Creating Our Own: Folklore, Performance, and Identity in Cuzco, Peru
In Creating Our Own, anthropologist Zoila S. Mendoza explores the early-twentieth-century development of the "folkloric arts"-particularly music, dance, and drama-in Cuzco, Peru, revealing the central role that these expressive practices played in shaping ethnic and regional identities. Me...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2008]
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| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Creating Our Own, anthropologist Zoila S. Mendoza explores the early-twentieth-century development of the "folkloric arts"-particularly music, dance, and drama-in Cuzco, Peru, revealing the central role that these expressive practices played in shaping ethnic and regional identities. Mendoza argues that the folkloric productions emerging in Cuzco in the early twentieth century were integral to, rather than only a reflection of, the social and political processes underlying the development of the indigenismo movement. By demonstrating how Cuzco's folklore emerged from complex interactions between artists and intellectuals of different social classes, she challenges the idea that indigenismo was a project of the elites.Mendoza draws on early-twentieth-century newspapers and other archival documents as well as interviews with key artistic and intellectual figures and their descendants. She offers vivid descriptions of the Peruvian Mission of Incaic Art, a tour undertaken by a group of artists from Cuzco, at their own expense, to represent Peru to Bolivia, Argentina, and Uruguay in 1923-24, as well as of the origins in the 1920s of the Qosqo Center of Native Art, the first cultural institution dedicated to regional and national folkloric art. She highlights other landmarks, including both The Charango Hour, a radio show that contributed to the broad acceptance of rural Andean music from its debut in 1937, and the rise in that same year of another major cultural institution, the American Art Institute of Cuzco. Throughout, she emphasizes the intricate local, regional, national, and international pressures that combined to produce folkloric art, especially the growing importance of national and international tourism in Cuzco.Please visit the Web site http://nas.ucdavis.edu/creatingbook for samples of the images and music discussed in this book |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (254 pages) 16 b&w photos |
| ISBN: | 9780822388852 |
| DOI: | 10.1515/9780822388852 |
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Datensatz im Suchindex
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| spelling | Mendoza, Zoila S. Verfasser aut Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru Zoila S. Mendoza Durham Duke University Press [2008] © 2007 1 online resource (254 pages) 16 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Creating Our Own, anthropologist Zoila S. Mendoza explores the early-twentieth-century development of the "folkloric arts"-particularly music, dance, and drama-in Cuzco, Peru, revealing the central role that these expressive practices played in shaping ethnic and regional identities. Mendoza argues that the folkloric productions emerging in Cuzco in the early twentieth century were integral to, rather than only a reflection of, the social and political processes underlying the development of the indigenismo movement. By demonstrating how Cuzco's folklore emerged from complex interactions between artists and intellectuals of different social classes, she challenges the idea that indigenismo was a project of the elites.Mendoza draws on early-twentieth-century newspapers and other archival documents as well as interviews with key artistic and intellectual figures and their descendants. She offers vivid descriptions of the Peruvian Mission of Incaic Art, a tour undertaken by a group of artists from Cuzco, at their own expense, to represent Peru to Bolivia, Argentina, and Uruguay in 1923-24, as well as of the origins in the 1920s of the Qosqo Center of Native Art, the first cultural institution dedicated to regional and national folkloric art. She highlights other landmarks, including both The Charango Hour, a radio show that contributed to the broad acceptance of rural Andean music from its debut in 1937, and the rise in that same year of another major cultural institution, the American Art Institute of Cuzco. Throughout, she emphasizes the intricate local, regional, national, and international pressures that combined to produce folkloric art, especially the growing importance of national and international tourism in Cuzco.Please visit the Web site http://nas.ucdavis.edu/creatingbook for samples of the images and music discussed in this book In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh https://doi.org/10.1515/9780822388852 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mendoza, Zoila S. Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh |
| title | Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru |
| title_auth | Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru |
| title_exact_search | Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru |
| title_exact_search_txtP | Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru |
| title_full | Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru Zoila S. Mendoza |
| title_fullStr | Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru Zoila S. Mendoza |
| title_full_unstemmed | Creating Our Own Folklore, Performance, and Identity in Cuzco, Peru Zoila S. Mendoza |
| title_short | Creating Our Own |
| title_sort | creating our own folklore performance and identity in cuzco peru |
| title_sub | Folklore, Performance, and Identity in Cuzco, Peru |
| topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social |
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