Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity
Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Durham
Duke University Press
[2009]
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Schriftenreihe: | e-Duke books scholarly collection
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
Zusammenfassung: | Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. "Luxury slaves" tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy's signature tools-clothing, gesture, and wit-to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois's reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (408 pages) 42 illustrations |
ISBN: | 9780822391517 |
DOI: | 10.1515/9780822391517 |
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Datensatz im Suchindex
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author | Miller, Monica L. |
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isbn | 9780822391517 |
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spelling | Miller, Monica L. Verfasser aut Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity Monica L. Miller Durham Duke University Press [2009] © 2009 1 online resource (408 pages) 42 illustrations txt rdacontent c rdamedia cr rdacarrier e-Duke books scholarly collection Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. "Luxury slaves" tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy's signature tools-clothing, gesture, and wit-to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois's reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art In English SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African American men Clothing History African American men Race identity Clothing and dress United States Dandyism United States Fashion United States https://doi.org/10.1515/9780822391517 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Miller, Monica L. Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African American men Clothing History African American men Race identity Clothing and dress United States Dandyism United States Fashion United States |
title | Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity |
title_auth | Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity |
title_exact_search | Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity |
title_exact_search_txtP | Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity |
title_full | Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity Monica L. Miller |
title_fullStr | Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity Monica L. Miller |
title_full_unstemmed | Slaves to Fashion Black Dandyism and the Styling of Black Diasporic Identity Monica L. Miller |
title_short | Slaves to Fashion |
title_sort | slaves to fashion black dandyism and the styling of black diasporic identity |
title_sub | Black Dandyism and the Styling of Black Diasporic Identity |
topic | SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African American men Clothing History African American men Race identity Clothing and dress United States Dandyism United States Fashion United States |
topic_facet | SOCIAL SCIENCE / Ethnic Studies / African American Studies African American men Clothing History African American men Race identity Clothing and dress United States Dandyism United States Fashion United States |
url | https://doi.org/10.1515/9780822391517 |
work_keys_str_mv | AT millermonical slavestofashionblackdandyismandthestylingofblackdiasporicidentity |