Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties
The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentin...
Gespeichert in:
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| Weitere Verfasser: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Schriftenreihe: | Latin America otherwise : languages, empires, nations
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina's visual arts.The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina's art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible-not least the Alliance for Progress, a U.S. program of "exchange" and "cooperation" meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution-as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta's rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (444 pages) 63 illustrations (22 color-16 pg insert, 41 b&w) |
| ISBN: | 9780822389699 |
| DOI: | 10.1515/9780822389699 |
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| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2024-07-10T09:01:08Z |
| institution | BVB |
| isbn | 9780822389699 |
| language | English |
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| spelling | Giunta, Andrea Verfasser aut Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties Andrea Giunta; Sonia Saldívar-Hull, Irene Silverblatt, Walter D. Mignolo Durham Duke University Press [2007] © 2007 1 online resource (444 pages) 63 illustrations (22 color-16 pg insert, 41 b&w) txt rdacontent c rdamedia cr rdacarrier Latin America otherwise : languages, empires, nations Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina's visual arts.The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina's art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible-not least the Alliance for Progress, a U.S. program of "exchange" and "cooperation" meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution-as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuración and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, León Ferrari, Marta Minujin, and Luis Felipe Noé. Giunta's rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition In English ART / History / Contemporary (1945-) bisacsh Art Political aspects Argentina Art, Argentine 20th century Avant-garde (Aesthetics) Argentina History 20th century Kahn, Peter Sonstige oth Mignolo, Walter D. edt Saldívar-Hull, Sonia edt Silverblatt, Irene edt https://doi.org/10.1515/9780822389699 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Giunta, Andrea Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties ART / History / Contemporary (1945-) bisacsh Art Political aspects Argentina Art, Argentine 20th century Avant-garde (Aesthetics) Argentina History 20th century |
| title | Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties |
| title_auth | Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties |
| title_exact_search | Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties |
| title_exact_search_txtP | Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties |
| title_full | Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties Andrea Giunta; Sonia Saldívar-Hull, Irene Silverblatt, Walter D. Mignolo |
| title_fullStr | Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties Andrea Giunta; Sonia Saldívar-Hull, Irene Silverblatt, Walter D. Mignolo |
| title_full_unstemmed | Avant-Garde, Internationalism, and Politics Argentine Art in the Sixties Andrea Giunta; Sonia Saldívar-Hull, Irene Silverblatt, Walter D. Mignolo |
| title_short | Avant-Garde, Internationalism, and Politics |
| title_sort | avant garde internationalism and politics argentine art in the sixties |
| title_sub | Argentine Art in the Sixties |
| topic | ART / History / Contemporary (1945-) bisacsh Art Political aspects Argentina Art, Argentine 20th century Avant-garde (Aesthetics) Argentina History 20th century |
| topic_facet | ART / History / Contemporary (1945-) Art Political aspects Argentina Art, Argentine 20th century Avant-garde (Aesthetics) Argentina History 20th century |
| url | https://doi.org/10.1515/9780822389699 |
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