Refracted Visions: Popular Photography and National Modernity in Java
A young couple poses before a painted backdrop depicting a modern building set in a volcanic landscape; a college student grabs his camera as he heads to a political demonstration; a man poses stiffly for his identity photograph; amateur photographers look for picturesque images in a rural village;...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2010]
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| Schriftenreihe: | Objects/Histories
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | A young couple poses before a painted backdrop depicting a modern building set in a volcanic landscape; a college student grabs his camera as he heads to a political demonstration; a man poses stiffly for his identity photograph; amateur photographers look for picturesque images in a rural village; an old woman leafs through a family album. In Refracted Visions, Karen Strassler argues that popular photographic practices such as these have played a crucial role in the making of modern national subjects in postcolonial Java. Contending that photographic genres cultivate distinctive ways of seeing and positioning oneself and others within the affective, ideological, and temporal location of Indonesia, she examines genres ranging from state identification photos to pictures documenting family rituals.Oriented to projects of selfhood, memory, and social affiliation, popular photographs recast national iconographies in an intimate register. They convey the longings of Indonesian national modernity: nostalgia for rural idylls and "tradition," desires for the trappings of modernity and affluence, dreams of historical agency, and hopes for political authenticity. Yet photography also brings people into contact with ideas and images that transcend and at times undermine a strictly national frame. Photography's primary practitioners in the postcolonial era have been Chinese Indonesians. Acting as cultural brokers who translate global and colonial imageries into national idioms, these members of a transnational minority have helped shape the visual contours of Indonesian belonging even as their own place within the nation remains tenuous. Refracted Visions illuminates the ways that everyday photographic practices generate visual habits that in turn give rise to political subjects and communities |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (398 pages) 127 photographs, incl. 32 in color |
| ISBN: | 9780822391548 |
| DOI: | 10.1515/9780822391548 |
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:08Z |
| institution | BVB |
| isbn | 9780822391548 |
| language | English |
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| physical | 1 online resource (398 pages) 127 photographs, incl. 32 in color |
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| spelling | Strassler, Karen Verfasser aut Refracted Visions Popular Photography and National Modernity in Java Karen Strassler; Nicholas Thomas Durham Duke University Press [2010] © 2010 1 online resource (398 pages) 127 photographs, incl. 32 in color txt rdacontent c rdamedia cr rdacarrier Objects/Histories Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) A young couple poses before a painted backdrop depicting a modern building set in a volcanic landscape; a college student grabs his camera as he heads to a political demonstration; a man poses stiffly for his identity photograph; amateur photographers look for picturesque images in a rural village; an old woman leafs through a family album. In Refracted Visions, Karen Strassler argues that popular photographic practices such as these have played a crucial role in the making of modern national subjects in postcolonial Java. Contending that photographic genres cultivate distinctive ways of seeing and positioning oneself and others within the affective, ideological, and temporal location of Indonesia, she examines genres ranging from state identification photos to pictures documenting family rituals.Oriented to projects of selfhood, memory, and social affiliation, popular photographs recast national iconographies in an intimate register. They convey the longings of Indonesian national modernity: nostalgia for rural idylls and "tradition," desires for the trappings of modernity and affluence, dreams of historical agency, and hopes for political authenticity. Yet photography also brings people into contact with ideas and images that transcend and at times undermine a strictly national frame. Photography's primary practitioners in the postcolonial era have been Chinese Indonesians. Acting as cultural brokers who translate global and colonial imageries into national idioms, these members of a transnational minority have helped shape the visual contours of Indonesian belonging even as their own place within the nation remains tenuous. Refracted Visions illuminates the ways that everyday photographic practices generate visual habits that in turn give rise to political subjects and communities In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Group identity Indonesia Java Memory Photography Social aspects Indonesia Java Portrait photography Indonesia Java Thomas, Nicholas edt https://doi.org/10.1515/9780822391548 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Strassler, Karen Refracted Visions Popular Photography and National Modernity in Java SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Group identity Indonesia Java Memory Photography Social aspects Indonesia Java Portrait photography Indonesia Java |
| title | Refracted Visions Popular Photography and National Modernity in Java |
| title_auth | Refracted Visions Popular Photography and National Modernity in Java |
| title_exact_search | Refracted Visions Popular Photography and National Modernity in Java |
| title_exact_search_txtP | Refracted Visions Popular Photography and National Modernity in Java |
| title_full | Refracted Visions Popular Photography and National Modernity in Java Karen Strassler; Nicholas Thomas |
| title_fullStr | Refracted Visions Popular Photography and National Modernity in Java Karen Strassler; Nicholas Thomas |
| title_full_unstemmed | Refracted Visions Popular Photography and National Modernity in Java Karen Strassler; Nicholas Thomas |
| title_short | Refracted Visions |
| title_sort | refracted visions popular photography and national modernity in java |
| title_sub | Popular Photography and National Modernity in Java |
| topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Group identity Indonesia Java Memory Photography Social aspects Indonesia Java Portrait photography Indonesia Java |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social Group identity Indonesia Java Memory Photography Social aspects Indonesia Java Portrait photography Indonesia Java |
| url | https://doi.org/10.1515/9780822391548 |
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