Interventions into Modernist Cultures: Poetry from Beyond the Empty Screen
Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Col...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
|
| Schriftenreihe: | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü's fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos-which incorporate a multiplicity of decontextualized and ahistorical voices-and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry's sophisticated readings provide a useful critical framework for apprehending how "minor modernisms" illuminate the histories erased by certain canonical modernist texts |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (200 pages) |
| ISBN: | 9780822389866 |
| DOI: | 10.1515/9780822389866 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047048810 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201207s2007 |||| o||u| ||||||eng d | ||
| 020 | |a 9780822389866 |9 978-0-8223-8986-6 | ||
| 024 | 7 | |a 10.1515/9780822389866 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780822389866 | ||
| 035 | |a (OCoLC)1226701221 | ||
| 035 | |a (DE-599)BVBBV047048810 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 811/.5409 |2 22 | |
| 100 | 1 | |a Parry, Amie Elizabeth |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Interventions into Modernist Cultures |b Poetry from Beyond the Empty Screen |c Amie Elizabeth Parry, Amie Elizabeth Parry; Lisa Lowe |
| 264 | 1 | |a Durham |b Duke University Press |c [2007] | |
| 264 | 4 | |c © 2007 | |
| 300 | |a 1 online resource (200 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) | ||
| 520 | |a Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü's fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos-which incorporate a multiplicity of decontextualized and ahistorical voices-and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry's sophisticated readings provide a useful critical framework for apprehending how "minor modernisms" illuminate the histories erased by certain canonical modernist texts | ||
| 546 | |a In English | ||
| 650 | 7 | |a LITERARY CRITICISM / Semiotics & Theory |2 bisacsh | |
| 650 | 4 | |a American poetry |y 20th century |x History and criticism | |
| 650 | 4 | |a Chinese poetry |z Taiwan |x History and criticism | |
| 650 | 4 | |a Comparative literature |x American and Chinese | |
| 650 | 4 | |a Comparative literature |x Chinese and American | |
| 650 | 4 | |a Modernism (Literature) |z Taiwan | |
| 650 | 4 | |a Modernism (Literature) |z United States | |
| 700 | 1 | |a Lowe, Lisa |4 edt | |
| 700 | 1 | |a Parry, Amie Elizabeth |4 aut | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780822389866 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032456206 | ||
| 966 | e | |u https://doi.org/10.1515/9780822389866 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822389866 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822389866 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822389866 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822389866 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822389866 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822389866 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822389866 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182034570018816 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Parry, Amie Elizabeth Parry, Amie Elizabeth |
| author2 | Lowe, Lisa |
| author2_role | edt |
| author2_variant | l l ll |
| author_facet | Parry, Amie Elizabeth Parry, Amie Elizabeth Lowe, Lisa |
| author_role | aut aut |
| author_sort | Parry, Amie Elizabeth |
| author_variant | a e p ae aep a e p ae aep |
| building | Verbundindex |
| bvnumber | BV047048810 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780822389866 (OCoLC)1226701221 (DE-599)BVBBV047048810 |
| dewey-full | 811/.5409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 811 - American poetry in English |
| dewey-raw | 811/.5409 |
| dewey-search | 811/.5409 |
| dewey-sort | 3811 45409 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9780822389866 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04607nmm a2200577zc 4500</leader><controlfield tag="001">BV047048810</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201207s2007 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822389866</subfield><subfield code="9">978-0-8223-8986-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780822389866</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780822389866</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1226701221</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047048810</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">811/.5409</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Parry, Amie Elizabeth</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Interventions into Modernist Cultures</subfield><subfield code="b">Poetry from Beyond the Empty Screen</subfield><subfield code="c">Amie Elizabeth Parry, Amie Elizabeth Parry; Lisa Lowe</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2007]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (200 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü's fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos-which incorporate a multiplicity of decontextualized and ahistorical voices-and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry's sophisticated readings provide a useful critical framework for apprehending how "minor modernisms" illuminate the histories erased by certain canonical modernist texts</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM / Semiotics & Theory</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">American poetry</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Chinese poetry</subfield><subfield code="z">Taiwan</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Comparative literature</subfield><subfield code="x">American and Chinese</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Comparative literature</subfield><subfield code="x">Chinese and American</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Literature)</subfield><subfield code="z">Taiwan</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Literature)</subfield><subfield code="z">United States</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lowe, Lisa</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Parry, Amie Elizabeth</subfield><subfield code="4">aut</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032456206</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822389866</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047048810 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2024-07-10T09:01:08Z |
| institution | BVB |
| isbn | 9780822389866 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456206 |
| oclc_num | 1226701221 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| physical | 1 online resource (200 pages) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe |
| spelling | Parry, Amie Elizabeth Verfasser aut Interventions into Modernist Cultures Poetry from Beyond the Empty Screen Amie Elizabeth Parry, Amie Elizabeth Parry; Lisa Lowe Durham Duke University Press [2007] © 2007 1 online resource (200 pages) txt rdacontent c rdamedia cr rdacarrier Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Cold War neocolonial military presence, and economic influence in Asia. Focusing on poetry, a genre often overlooked in postcolonial theory, she contends that the radically fragmented form of modernist poetic texts is particularly well suited to representing U.S. imperialism and neocolonial modernities.Reading various works by U.S. expatriates Ezra Pound and Gertrude Stein, Parry compares the cultural politics of U.S. canonical modernism with alternative representations of temporality, hybridity, erasure, and sexuality in the work of the Taiwanese writers Yü Kwang-chung and Hsia Yü and the Asian American immigrant author Theresa Hak Kyung Cha. Juxtaposing poems by Pound and Yü Kwang-chung, Parry shows how Yü's fragmented, ambivalent modernist form reveals the effects of neocolonialism while Pound denies and obscures U.S. imperialism in Asia, asserting a form of nondevelopmental universalism through both form and theme. Stein appropriates discourses of American modernity and identity to represent nonnormative desire and sexuality, and Parry contrasts this tendency with representations of sexuality in the contemporary experimental poetry of Hsia Yü. Finally, Parry highlights the different uses of modernist forms by Pound in his Cantos-which incorporate a multiplicity of decontextualized and ahistorical voices-and by Cha in her 1982 novel Dictee, a historicized, multilingual work. Parry's sophisticated readings provide a useful critical framework for apprehending how "minor modernisms" illuminate the histories erased by certain canonical modernist texts In English LITERARY CRITICISM / Semiotics & Theory bisacsh American poetry 20th century History and criticism Chinese poetry Taiwan History and criticism Comparative literature American and Chinese Comparative literature Chinese and American Modernism (Literature) Taiwan Modernism (Literature) United States Lowe, Lisa edt Parry, Amie Elizabeth aut https://doi.org/10.1515/9780822389866 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Parry, Amie Elizabeth Parry, Amie Elizabeth Interventions into Modernist Cultures Poetry from Beyond the Empty Screen LITERARY CRITICISM / Semiotics & Theory bisacsh American poetry 20th century History and criticism Chinese poetry Taiwan History and criticism Comparative literature American and Chinese Comparative literature Chinese and American Modernism (Literature) Taiwan Modernism (Literature) United States |
| title | Interventions into Modernist Cultures Poetry from Beyond the Empty Screen |
| title_auth | Interventions into Modernist Cultures Poetry from Beyond the Empty Screen |
| title_exact_search | Interventions into Modernist Cultures Poetry from Beyond the Empty Screen |
| title_exact_search_txtP | Interventions into Modernist Cultures Poetry from Beyond the Empty Screen |
| title_full | Interventions into Modernist Cultures Poetry from Beyond the Empty Screen Amie Elizabeth Parry, Amie Elizabeth Parry; Lisa Lowe |
| title_fullStr | Interventions into Modernist Cultures Poetry from Beyond the Empty Screen Amie Elizabeth Parry, Amie Elizabeth Parry; Lisa Lowe |
| title_full_unstemmed | Interventions into Modernist Cultures Poetry from Beyond the Empty Screen Amie Elizabeth Parry, Amie Elizabeth Parry; Lisa Lowe |
| title_short | Interventions into Modernist Cultures |
| title_sort | interventions into modernist cultures poetry from beyond the empty screen |
| title_sub | Poetry from Beyond the Empty Screen |
| topic | LITERARY CRITICISM / Semiotics & Theory bisacsh American poetry 20th century History and criticism Chinese poetry Taiwan History and criticism Comparative literature American and Chinese Comparative literature Chinese and American Modernism (Literature) Taiwan Modernism (Literature) United States |
| topic_facet | LITERARY CRITICISM / Semiotics & Theory American poetry 20th century History and criticism Chinese poetry Taiwan History and criticism Comparative literature American and Chinese Comparative literature Chinese and American Modernism (Literature) Taiwan Modernism (Literature) United States |
| url | https://doi.org/10.1515/9780822389866 |
| work_keys_str_mv | AT parryamieelizabeth interventionsintomodernistculturespoetryfrombeyondtheemptyscreen AT lowelisa interventionsintomodernistculturespoetryfrombeyondtheemptyscreen |