Avant-Garde Fascism: The Mobilization of Myth, Art, and Culture in France, 1909-1939
Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were impl...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the "New Vision" photographer Germaine Krull, and the fauve Maurice Vlaminck.Antliff considers three French fascists: Georges Valois, Philippe Lamour, and Thierry Maulnier, demonstrating how they appropriated the avant-garde aesthetics of cubism, futurism, surrealism, and the so-called Retour à l'Ordre ("Return to Order"), and, in one instance, even defined the "dynamism" of fascist ideology in terms of Soviet filmmaker Sergei Eisenstein's theory of montage. For these fascists, modern art was the mythic harbinger of a regenerative revolution that would overthrow existing governmental institutions, inaugurate an anticapitalist new order, and awaken the creative and artistic potential of the fascist "new man."In formulating the nexus of fascist ideology, aesthetics, and violence, Valois, Lamour, and Maulnier drew primarily on the writings of the French political theorist Georges Sorel, whose concept of revolutionary myth proved central to fascist theories of cultural and national regeneration in France. Antliff analyzes the impact of Sorel's theory of myth on Valois, Lamour, and Maulnier. Valois created the first fascist movement in France; Lamour, a follower of Valois, established the short-lived Parti Fasciste Révolutionnaire in 1928 before founding two fascist-oriented journals; Maulnier forged a theory of fascism under the auspices of the journals Combat and Insurgé |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (372 pages) 67 b&w illustrations |
| ISBN: | 9780822390473 |
| DOI: | 10.1515/9780822390473 |
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| 520 | |a Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the "New Vision" photographer Germaine Krull, and the fauve Maurice Vlaminck.Antliff considers three French fascists: Georges Valois, Philippe Lamour, and Thierry Maulnier, demonstrating how they appropriated the avant-garde aesthetics of cubism, futurism, surrealism, and the so-called Retour à l'Ordre ("Return to Order"), and, in one instance, even defined the "dynamism" of fascist ideology in terms of Soviet filmmaker Sergei Eisenstein's theory of montage. For these fascists, modern art was the mythic harbinger of a regenerative revolution that would overthrow existing governmental institutions, inaugurate an anticapitalist new order, and awaken the creative and artistic potential of the fascist "new man."In formulating the nexus of fascist ideology, aesthetics, and violence, Valois, Lamour, and Maulnier drew primarily on the writings of the French political theorist Georges Sorel, whose concept of revolutionary myth proved central to fascist theories of cultural and national regeneration in France. Antliff analyzes the impact of Sorel's theory of myth on Valois, Lamour, and Maulnier. Valois created the first fascist movement in France; Lamour, a follower of Valois, established the short-lived Parti Fasciste Révolutionnaire in 1928 before founding two fascist-oriented journals; Maulnier forged a theory of fascism under the auspices of the journals Combat and Insurgé | ||
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| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:08Z |
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| isbn | 9780822390473 |
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| spelling | Antliff, Mark Verfasser aut Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 Mark Antliff Durham Duke University Press [2007] © 2007 1 online resource (372 pages) 67 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the "New Vision" photographer Germaine Krull, and the fauve Maurice Vlaminck.Antliff considers three French fascists: Georges Valois, Philippe Lamour, and Thierry Maulnier, demonstrating how they appropriated the avant-garde aesthetics of cubism, futurism, surrealism, and the so-called Retour à l'Ordre ("Return to Order"), and, in one instance, even defined the "dynamism" of fascist ideology in terms of Soviet filmmaker Sergei Eisenstein's theory of montage. For these fascists, modern art was the mythic harbinger of a regenerative revolution that would overthrow existing governmental institutions, inaugurate an anticapitalist new order, and awaken the creative and artistic potential of the fascist "new man."In formulating the nexus of fascist ideology, aesthetics, and violence, Valois, Lamour, and Maulnier drew primarily on the writings of the French political theorist Georges Sorel, whose concept of revolutionary myth proved central to fascist theories of cultural and national regeneration in France. Antliff analyzes the impact of Sorel's theory of myth on Valois, Lamour, and Maulnier. Valois created the first fascist movement in France; Lamour, a follower of Valois, established the short-lived Parti Fasciste Révolutionnaire in 1928 before founding two fascist-oriented journals; Maulnier forged a theory of fascism under the auspices of the journals Combat and Insurgé In English ART / History / Modern (late 19th Century to 1945) bisacsh Avant-garde (Aesthetics) France History 20th century Fascism and art France History 20th century Fascism and culture France History 20th century Fascism France History 20th century https://doi.org/10.1515/9780822390473 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Antliff, Mark Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 ART / History / Modern (late 19th Century to 1945) bisacsh Avant-garde (Aesthetics) France History 20th century Fascism and art France History 20th century Fascism and culture France History 20th century Fascism France History 20th century |
| title | Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 |
| title_auth | Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 |
| title_exact_search | Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 |
| title_exact_search_txtP | Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 |
| title_full | Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 Mark Antliff |
| title_fullStr | Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 Mark Antliff |
| title_full_unstemmed | Avant-Garde Fascism The Mobilization of Myth, Art, and Culture in France, 1909-1939 Mark Antliff |
| title_short | Avant-Garde Fascism |
| title_sort | avant garde fascism the mobilization of myth art and culture in france 1909 1939 |
| title_sub | The Mobilization of Myth, Art, and Culture in France, 1909-1939 |
| topic | ART / History / Modern (late 19th Century to 1945) bisacsh Avant-garde (Aesthetics) France History 20th century Fascism and art France History 20th century Fascism and culture France History 20th century Fascism France History 20th century |
| topic_facet | ART / History / Modern (late 19th Century to 1945) Avant-garde (Aesthetics) France History 20th century Fascism and art France History 20th century Fascism and culture France History 20th century Fascism France History 20th century |
| url | https://doi.org/10.1515/9780822390473 |
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