Undead TV: Essays on Buffy the Vampire Slayer
When the final episode of Buffy the Vampire Slayer aired in 2003, fans mourned the death of the hit television series. Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much ent...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2007]
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Schlagworte: | |
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Zusammenfassung: | When the final episode of Buffy the Vampire Slayer aired in 2003, fans mourned the death of the hit television series. Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much entertainment television by offering sharp, provocative commentaries on gender, sexuality, race, ethnicity, and youth. Yet it has also been central to changing trends in television production and reception. As a flagship show for two U.S. "netlets"-the WB and UPN-Buffy helped usher in the "post-network" era, and as the inspiration for an active fan base, it helped drive the proliferation of Web-based fan engagement.In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar's celebrity image, science-fiction fanzines, international and "youth" audiences, Buffy tie-in books, and Angel's body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (224 pages) 40 b&w illustrations |
ISBN: | 9780822390152 |
DOI: | 10.1515/9780822390152 |
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spelling | Undead TV Essays on Buffy the Vampire Slayer Elana Levine, Lisa Parks Durham Duke University Press [2007] © 2007 1 online resource (224 pages) 40 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) When the final episode of Buffy the Vampire Slayer aired in 2003, fans mourned the death of the hit television series. Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much entertainment television by offering sharp, provocative commentaries on gender, sexuality, race, ethnicity, and youth. Yet it has also been central to changing trends in television production and reception. As a flagship show for two U.S. "netlets"-the WB and UPN-Buffy helped usher in the "post-network" era, and as the inspiration for an active fan base, it helped drive the proliferation of Web-based fan engagement.In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar's celebrity image, science-fiction fanzines, international and "youth" audiences, Buffy tie-in books, and Angel's body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks In English PERFORMING ARTS / Television / History & Criticism bisacsh Allison, McCracken ctb Amelie, Hastie ctb Annette, Hill ctb Cynthia, Fuchs ctb Elana, Levine ctb Ian, Calcutt ctb Jason, Middleton ctb Kearney, Mary Celeste Sonstige oth Levine, Elana edt Lisa, Parks ctb Mary, Celeste Kearney ctb Murray, Susan Sonstige oth Parks, Lisa edt Susan, Murray ctb https://doi.org/10.1515/9780822390152 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Undead TV Essays on Buffy the Vampire Slayer PERFORMING ARTS / Television / History & Criticism bisacsh |
title | Undead TV Essays on Buffy the Vampire Slayer |
title_auth | Undead TV Essays on Buffy the Vampire Slayer |
title_exact_search | Undead TV Essays on Buffy the Vampire Slayer |
title_exact_search_txtP | Undead TV Essays on Buffy the Vampire Slayer |
title_full | Undead TV Essays on Buffy the Vampire Slayer Elana Levine, Lisa Parks |
title_fullStr | Undead TV Essays on Buffy the Vampire Slayer Elana Levine, Lisa Parks |
title_full_unstemmed | Undead TV Essays on Buffy the Vampire Slayer Elana Levine, Lisa Parks |
title_short | Undead TV |
title_sort | undead tv essays on buffy the vampire slayer |
title_sub | Essays on Buffy the Vampire Slayer |
topic | PERFORMING ARTS / Television / History & Criticism bisacsh |
topic_facet | PERFORMING ARTS / Television / History & Criticism |
url | https://doi.org/10.1515/9780822390152 |
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