Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali
In 1996, Emma Baulch went to live in Bali to do research on youth culture. Her chats with young people led her to an enormously popular regular outdoor show dominated by local reggae, punk, and death metal bands. In this rich ethnography, she takes readers inside each scene: hanging out in the death...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Schriftenreihe: | e-Duke books scholarly collection
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | In 1996, Emma Baulch went to live in Bali to do research on youth culture. Her chats with young people led her to an enormously popular regular outdoor show dominated by local reggae, punk, and death metal bands. In this rich ethnography, she takes readers inside each scene: hanging out in the death metal scene among unemployed university graduates clad in black T-shirts and ragged jeans; in the punk scene among young men sporting mohawks, leather jackets, and hefty jackboots; and among the remnants of the local reggae scene in Kuta Beach, the island's most renowned tourist area. Baulch tracks how each music scene arrived and grew in Bali, looking at such influences as the global extreme metal underground, MTV Asia, and the internationalization of Indonesia's music industry.Making Scenes is an exploration of the subtle politics of identity that took place within and among these scenes throughout the course of the 1990s. Participants in the different scenes often explained their interest in death metal, punk, or reggae in relation to broader ideas about what it meant to be Balinese, which reflected views about Bali's tourism industry and the cultural dominance of Jakarta, Indonesia's capital and largest city. Through dance, dress, claims to public spaces, and onstage performances, participants and enthusiasts reworked "Balinese-ness" by synthesizing global media, ideas of national belonging, and local identity politics. Making Scenes chronicles the creation of subcultures at a historical moment when media globalization and the gradual demise of the authoritarian Suharto regime coincided with revitalized, essentialist formulations of the Balinese self |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (248 pages) 12 illustrations |
| ISBN: | 9780822390343 |
| DOI: | 10.1515/9780822390343 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:30Z |
| indexdate | 2024-07-10T09:01:08Z |
| institution | BVB |
| isbn | 9780822390343 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456251 |
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| spelling | Baulch, Emma Verfasser aut Making Scenes Reggae, Punk, and Death Metal in 1990s Bali Emma Baulch Durham Duke University Press [2007] © 2007 1 online resource (248 pages) 12 illustrations txt rdacontent c rdamedia cr rdacarrier e-Duke books scholarly collection Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In 1996, Emma Baulch went to live in Bali to do research on youth culture. Her chats with young people led her to an enormously popular regular outdoor show dominated by local reggae, punk, and death metal bands. In this rich ethnography, she takes readers inside each scene: hanging out in the death metal scene among unemployed university graduates clad in black T-shirts and ragged jeans; in the punk scene among young men sporting mohawks, leather jackets, and hefty jackboots; and among the remnants of the local reggae scene in Kuta Beach, the island's most renowned tourist area. Baulch tracks how each music scene arrived and grew in Bali, looking at such influences as the global extreme metal underground, MTV Asia, and the internationalization of Indonesia's music industry.Making Scenes is an exploration of the subtle politics of identity that took place within and among these scenes throughout the course of the 1990s. Participants in the different scenes often explained their interest in death metal, punk, or reggae in relation to broader ideas about what it meant to be Balinese, which reflected views about Bali's tourism industry and the cultural dominance of Jakarta, Indonesia's capital and largest city. Through dance, dress, claims to public spaces, and onstage performances, participants and enthusiasts reworked "Balinese-ness" by synthesizing global media, ideas of national belonging, and local identity politics. Making Scenes chronicles the creation of subcultures at a historical moment when media globalization and the gradual demise of the authoritarian Suharto regime coincided with revitalized, essentialist formulations of the Balinese self In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Death metal (Music) Social aspects Indonesia Bali Island Group identity Indonesia Bali Island Punk rock music Social aspects Indonesia Bali Island Reggae music Social aspects Indonesia Bali Island Subculture Indonesia Bali Island Youth Indonesia Bali (Province) Social life and customs https://doi.org/10.1515/9780822390343 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Baulch, Emma Making Scenes Reggae, Punk, and Death Metal in 1990s Bali SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Death metal (Music) Social aspects Indonesia Bali Island Group identity Indonesia Bali Island Punk rock music Social aspects Indonesia Bali Island Reggae music Social aspects Indonesia Bali Island Subculture Indonesia Bali Island Youth Indonesia Bali (Province) Social life and customs |
| title | Making Scenes Reggae, Punk, and Death Metal in 1990s Bali |
| title_auth | Making Scenes Reggae, Punk, and Death Metal in 1990s Bali |
| title_exact_search | Making Scenes Reggae, Punk, and Death Metal in 1990s Bali |
| title_exact_search_txtP | Making Scenes Reggae, Punk, and Death Metal in 1990s Bali |
| title_full | Making Scenes Reggae, Punk, and Death Metal in 1990s Bali Emma Baulch |
| title_fullStr | Making Scenes Reggae, Punk, and Death Metal in 1990s Bali Emma Baulch |
| title_full_unstemmed | Making Scenes Reggae, Punk, and Death Metal in 1990s Bali Emma Baulch |
| title_short | Making Scenes |
| title_sort | making scenes reggae punk and death metal in 1990s bali |
| title_sub | Reggae, Punk, and Death Metal in 1990s Bali |
| topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Death metal (Music) Social aspects Indonesia Bali Island Group identity Indonesia Bali Island Punk rock music Social aspects Indonesia Bali Island Reggae music Social aspects Indonesia Bali Island Subculture Indonesia Bali Island Youth Indonesia Bali (Province) Social life and customs |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social Death metal (Music) Social aspects Indonesia Bali Island Group identity Indonesia Bali Island Punk rock music Social aspects Indonesia Bali Island Reggae music Social aspects Indonesia Bali Island Subculture Indonesia Bali Island Youth Indonesia Bali (Province) Social life and customs |
| url | https://doi.org/10.1515/9780822390343 |
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