Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan
A Study of the Weatherhead East Asian Institute, Columbia UniversityKingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt&#...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Schriftenreihe: | Asia-Pacific: Culture, Politics, and Society
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | A Study of the Weatherhead East Asian Institute, Columbia UniversityKingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt's account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups-such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers-to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (318 pages) 21 illustrations |
| ISBN: | 9780822389545 |
| DOI: | 10.1515/9780822389545 |
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| 520 | |a A Study of the Weatherhead East Asian Institute, Columbia UniversityKingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt's account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups-such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers-to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style | ||
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Datensatz im Suchindex
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| author | Brandt, Kim |
| author2 | Chow, Rey Harootunian, Harry Miyoshi, Masao |
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| dewey-hundreds | 700 - The arts |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2024-07-10T09:01:08Z |
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| isbn | 9780822389545 |
| language | English |
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| series2 | Asia-Pacific: Culture, Politics, and Society |
| spelling | Brandt, Kim Verfasser aut Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan Kim Brandt; Rey Chow, Harry Harootunian, Masao Miyoshi Durham Duke University Press [2007] © 2007 1 online resource (318 pages) 21 illustrations txt rdacontent c rdamedia cr rdacarrier Asia-Pacific: Culture, Politics, and Society Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) A Study of the Weatherhead East Asian Institute, Columbia UniversityKingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt's account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups-such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers-to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style In English HISTORY / Asia / Japan bisacsh Art, Japanese 20th century Decorative arts Japan Folk art Japan World War, 1939-1945 Art and the war Chow, Rey edt Harootunian, Harry edt Miyoshi, Masao edt https://doi.org/10.1515/9780822389545 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brandt, Kim Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan HISTORY / Asia / Japan bisacsh Art, Japanese 20th century Decorative arts Japan Folk art Japan World War, 1939-1945 Art and the war |
| title | Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan |
| title_auth | Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan |
| title_exact_search | Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan |
| title_exact_search_txtP | Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan |
| title_full | Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan Kim Brandt; Rey Chow, Harry Harootunian, Masao Miyoshi |
| title_fullStr | Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan Kim Brandt; Rey Chow, Harry Harootunian, Masao Miyoshi |
| title_full_unstemmed | Kingdom of Beauty Mingei and the Politics of Folk Art in Imperial Japan Kim Brandt; Rey Chow, Harry Harootunian, Masao Miyoshi |
| title_short | Kingdom of Beauty |
| title_sort | kingdom of beauty mingei and the politics of folk art in imperial japan |
| title_sub | Mingei and the Politics of Folk Art in Imperial Japan |
| topic | HISTORY / Asia / Japan bisacsh Art, Japanese 20th century Decorative arts Japan Folk art Japan World War, 1939-1945 Art and the war |
| topic_facet | HISTORY / Asia / Japan Art, Japanese 20th century Decorative arts Japan Folk art Japan World War, 1939-1945 Art and the war |
| url | https://doi.org/10.1515/9780822389545 |
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