The Political Life of Sensation:
The taste of chocolate, the noise of a crowd, the visual impressions of filmic images-such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theorists ignore a crucial dimension of political l...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2009]
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Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 URL des Erstveröffentlichers |
Zusammenfassung: | The taste of chocolate, the noise of a crowd, the visual impressions of filmic images-such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theorists ignore a crucial dimension of political life. Drawing on Gilles Deleuze's and Jacques Rancière's readings of Kantian aesthetics, Panagia posits sensation as a radical democratic moment of aesthetic judgment. He contends that sensory experience interrupts our perceptual givens, creating occasions to suspend authority and reconfigure the arrangement of a political order.Panagia claims that the rule of narrative governs our inherited notions of political subjectivity and agency, such that reading and writing are the established modes of political deliberation. Yet the contemporary citizen-subject is a viewing subject, influenced by film, photos, and other perceptual stimuli as much as by text. Challenging the rule of narrative, Panagia analyzes diverse sites of cultural engagement including the visual dynamics portrayed in the film The Ring, the growth of festival culture in late-fifteenth-century Florence, the practices of convivium espoused by the Slow Food movement, and the architectural design of public newsstands. He then ties these occasions for sensation to notable moments in the history of political thought and shows the political potential of a dislocated subjectivity therein. Democratic politics, Panagia concludes, involves a taking part in those everyday practices that interrupt our common modes of sensing and afford us an awareness of what had previously been insensible |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (232 pages) 11 illustrations |
ISBN: | 9780822390817 |
DOI: | 10.1515/9780822390817 |
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520 | |a The taste of chocolate, the noise of a crowd, the visual impressions of filmic images-such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theorists ignore a crucial dimension of political life. Drawing on Gilles Deleuze's and Jacques Rancière's readings of Kantian aesthetics, Panagia posits sensation as a radical democratic moment of aesthetic judgment. He contends that sensory experience interrupts our perceptual givens, creating occasions to suspend authority and reconfigure the arrangement of a political order.Panagia claims that the rule of narrative governs our inherited notions of political subjectivity and agency, such that reading and writing are the established modes of political deliberation. Yet the contemporary citizen-subject is a viewing subject, influenced by film, photos, and other perceptual stimuli as much as by text. Challenging the rule of narrative, Panagia analyzes diverse sites of cultural engagement including the visual dynamics portrayed in the film The Ring, the growth of festival culture in late-fifteenth-century Florence, the practices of convivium espoused by the Slow Food movement, and the architectural design of public newsstands. He then ties these occasions for sensation to notable moments in the history of political thought and shows the political potential of a dislocated subjectivity therein. Democratic politics, Panagia concludes, involves a taking part in those everyday practices that interrupt our common modes of sensing and afford us an awareness of what had previously been insensible | ||
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author | Panagia, Davide |
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author_sort | Panagia, Davide |
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discipline_str_mv | Philosophie |
doi_str_mv | 10.1515/9780822390817 |
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illustrated | Illustrated |
index_date | 2024-07-03T16:07:30Z |
indexdate | 2025-02-19T17:29:40Z |
institution | BVB |
isbn | 9780822390817 |
language | English |
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publishDate | 2009 |
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publisher | Duke University Press |
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spelling | Panagia, Davide Verfasser aut The Political Life of Sensation Davide Panagia Durham Duke University Press [2009] © 2009 1 online resource (232 pages) 11 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) The taste of chocolate, the noise of a crowd, the visual impressions of filmic images-such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theorists ignore a crucial dimension of political life. Drawing on Gilles Deleuze's and Jacques Rancière's readings of Kantian aesthetics, Panagia posits sensation as a radical democratic moment of aesthetic judgment. He contends that sensory experience interrupts our perceptual givens, creating occasions to suspend authority and reconfigure the arrangement of a political order.Panagia claims that the rule of narrative governs our inherited notions of political subjectivity and agency, such that reading and writing are the established modes of political deliberation. Yet the contemporary citizen-subject is a viewing subject, influenced by film, photos, and other perceptual stimuli as much as by text. Challenging the rule of narrative, Panagia analyzes diverse sites of cultural engagement including the visual dynamics portrayed in the film The Ring, the growth of festival culture in late-fifteenth-century Florence, the practices of convivium espoused by the Slow Food movement, and the architectural design of public newsstands. He then ties these occasions for sensation to notable moments in the history of political thought and shows the political potential of a dislocated subjectivity therein. Democratic politics, Panagia concludes, involves a taking part in those everyday practices that interrupt our common modes of sensing and afford us an awareness of what had previously been insensible In English POLITICAL SCIENCE / History & Theory bisacsh Perception Moral and ethical aspects Perception Political aspects Senses and sensation Moral and ethical aspects Senses and sensation Political aspects https://doi.org/10.1515/9780822390817 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Panagia, Davide The Political Life of Sensation POLITICAL SCIENCE / History & Theory bisacsh Perception Moral and ethical aspects Perception Political aspects Senses and sensation Moral and ethical aspects Senses and sensation Political aspects |
title | The Political Life of Sensation |
title_auth | The Political Life of Sensation |
title_exact_search | The Political Life of Sensation |
title_exact_search_txtP | The Political Life of Sensation |
title_full | The Political Life of Sensation Davide Panagia |
title_fullStr | The Political Life of Sensation Davide Panagia |
title_full_unstemmed | The Political Life of Sensation Davide Panagia |
title_short | The Political Life of Sensation |
title_sort | the political life of sensation |
topic | POLITICAL SCIENCE / History & Theory bisacsh Perception Moral and ethical aspects Perception Political aspects Senses and sensation Moral and ethical aspects Senses and sensation Political aspects |
topic_facet | POLITICAL SCIENCE / History & Theory Perception Moral and ethical aspects Perception Political aspects Senses and sensation Moral and ethical aspects Senses and sensation Political aspects |
url | https://doi.org/10.1515/9780822390817 |
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