Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968
Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican A...
Gespeichert in:
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2008]
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| Schriftenreihe: | Refiguring American Music
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macías shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blues, rock and roll, and Latin music, Mexican Americans not only rejected second-class citizenship and demeaning stereotypes, but also transformed Los Angeles.Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots "multicultural urban civility" that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians' union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (408 pages) 42 illustrations, 2 maps |
| ISBN: | 9780822389385 |
| DOI: | 10.1515/9780822389385 |
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Datensatz im Suchindex
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| id | DE-604.BV047048765 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2024-07-10T09:01:08Z |
| institution | BVB |
| isbn | 9780822389385 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456161 |
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| physical | 1 online resource (408 pages) 42 illustrations, 2 maps |
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| publisher | Duke University Press |
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| series2 | Refiguring American Music |
| spelling | Macías, Anthony Verfasser aut Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 Anthony Macías; Josh Kun, Ronald Radano Durham Duke University Press [2008] © 2008 1 online resource (408 pages) 42 illustrations, 2 maps txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macías shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blues, rock and roll, and Latin music, Mexican Americans not only rejected second-class citizenship and demeaning stereotypes, but also transformed Los Angeles.Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots "multicultural urban civility" that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians' union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes In English SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Mexican Americans California Los Angeles Music History and criticism Mexican Americans California Los Angeles Social life and customs Popular music California Los Angeles History and criticism Kun, Josh edt Radano, Ronald edt https://doi.org/10.1515/9780822389385 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Macías, Anthony Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Mexican Americans California Los Angeles Music History and criticism Mexican Americans California Los Angeles Social life and customs Popular music California Los Angeles History and criticism |
| title | Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 |
| title_auth | Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 |
| title_exact_search | Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 |
| title_exact_search_txtP | Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 |
| title_full | Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 Anthony Macías; Josh Kun, Ronald Radano |
| title_fullStr | Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 Anthony Macías; Josh Kun, Ronald Radano |
| title_full_unstemmed | Mexican American Mojo Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 Anthony Macías; Josh Kun, Ronald Radano |
| title_short | Mexican American Mojo |
| title_sort | mexican american mojo popular music dance and urban culture in los angeles 1935 1968 |
| title_sub | Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 |
| topic | SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Mexican Americans California Los Angeles Music History and criticism Mexican Americans California Los Angeles Social life and customs Popular music California Los Angeles History and criticism |
| topic_facet | SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies Mexican Americans California Los Angeles Music History and criticism Mexican Americans California Los Angeles Social life and customs Popular music California Los Angeles History and criticism |
| url | https://doi.org/10.1515/9780822389385 |
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