Mama Africa: Reinventing Blackness in Bahia
Often called the "most African" part of Brazil, the northeastern state of Bahia has the country's largest Afro-descendant population and a black culture renowned for its vibrancy. In Mama Africa, Patricia de Santana Pinho examines the meanings of Africa in Bahian constructions of blac...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Durham
Duke University Press
[2010]
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Often called the "most African" part of Brazil, the northeastern state of Bahia has the country's largest Afro-descendant population and a black culture renowned for its vibrancy. In Mama Africa, Patricia de Santana Pinho examines the meanings of Africa in Bahian constructions of blackness. Combining insights from anthropology, sociology, and cultural studies, Pinho considers how Afro-Bahian cultural groups, known as blocos afro, conceive of Africanness, blackness, and themselves in relation to both. Mama Africa is a translated, updated, and expanded edition of an award-winning book published in Brazil in 2004. Central to the book, and to Bahian constructions of blackness, is what Pinho calls "the myth of Mama Africa," the idea that Africa exists as a nurturing spirit inside every black person.Pinho explores how Bahian cultural production influences and is influenced by black diasporic cultures and the idealization of Africa-to the extent that Bahia draws African American tourists wanting to learn about their heritage. Analyzing the conceptions of blackness produced by the blocos afro, she describes how Africa is re-inscribed on the body through clothes, hairstyles, and jewelry; once demeaned, blackness is reclaimed as a source of beauty and pride. Turning to the body's interior, Pinho explains that the myth of Mama Africa implies that black appearances have corresponding black essences. Musical and dance abilities are seen as naturally belonging to black people, and these traits are often believed to be transmitted by blood. Pinho argues that such essentialized ideas of blackness render black culture increasingly vulnerable to exploitation by the state and commercial interests. She contends that the myth of Mama Africa, while informing oppositional black identities, overlaps with a constraining notion of Bahianness promoted by the government and the tourist industry |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (278 pages) |
| ISBN: | 9780822391760 |
| DOI: | 10.1515/9780822391760 |
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| 520 | |a Often called the "most African" part of Brazil, the northeastern state of Bahia has the country's largest Afro-descendant population and a black culture renowned for its vibrancy. In Mama Africa, Patricia de Santana Pinho examines the meanings of Africa in Bahian constructions of blackness. Combining insights from anthropology, sociology, and cultural studies, Pinho considers how Afro-Bahian cultural groups, known as blocos afro, conceive of Africanness, blackness, and themselves in relation to both. Mama Africa is a translated, updated, and expanded edition of an award-winning book published in Brazil in 2004. Central to the book, and to Bahian constructions of blackness, is what Pinho calls "the myth of Mama Africa," the idea that Africa exists as a nurturing spirit inside every black person.Pinho explores how Bahian cultural production influences and is influenced by black diasporic cultures and the idealization of Africa-to the extent that Bahia draws African American tourists wanting to learn about their heritage. Analyzing the conceptions of blackness produced by the blocos afro, she describes how Africa is re-inscribed on the body through clothes, hairstyles, and jewelry; once demeaned, blackness is reclaimed as a source of beauty and pride. Turning to the body's interior, Pinho explains that the myth of Mama Africa implies that black appearances have corresponding black essences. Musical and dance abilities are seen as naturally belonging to black people, and these traits are often believed to be transmitted by blood. Pinho argues that such essentialized ideas of blackness render black culture increasingly vulnerable to exploitation by the state and commercial interests. She contends that the myth of Mama Africa, while informing oppositional black identities, overlaps with a constraining notion of Bahianness promoted by the government and the tourist industry | ||
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| spelling | de Santana Pinho, Patricia Verfasser aut Mama Africa Reinventing Blackness in Bahia Patricia de Santana Pinho Durham Duke University Press [2010] © 2010 1 online resource (278 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Often called the "most African" part of Brazil, the northeastern state of Bahia has the country's largest Afro-descendant population and a black culture renowned for its vibrancy. In Mama Africa, Patricia de Santana Pinho examines the meanings of Africa in Bahian constructions of blackness. Combining insights from anthropology, sociology, and cultural studies, Pinho considers how Afro-Bahian cultural groups, known as blocos afro, conceive of Africanness, blackness, and themselves in relation to both. Mama Africa is a translated, updated, and expanded edition of an award-winning book published in Brazil in 2004. Central to the book, and to Bahian constructions of blackness, is what Pinho calls "the myth of Mama Africa," the idea that Africa exists as a nurturing spirit inside every black person.Pinho explores how Bahian cultural production influences and is influenced by black diasporic cultures and the idealization of Africa-to the extent that Bahia draws African American tourists wanting to learn about their heritage. Analyzing the conceptions of blackness produced by the blocos afro, she describes how Africa is re-inscribed on the body through clothes, hairstyles, and jewelry; once demeaned, blackness is reclaimed as a source of beauty and pride. Turning to the body's interior, Pinho explains that the myth of Mama Africa implies that black appearances have corresponding black essences. Musical and dance abilities are seen as naturally belonging to black people, and these traits are often believed to be transmitted by blood. Pinho argues that such essentialized ideas of blackness render black culture increasingly vulnerable to exploitation by the state and commercial interests. She contends that the myth of Mama Africa, while informing oppositional black identities, overlaps with a constraining notion of Bahianness promoted by the government and the tourist industry In English HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Bahia (State) Langdon, Elena Sonstige oth https://doi.org/10.1515/9780822391760 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | de Santana Pinho, Patricia Mama Africa Reinventing Blackness in Bahia HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Bahia (State) |
| title | Mama Africa Reinventing Blackness in Bahia |
| title_auth | Mama Africa Reinventing Blackness in Bahia |
| title_exact_search | Mama Africa Reinventing Blackness in Bahia |
| title_exact_search_txtP | Mama Africa Reinventing Blackness in Bahia |
| title_full | Mama Africa Reinventing Blackness in Bahia Patricia de Santana Pinho |
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| title_full_unstemmed | Mama Africa Reinventing Blackness in Bahia Patricia de Santana Pinho |
| title_short | Mama Africa |
| title_sort | mama africa reinventing blackness in bahia |
| title_sub | Reinventing Blackness in Bahia |
| topic | HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Bahia (State) |
| topic_facet | HISTORY / Latin America / South America Blacks Race identity Brazil Bahia (State) |
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