speed's political implications, Duffy considers how speed pleasure was offered to citizens based on criteria including their ability to pay and their gender, and how speed quickly became something to be patrolled by governments. Drawing on novels, news reports, photography, advertising, and much more, Duffy provides a breakneck tour through the cultural dynamics of speed In English LITERARY CRITICISM / Semiotics & Theory bisacsh Civilization, Modern 20th century Speed Social aspects Time Social aspects Fish, Stanley Eugene 1938- (DE-588)121312143 edt Jameson, Fredric 1934-2024 (DE-588)118925253 edt https://doi.org/10.1515/9781478090748 Verlag kostenfrei Volltext |
spellingShingle | Duffy, Enda The Speed Handbook Velocity, Pleasure, Modernism LITERARY CRITICISM / Semiotics & Theory bisacsh Civilization, Modern 20th century Speed Social aspects Time Social aspects |
title | The Speed Handbook Velocity, Pleasure, Modernism |
title_auth | The Speed Handbook Velocity, Pleasure, Modernism |
title_exact_search | The Speed Handbook Velocity, Pleasure, Modernism |
title_exact_search_txtP | The Speed Handbook Velocity, Pleasure, Modernism |
title_full | The Speed Handbook Velocity, Pleasure, Modernism Enda Duffy; Stanley Fish, Fredric Jameson |
title_fullStr | The Speed Handbook Velocity, Pleasure, Modernism Enda Duffy; Stanley Fish, Fredric Jameson |
title_full_unstemmed | The Speed Handbook Velocity, Pleasure, Modernism Enda Duffy; Stanley Fish, Fredric Jameson |
title_short | The Speed Handbook |
title_sort | the speed handbook velocity pleasure modernism |
title_sub | Velocity, Pleasure, Modernism |
topic | LITERARY CRITICISM / Semiotics & Theory bisacsh Civilization, Modern 20th century Speed Social aspects Time Social aspects |
topic_facet | LITERARY CRITICISM / Semiotics & Theory Civilization, Modern 20th century Speed Social aspects Time Social aspects |
url | https://doi.org/10.1515/9781478090748 |
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