Dissident Syria: Making Oppositional Arts Official
From 1970 until his death in 2000, Hafiz Asad ruled Syria with an iron fist. His regime controlled every aspect of daily life. Seeking to preempt popular unrest, Asad sometimes facilitated the expression of anti-government sentiment by appropriating the work of artists and writers, turning works of...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2007]
|
Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 URL des Erstveröffentlichers |
Zusammenfassung: | From 1970 until his death in 2000, Hafiz Asad ruled Syria with an iron fist. His regime controlled every aspect of daily life. Seeking to preempt popular unrest, Asad sometimes facilitated the expression of anti-government sentiment by appropriating the work of artists and writers, turning works of protest into official agitprop. Syrian dissidents were forced to negotiate between the desire to genuinely criticize the authoritarian regime, the risk to their own safety and security that such criticism would invite, and the fear that their work would be co-opted as government propaganda, as what miriam cooke calls "commissioned criticism." In this intimate account of dissidence in Asad's Syria, cooke describes how intellectuals attempted to navigate between charges of complicity with the state and treason against it.A renowned scholar of Arab cultures, cooke spent six months in Syria during the mid-1990s familiarizing herself with the country's literary scene, particularly its women writers. While she was in Damascus, dissidents told her that to really understand life under Hafiz Asad, she had to speak with playwrights, filmmakers, and, above all, the authors of "prison literature." She shares what she learned in Dissident Syria. She describes touring a sculptor's studio, looking at the artist's subversive work as well as at pieces commissioned by the government. She relates a playwright's view that theater is unique in its ability to stage protest through innuendo and gesture. Turning to film, she shares filmmakers' experiences of making movies that are praised abroad but rarely if ever screened at home. Filled with the voices of writers and artists, Dissident Syria reveals a community of conscience within Syria to those beyond its borders |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (205 pages) 13 illustrations |
ISBN: | 9780822390565 |
DOI: | 10.1515/9780822390565 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV047048875 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 201207s2007 xx a||| o|||| 00||| eng d | ||
020 | |a 9780822390565 |9 978-0-8223-9056-5 | ||
024 | 7 | |a 10.1515/9780822390565 |2 doi | |
035 | |a (ZDB-23-DGG)9780822390565 | ||
035 | |a (OCoLC)1226704036 | ||
035 | |a (DE-599)BVBBV047048875 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
082 | 0 | |a 956.9104/2 | |
100 | 1 | |a cooke, miriam |e Verfasser |4 aut | |
245 | 1 | 0 | |a Dissident Syria |b Making Oppositional Arts Official |c miriam cooke |
264 | 1 | |a Durham |b Duke University Press |c [2007] | |
264 | 4 | |c © 2007 | |
300 | |a 1 online resource (205 pages) |b 13 illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) | ||
520 | |a From 1970 until his death in 2000, Hafiz Asad ruled Syria with an iron fist. His regime controlled every aspect of daily life. Seeking to preempt popular unrest, Asad sometimes facilitated the expression of anti-government sentiment by appropriating the work of artists and writers, turning works of protest into official agitprop. Syrian dissidents were forced to negotiate between the desire to genuinely criticize the authoritarian regime, the risk to their own safety and security that such criticism would invite, and the fear that their work would be co-opted as government propaganda, as what miriam cooke calls "commissioned criticism." In this intimate account of dissidence in Asad's Syria, cooke describes how intellectuals attempted to navigate between charges of complicity with the state and treason against it.A renowned scholar of Arab cultures, cooke spent six months in Syria during the mid-1990s familiarizing herself with the country's literary scene, particularly its women writers. While she was in Damascus, dissidents told her that to really understand life under Hafiz Asad, she had to speak with playwrights, filmmakers, and, above all, the authors of "prison literature." She shares what she learned in Dissident Syria. She describes touring a sculptor's studio, looking at the artist's subversive work as well as at pieces commissioned by the government. She relates a playwright's view that theater is unique in its ability to stage protest through innuendo and gesture. Turning to film, she shares filmmakers' experiences of making movies that are praised abroad but rarely if ever screened at home. Filled with the voices of writers and artists, Dissident Syria reveals a community of conscience within Syria to those beyond its borders | ||
546 | |a In English | ||
650 | 7 | |a HISTORY / Middle East / General |2 bisacsh | |
650 | 4 | |a Arabic literature |y 20th century |x History and criticism | |
650 | 4 | |a Arabic literature |z Syria |x History and criticism | |
650 | 4 | |a Art |x Political aspects |z Syria | |
650 | 4 | |a Dissenters, Artistic |z Syria | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780822390565 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032456271 | |
966 | e | |u https://doi.org/10.1515/9780822390565 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822390565 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822390565 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822390565 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822390565 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822390565 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822390565 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824507749268979712 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | cooke, miriam |
author_facet | cooke, miriam |
author_role | aut |
author_sort | cooke, miriam |
author_variant | m c mc |
building | Verbundindex |
bvnumber | BV047048875 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780822390565 (OCoLC)1226704036 (DE-599)BVBBV047048875 |
dewey-full | 956.9104/2 |
dewey-hundreds | 900 - History & geography |
dewey-ones | 956 - Middle East (Near East) |
dewey-raw | 956.9104/2 |
dewey-search | 956.9104/2 |
dewey-sort | 3956.9104 12 |
dewey-tens | 950 - History of Asia |
discipline | Geschichte |
discipline_str_mv | Geschichte |
doi_str_mv | 10.1515/9780822390565 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047048875</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201207s2007 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822390565</subfield><subfield code="9">978-0-8223-9056-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780822390565</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780822390565</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1226704036</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047048875</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">956.9104/2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">cooke, miriam</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Dissident Syria</subfield><subfield code="b">Making Oppositional Arts Official</subfield><subfield code="c">miriam cooke</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2007]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (205 pages)</subfield><subfield code="b">13 illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">From 1970 until his death in 2000, Hafiz Asad ruled Syria with an iron fist. His regime controlled every aspect of daily life. Seeking to preempt popular unrest, Asad sometimes facilitated the expression of anti-government sentiment by appropriating the work of artists and writers, turning works of protest into official agitprop. Syrian dissidents were forced to negotiate between the desire to genuinely criticize the authoritarian regime, the risk to their own safety and security that such criticism would invite, and the fear that their work would be co-opted as government propaganda, as what miriam cooke calls "commissioned criticism." In this intimate account of dissidence in Asad's Syria, cooke describes how intellectuals attempted to navigate between charges of complicity with the state and treason against it.A renowned scholar of Arab cultures, cooke spent six months in Syria during the mid-1990s familiarizing herself with the country's literary scene, particularly its women writers. While she was in Damascus, dissidents told her that to really understand life under Hafiz Asad, she had to speak with playwrights, filmmakers, and, above all, the authors of "prison literature." She shares what she learned in Dissident Syria. She describes touring a sculptor's studio, looking at the artist's subversive work as well as at pieces commissioned by the government. She relates a playwright's view that theater is unique in its ability to stage protest through innuendo and gesture. Turning to film, she shares filmmakers' experiences of making movies that are praised abroad but rarely if ever screened at home. Filled with the voices of writers and artists, Dissident Syria reveals a community of conscience within Syria to those beyond its borders</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / Middle East / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arabic literature</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arabic literature</subfield><subfield code="z">Syria</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art</subfield><subfield code="x">Political aspects</subfield><subfield code="z">Syria</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Dissenters, Artistic</subfield><subfield code="z">Syria</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780822390565</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032456271</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822390565</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822390565</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822390565</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822390565</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822390565</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822390565</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822390565</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047048875 |
illustrated | Illustrated |
index_date | 2024-07-03T16:07:30Z |
indexdate | 2025-02-19T17:29:40Z |
institution | BVB |
isbn | 9780822390565 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456271 |
oclc_num | 1226704036 |
open_access_boolean | |
owner | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
owner_facet | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
physical | 1 online resource (205 pages) 13 illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Duke University Press |
record_format | marc |
spelling | cooke, miriam Verfasser aut Dissident Syria Making Oppositional Arts Official miriam cooke Durham Duke University Press [2007] © 2007 1 online resource (205 pages) 13 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) From 1970 until his death in 2000, Hafiz Asad ruled Syria with an iron fist. His regime controlled every aspect of daily life. Seeking to preempt popular unrest, Asad sometimes facilitated the expression of anti-government sentiment by appropriating the work of artists and writers, turning works of protest into official agitprop. Syrian dissidents were forced to negotiate between the desire to genuinely criticize the authoritarian regime, the risk to their own safety and security that such criticism would invite, and the fear that their work would be co-opted as government propaganda, as what miriam cooke calls "commissioned criticism." In this intimate account of dissidence in Asad's Syria, cooke describes how intellectuals attempted to navigate between charges of complicity with the state and treason against it.A renowned scholar of Arab cultures, cooke spent six months in Syria during the mid-1990s familiarizing herself with the country's literary scene, particularly its women writers. While she was in Damascus, dissidents told her that to really understand life under Hafiz Asad, she had to speak with playwrights, filmmakers, and, above all, the authors of "prison literature." She shares what she learned in Dissident Syria. She describes touring a sculptor's studio, looking at the artist's subversive work as well as at pieces commissioned by the government. She relates a playwright's view that theater is unique in its ability to stage protest through innuendo and gesture. Turning to film, she shares filmmakers' experiences of making movies that are praised abroad but rarely if ever screened at home. Filled with the voices of writers and artists, Dissident Syria reveals a community of conscience within Syria to those beyond its borders In English HISTORY / Middle East / General bisacsh Arabic literature 20th century History and criticism Arabic literature Syria History and criticism Art Political aspects Syria Dissenters, Artistic Syria https://doi.org/10.1515/9780822390565 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | cooke, miriam Dissident Syria Making Oppositional Arts Official HISTORY / Middle East / General bisacsh Arabic literature 20th century History and criticism Arabic literature Syria History and criticism Art Political aspects Syria Dissenters, Artistic Syria |
title | Dissident Syria Making Oppositional Arts Official |
title_auth | Dissident Syria Making Oppositional Arts Official |
title_exact_search | Dissident Syria Making Oppositional Arts Official |
title_exact_search_txtP | Dissident Syria Making Oppositional Arts Official |
title_full | Dissident Syria Making Oppositional Arts Official miriam cooke |
title_fullStr | Dissident Syria Making Oppositional Arts Official miriam cooke |
title_full_unstemmed | Dissident Syria Making Oppositional Arts Official miriam cooke |
title_short | Dissident Syria |
title_sort | dissident syria making oppositional arts official |
title_sub | Making Oppositional Arts Official |
topic | HISTORY / Middle East / General bisacsh Arabic literature 20th century History and criticism Arabic literature Syria History and criticism Art Political aspects Syria Dissenters, Artistic Syria |
topic_facet | HISTORY / Middle East / General Arabic literature 20th century History and criticism Arabic literature Syria History and criticism Art Political aspects Syria Dissenters, Artistic Syria |
url | https://doi.org/10.1515/9780822390565 |
work_keys_str_mv | AT cookemiriam dissidentsyriamakingoppositionalartsofficial |