Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle
Creator of such acclaimed works as the performance Meat Joy and the film Fuses, for decades the artist Carolee Schneemann has saved the letters she has written and received. Much of this correspondence is published here for the first time, providing an epistolary history of Schneemann and other figu...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2010]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Creator of such acclaimed works as the performance Meat Joy and the film Fuses, for decades the artist Carolee Schneemann has saved the letters she has written and received. Much of this correspondence is published here for the first time, providing an epistolary history of Schneemann and other figures central to the international avant-garde of happenings, Fluxus, performance, and conceptual art. Schneemann corresponded for more than forty years with such figures as the composer James Tenney, the filmmaker Stan Brakhage, the artist Dick Higgins, the dancer and filmmaker Yvonne Rainer, the poet Clayton Eshleman, and the psychiatrist Joseph Berke. Her "tribe," as she called it, altered the conditions under which art is made and the form in which it is presented, shifting emphasis from the private creation of unique objects to direct engagement with the public in ephemeral performances and in expanded, nontraditional forms of music, film, dance, theater, and literature.Kristine Stiles selected, edited, annotated, and wrote the introduction to the letters, assembling them so that readers can follow the development of Schneemann's art, thought, and private and public relationships. The correspondence chronicles a history of energy and invention, joy and sorrow, and charged personal and artistic struggles. It sheds light on the internecine aesthetic politics and mundane activities that constitute the exasperating vicissitudes of making art, building an artistic reputation, and negotiating an industry as unpredictable and demanding as the art world in the mid- to late twentieth century |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (600 pages) 92 illustrations (incl. 24 in color) |
| ISBN: | 9780822391005 |
| DOI: | 10.1515/9780822391005 |
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| 520 | |a Creator of such acclaimed works as the performance Meat Joy and the film Fuses, for decades the artist Carolee Schneemann has saved the letters she has written and received. Much of this correspondence is published here for the first time, providing an epistolary history of Schneemann and other figures central to the international avant-garde of happenings, Fluxus, performance, and conceptual art. Schneemann corresponded for more than forty years with such figures as the composer James Tenney, the filmmaker Stan Brakhage, the artist Dick Higgins, the dancer and filmmaker Yvonne Rainer, the poet Clayton Eshleman, and the psychiatrist Joseph Berke. Her "tribe," as she called it, altered the conditions under which art is made and the form in which it is presented, shifting emphasis from the private creation of unique objects to direct engagement with the public in ephemeral performances and in expanded, nontraditional forms of music, film, dance, theater, and literature.Kristine Stiles selected, edited, annotated, and wrote the introduction to the letters, assembling them so that readers can follow the development of Schneemann's art, thought, and private and public relationships. The correspondence chronicles a history of energy and invention, joy and sorrow, and charged personal and artistic struggles. It sheds light on the internecine aesthetic politics and mundane activities that constitute the exasperating vicissitudes of making art, building an artistic reputation, and negotiating an industry as unpredictable and demanding as the art world in the mid- to late twentieth century | ||
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Datensatz im Suchindex
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| spelling | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle Carolee Schneemann, Kristine Stiles Durham Duke University Press [2010] © 2010 1 online resource (600 pages) 92 illustrations (incl. 24 in color) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Creator of such acclaimed works as the performance Meat Joy and the film Fuses, for decades the artist Carolee Schneemann has saved the letters she has written and received. Much of this correspondence is published here for the first time, providing an epistolary history of Schneemann and other figures central to the international avant-garde of happenings, Fluxus, performance, and conceptual art. Schneemann corresponded for more than forty years with such figures as the composer James Tenney, the filmmaker Stan Brakhage, the artist Dick Higgins, the dancer and filmmaker Yvonne Rainer, the poet Clayton Eshleman, and the psychiatrist Joseph Berke. Her "tribe," as she called it, altered the conditions under which art is made and the form in which it is presented, shifting emphasis from the private creation of unique objects to direct engagement with the public in ephemeral performances and in expanded, nontraditional forms of music, film, dance, theater, and literature.Kristine Stiles selected, edited, annotated, and wrote the introduction to the letters, assembling them so that readers can follow the development of Schneemann's art, thought, and private and public relationships. The correspondence chronicles a history of energy and invention, joy and sorrow, and charged personal and artistic struggles. It sheds light on the internecine aesthetic politics and mundane activities that constitute the exasperating vicissitudes of making art, building an artistic reputation, and negotiating an industry as unpredictable and demanding as the art world in the mid- to late twentieth century In English ART / Individual Artists / General bisacsh Artists United States Correspondence Schneemann, Carolee edt Stiles, Kristine edt https://doi.org/10.1515/9780822391005 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle ART / Individual Artists / General bisacsh Artists United States Correspondence |
| title | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle |
| title_auth | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle |
| title_exact_search | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle |
| title_exact_search_txtP | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle |
| title_full | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle Carolee Schneemann, Kristine Stiles |
| title_fullStr | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle Carolee Schneemann, Kristine Stiles |
| title_full_unstemmed | Correspondence Course An Epistolary History of Carolee Schneemann and Her Circle Carolee Schneemann, Kristine Stiles |
| title_short | Correspondence Course |
| title_sort | correspondence course an epistolary history of carolee schneemann and her circle |
| title_sub | An Epistolary History of Carolee Schneemann and Her Circle |
| topic | ART / Individual Artists / General bisacsh Artists United States Correspondence |
| topic_facet | ART / Individual Artists / General Artists United States Correspondence |
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