Moral Spectatorship: Technologies of Voice and Affect in Postwar Representations of the Child
Why were theories of affect, intersubjectivity, and object relations bypassed in favor of a Lacanian linguistically oriented psychoanalysis in feminist film theory in the 1980s and 1990s? In Moral Spectatorship, Lisa Cartwright rethinks the politics of spectatorship in film studies. Returning to imp...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2008]
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Why were theories of affect, intersubjectivity, and object relations bypassed in favor of a Lacanian linguistically oriented psychoanalysis in feminist film theory in the 1980s and 1990s? In Moral Spectatorship, Lisa Cartwright rethinks the politics of spectatorship in film studies. Returning to impasses reached in late-twentieth-century psychoanalytic film theory, she focuses attention on theories of affect and object relations seldom addressed during that period. Cartwright offers a new theory of spectatorship and the human subject that takes into account intersubjective and affective relationships and technologies facilitating human agency. Seeking to expand concepts of representation beyond the visual, she develops her theory through interpretations of two contexts in which adult caregivers help bring children to voice. She considers several social-problem melodramas about deaf and nonverbal girls and young women, including Johnny Belinda, The Miracle Worker, and Children of a Lesser God. Cartwright also analyzes the controversies surrounding facilitated communication, a technological practice in which caregivers help children with communication disorders achieve "voice" through writing facilitated by computers. This practice has inspired contempt among professionals and lay people who charge that the facilitator can manipulate the child's speech.For more than two decades, film theory has been dominated by a model of identification tacitly based on the idea of feeling what the other feels or of imagining oneself to be the other. Building on the theories of affect and identification developed by André Green, Melanie Klein, Donald W. Winnicott, and Silvan Tomkins, Cartwright develops a model of spectatorship that takes into account and provides a way of critically analyzing the dynamics of a different kind of identification, one that is empathetic and highly intersubjective |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (298 pages) 10 illustrations |
| ISBN: | 9780822389255 |
| DOI: | 10.1515/9780822389255 |
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| spelling | Cartwright, Lisa Verfasser aut Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child Lisa Cartwright Durham Duke University Press [2008] © 2008 1 online resource (298 pages) 10 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Why were theories of affect, intersubjectivity, and object relations bypassed in favor of a Lacanian linguistically oriented psychoanalysis in feminist film theory in the 1980s and 1990s? In Moral Spectatorship, Lisa Cartwright rethinks the politics of spectatorship in film studies. Returning to impasses reached in late-twentieth-century psychoanalytic film theory, she focuses attention on theories of affect and object relations seldom addressed during that period. Cartwright offers a new theory of spectatorship and the human subject that takes into account intersubjective and affective relationships and technologies facilitating human agency. Seeking to expand concepts of representation beyond the visual, she develops her theory through interpretations of two contexts in which adult caregivers help bring children to voice. She considers several social-problem melodramas about deaf and nonverbal girls and young women, including Johnny Belinda, The Miracle Worker, and Children of a Lesser God. Cartwright also analyzes the controversies surrounding facilitated communication, a technological practice in which caregivers help children with communication disorders achieve "voice" through writing facilitated by computers. This practice has inspired contempt among professionals and lay people who charge that the facilitator can manipulate the child's speech.For more than two decades, film theory has been dominated by a model of identification tacitly based on the idea of feeling what the other feels or of imagining oneself to be the other. Building on the theories of affect and identification developed by André Green, Melanie Klein, Donald W. Winnicott, and Silvan Tomkins, Cartwright develops a model of spectatorship that takes into account and provides a way of critically analyzing the dynamics of a different kind of identification, one that is empathetic and highly intersubjective In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Children in motion pictures Deaf in motion pictures Motion picture audiences Psychology https://doi.org/10.1515/9780822389255 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cartwright, Lisa Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child PERFORMING ARTS / Film & Video / History & Criticism bisacsh Children in motion pictures Deaf in motion pictures Motion picture audiences Psychology |
| title | Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child |
| title_auth | Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child |
| title_exact_search | Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child |
| title_exact_search_txtP | Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child |
| title_full | Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child Lisa Cartwright |
| title_fullStr | Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child Lisa Cartwright |
| title_full_unstemmed | Moral Spectatorship Technologies of Voice and Affect in Postwar Representations of the Child Lisa Cartwright |
| title_short | Moral Spectatorship |
| title_sort | moral spectatorship technologies of voice and affect in postwar representations of the child |
| title_sub | Technologies of Voice and Affect in Postwar Representations of the Child |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Children in motion pictures Deaf in motion pictures Motion picture audiences Psychology |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Children in motion pictures Deaf in motion pictures Motion picture audiences Psychology |
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