The Assassination of Theo van Gogh: From Social Drama to Cultural Trauma
In November 2004, the controversial Dutch filmmaker Theo van Gogh was killed on a busy street in Amsterdam. A twenty-six-year-old Dutch citizen of Moroccan descent shot van Gogh, slit his throat, and pinned a five-page indictment of Western society to his body. The murder set off a series of reactio...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2008]
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| Schriftenreihe: | Politics, History, and Culture
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In November 2004, the controversial Dutch filmmaker Theo van Gogh was killed on a busy street in Amsterdam. A twenty-six-year-old Dutch citizen of Moroccan descent shot van Gogh, slit his throat, and pinned a five-page indictment of Western society to his body. The murder set off a series of reactions, including arson against Muslim schools and mosques. In The Assassination of Theo van Gogh, Ron Eyerman explores the multiple meanings of the murder and the different reactions it elicited: among the Amsterdam-based artistic and intellectual subculture, the wider Dutch public, the local and international Muslim communities, the radical Islamic movement, and the broader international community. After meticulously analyzing the actions and reputations of van Gogh and others in his milieu, the motives of the murderer, and the details of the assassination itself, Eyerman considers the various narrative frames the mass media used to characterize the killing.Eyerman utilizes theories of social drama and cultural trauma to evaluate the reactions to and effects of the murder. A social drama is triggered by a public transgression of taken-for-granted norms; one that threatens the collective identity of a society may develop into a cultural trauma. Eyerman contends that the assassination of Theo van Gogh quickly became a cultural trauma because it resonated powerfully with the postwar psyche of the Netherlands. As part of his analysis of the murder and reactions to it, he discusses significant aspects of twentieth-century Dutch history, including the country's treatment of Jews during the German occupation, the loss of its colonies in the wake of World War II, its recruitment of immigrant workers, and the failure of Dutch troops to protect Muslims in Srebrenica in 1995 |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (230 pages) |
| ISBN: | 9780822391449 |
| DOI: | 10.1515/9780822391449 |
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| spelling | Eyerman, Ron Verfasser aut The Assassination of Theo van Gogh From Social Drama to Cultural Trauma Ron Eyerman; George Steinmetz, Julia Adams Durham Duke University Press [2008] © 2008 1 online resource (230 pages) txt rdacontent c rdamedia cr rdacarrier Politics, History, and Culture Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In November 2004, the controversial Dutch filmmaker Theo van Gogh was killed on a busy street in Amsterdam. A twenty-six-year-old Dutch citizen of Moroccan descent shot van Gogh, slit his throat, and pinned a five-page indictment of Western society to his body. The murder set off a series of reactions, including arson against Muslim schools and mosques. In The Assassination of Theo van Gogh, Ron Eyerman explores the multiple meanings of the murder and the different reactions it elicited: among the Amsterdam-based artistic and intellectual subculture, the wider Dutch public, the local and international Muslim communities, the radical Islamic movement, and the broader international community. After meticulously analyzing the actions and reputations of van Gogh and others in his milieu, the motives of the murderer, and the details of the assassination itself, Eyerman considers the various narrative frames the mass media used to characterize the killing.Eyerman utilizes theories of social drama and cultural trauma to evaluate the reactions to and effects of the murder. A social drama is triggered by a public transgression of taken-for-granted norms; one that threatens the collective identity of a society may develop into a cultural trauma. Eyerman contends that the assassination of Theo van Gogh quickly became a cultural trauma because it resonated powerfully with the postwar psyche of the Netherlands. As part of his analysis of the murder and reactions to it, he discusses significant aspects of twentieth-century Dutch history, including the country's treatment of Jews during the German occupation, the loss of its colonies in the wake of World War II, its recruitment of immigrant workers, and the failure of Dutch troops to protect Muslims in Srebrenica in 1995 In English HISTORY / Europe / Western bisacsh Islamic fundamentalism Netherlands Case studies Murder Netherlands Case studies Muslims Netherlands Case studies Adams, Julia edt Steinmetz, George edt https://doi.org/10.1515/9780822391449 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Eyerman, Ron The Assassination of Theo van Gogh From Social Drama to Cultural Trauma HISTORY / Europe / Western bisacsh Islamic fundamentalism Netherlands Case studies Murder Netherlands Case studies Muslims Netherlands Case studies |
| title | The Assassination of Theo van Gogh From Social Drama to Cultural Trauma |
| title_auth | The Assassination of Theo van Gogh From Social Drama to Cultural Trauma |
| title_exact_search | The Assassination of Theo van Gogh From Social Drama to Cultural Trauma |
| title_exact_search_txtP | The Assassination of Theo van Gogh From Social Drama to Cultural Trauma |
| title_full | The Assassination of Theo van Gogh From Social Drama to Cultural Trauma Ron Eyerman; George Steinmetz, Julia Adams |
| title_fullStr | The Assassination of Theo van Gogh From Social Drama to Cultural Trauma Ron Eyerman; George Steinmetz, Julia Adams |
| title_full_unstemmed | The Assassination of Theo van Gogh From Social Drama to Cultural Trauma Ron Eyerman; George Steinmetz, Julia Adams |
| title_short | The Assassination of Theo van Gogh |
| title_sort | the assassination of theo van gogh from social drama to cultural trauma |
| title_sub | From Social Drama to Cultural Trauma |
| topic | HISTORY / Europe / Western bisacsh Islamic fundamentalism Netherlands Case studies Murder Netherlands Case studies Muslims Netherlands Case studies |
| topic_facet | HISTORY / Europe / Western Islamic fundamentalism Netherlands Case studies Murder Netherlands Case studies Muslims Netherlands Case studies |
| url | https://doi.org/10.1515/9780822391449 |
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