Inherent Vice: Bootleg Histories of Videotape and Copyright
In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technol...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2009]
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| Schriftenreihe: | e-Duke books scholarly collection
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users' right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an "aesthetics of access" most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video's visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (346 pages) 54 illustrations |
| ISBN: | 9780822392194 |
| DOI: | 10.1515/9780822392194 |
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| 520 | |a In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users' right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an "aesthetics of access" most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video's visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog | ||
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Datensatz im Suchindex
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| author | Hilderbrand, Lucas |
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| isbn | 9780822392194 |
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| spelling | Hilderbrand, Lucas Verfasser aut Inherent Vice Bootleg Histories of Videotape and Copyright Lucas Hilderbrand Durham Duke University Press [2009] © 2009 1 online resource (346 pages) 54 illustrations txt rdacontent c rdamedia cr rdacarrier e-Duke books scholarly collection Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users' right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an "aesthetics of access" most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video's visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Copyright Video recordings United States Fair use (Copyright) Piracy (Copyright) Video art United States 20th century Video recordings Fair use (Copyright) United States Video recordings Social aspects United States https://doi.org/10.1515/9780822392194 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hilderbrand, Lucas Inherent Vice Bootleg Histories of Videotape and Copyright PERFORMING ARTS / Film & Video / History & Criticism bisacsh Copyright Video recordings United States Fair use (Copyright) Piracy (Copyright) Video art United States 20th century Video recordings Fair use (Copyright) United States Video recordings Social aspects United States |
| title | Inherent Vice Bootleg Histories of Videotape and Copyright |
| title_auth | Inherent Vice Bootleg Histories of Videotape and Copyright |
| title_exact_search | Inherent Vice Bootleg Histories of Videotape and Copyright |
| title_exact_search_txtP | Inherent Vice Bootleg Histories of Videotape and Copyright |
| title_full | Inherent Vice Bootleg Histories of Videotape and Copyright Lucas Hilderbrand |
| title_fullStr | Inherent Vice Bootleg Histories of Videotape and Copyright Lucas Hilderbrand |
| title_full_unstemmed | Inherent Vice Bootleg Histories of Videotape and Copyright Lucas Hilderbrand |
| title_short | Inherent Vice |
| title_sort | inherent vice bootleg histories of videotape and copyright |
| title_sub | Bootleg Histories of Videotape and Copyright |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Copyright Video recordings United States Fair use (Copyright) Piracy (Copyright) Video art United States 20th century Video recordings Fair use (Copyright) United States Video recordings Social aspects United States |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Copyright Video recordings United States Fair use (Copyright) Piracy (Copyright) Video art United States 20th century Video recordings Fair use (Copyright) United States Video recordings Social aspects United States |
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