Dancing with the Dead: Memory, Performance, and Everyday Life in Postwar Okinawa
Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2008]
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| Schriftenreihe: | Asia-Pacific: Culture, Politics, and Society
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-703 DE-739 DE-858 Volltext |
| Zusammenfassung: | Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and dancers deeply engaged with the legacies of a brutal Japanese colonial era, the almost unimaginable devastation of the Pacific War, and a long American military occupation that still casts its shadow over the islands. The ethnographic research that Nelson conducted in Okinawa in the late 1990s-and his broader effort to understand Okinawans' critical and creative struggles-was inspired by his first visit to the islands in 1985 as a lieutenant in the U.S. Marine Corps.Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (288 pages) 16 b&w photos |
| ISBN: | 9780822390077 |
| DOI: | 10.1515/9780822390077 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2025-02-19T17:29:40Z |
| institution | BVB |
| isbn | 9780822390077 |
| language | English |
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| spelling | Nelson, Christopher T. Verfasser aut Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa Christopher T. Nelson; Masao Miyoshi, Harry Harootunian, Rey Chow Durham Duke University Press [2008] © 2008 1 online resource (288 pages) 16 b&w photos txt rdacontent c rdamedia cr rdacarrier Asia-Pacific: Culture, Politics, and Society Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Challenging conventional understandings of time and memory, Christopher T. Nelson examines how contemporary Okinawans have contested, appropriated, and transformed the burdens and possibilities of the past. Nelson explores the work of a circle of Okinawan storytellers, ethnographers, musicians, and dancers deeply engaged with the legacies of a brutal Japanese colonial era, the almost unimaginable devastation of the Pacific War, and a long American military occupation that still casts its shadow over the islands. The ethnographic research that Nelson conducted in Okinawa in the late 1990s-and his broader effort to understand Okinawans' critical and creative struggles-was inspired by his first visit to the islands in 1985 as a lieutenant in the U.S. Marine Corps.Nelson analyzes the practices of specific performers, showing how memories are recalled, bodies remade, and actions rethought as Okinawans work through fragments of the past in order to reconstruct the fabric of everyday life. Artists such as the popular Okinawan actor and storyteller Fujiki Hayato weave together genres including Japanese stand-up comedy, Okinawan celebratory rituals, and ethnographic studies of war memory, encouraging their audiences to imagine other ways to live in the modern world. Nelson looks at the efforts of performers and activists to wrest the Okinawan past from romantic representations of idyllic rural life in the Japanese media and reactionary appropriations of traditional values by conservative politicians. In his consideration of eisā, the traditional dance for the dead, Nelson finds a practice that reaches beyond the expected boundaries of mourning and commemoration, as the living and the dead come together to create a moment in which a new world might be built from the ruins of the old In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Arts and history Japan Okinawa-ken Ethnology Japan Okinawa-ken Performing arts Japan Okinawa-ken Chow, Rey edt Harootunian, Harry edt Miyoshi, Masao edt https://doi.org/10.1515/9780822390077 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Nelson, Christopher T. Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Arts and history Japan Okinawa-ken Ethnology Japan Okinawa-ken Performing arts Japan Okinawa-ken |
| title | Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa |
| title_auth | Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa |
| title_exact_search | Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa |
| title_exact_search_txtP | Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa |
| title_full | Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa Christopher T. Nelson; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_fullStr | Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa Christopher T. Nelson; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_full_unstemmed | Dancing with the Dead Memory, Performance, and Everyday Life in Postwar Okinawa Christopher T. Nelson; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_short | Dancing with the Dead |
| title_sort | dancing with the dead memory performance and everyday life in postwar okinawa |
| title_sub | Memory, Performance, and Everyday Life in Postwar Okinawa |
| topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Arts and history Japan Okinawa-ken Ethnology Japan Okinawa-ken Performing arts Japan Okinawa-ken |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social Arts and history Japan Okinawa-ken Ethnology Japan Okinawa-ken Performing arts Japan Okinawa-ken |
| url | https://doi.org/10.1515/9780822390077 |
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