The Subject in Art: Portraiture and the Birth of the Modern
Challenging prevailing theories regarding the birth of the subject, Catherine M. Soussloff argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather in the theory and practice of portraiture in early-twentieth-century Vienna. Soussloff traces the developm...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2006]
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| Schriftenreihe: | e-Duke books scholarly collection
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Challenging prevailing theories regarding the birth of the subject, Catherine M. Soussloff argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather in the theory and practice of portraiture in early-twentieth-century Vienna. Soussloff traces the development in Vienna of an ethics of representation that emphasized subjects as socially and historically constructed selves who could only be understood-and understand themselves-in relation to others, including the portrait painters and the viewers. In this beautifully illustrated book, she demonstrates both how portrait painters began to focus on the interior lives of their subjects and how the discipline of art history developed around the genre of portraiture.Soussloff combines a historically grounded examination of art and art historical thinking in Vienna with subsequent theories of portraiture and a careful historiography of philosophical and psychoanalytic approaches to human consciousness from Hegel to Sartre and from Freud to Lacan. She chronicles the emergence of a social theory of art among the art historians of the Vienna School, demonstrates how the Expressionist painter Oskar Kokoschka depicted the Jewish subject, and explores the development of pictorialist photography. Reflecting on the implications of the visualized, modern subject for textual and linguistic analyses of subjectivity, Soussloff concludes that the Viennese art historians, photographers, and painters will henceforth have to be recognized as precursors to such better-known theorists of the subject as Sartre, Foucault, and Lacan |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (192 pages) 51 illustrations (incl. 16 in color) |
| ISBN: | 9780822388531 |
| DOI: | 10.1515/9780822388531 |
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| 520 | |a Challenging prevailing theories regarding the birth of the subject, Catherine M. Soussloff argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather in the theory and practice of portraiture in early-twentieth-century Vienna. Soussloff traces the development in Vienna of an ethics of representation that emphasized subjects as socially and historically constructed selves who could only be understood-and understand themselves-in relation to others, including the portrait painters and the viewers. In this beautifully illustrated book, she demonstrates both how portrait painters began to focus on the interior lives of their subjects and how the discipline of art history developed around the genre of portraiture.Soussloff combines a historically grounded examination of art and art historical thinking in Vienna with subsequent theories of portraiture and a careful historiography of philosophical and psychoanalytic approaches to human consciousness from Hegel to Sartre and from Freud to Lacan. She chronicles the emergence of a social theory of art among the art historians of the Vienna School, demonstrates how the Expressionist painter Oskar Kokoschka depicted the Jewish subject, and explores the development of pictorialist photography. Reflecting on the implications of the visualized, modern subject for textual and linguistic analyses of subjectivity, Soussloff concludes that the Viennese art historians, photographers, and painters will henceforth have to be recognized as precursors to such better-known theorists of the subject as Sartre, Foucault, and Lacan | ||
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Datensatz im Suchindex
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| author | Soussloff, Catherine M. |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
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| discipline | Kunstgeschichte |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:29Z |
| indexdate | 2024-07-10T09:01:07Z |
| institution | BVB |
| isbn | 9780822388531 |
| language | English |
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| spelling | Soussloff, Catherine M. Verfasser aut The Subject in Art Portraiture and the Birth of the Modern Catherine M. Soussloff Durham Duke University Press [2006] © 2006 1 online resource (192 pages) 51 illustrations (incl. 16 in color) txt rdacontent c rdamedia cr rdacarrier e-Duke books scholarly collection Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Challenging prevailing theories regarding the birth of the subject, Catherine M. Soussloff argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather in the theory and practice of portraiture in early-twentieth-century Vienna. Soussloff traces the development in Vienna of an ethics of representation that emphasized subjects as socially and historically constructed selves who could only be understood-and understand themselves-in relation to others, including the portrait painters and the viewers. In this beautifully illustrated book, she demonstrates both how portrait painters began to focus on the interior lives of their subjects and how the discipline of art history developed around the genre of portraiture.Soussloff combines a historically grounded examination of art and art historical thinking in Vienna with subsequent theories of portraiture and a careful historiography of philosophical and psychoanalytic approaches to human consciousness from Hegel to Sartre and from Freud to Lacan. She chronicles the emergence of a social theory of art among the art historians of the Vienna School, demonstrates how the Expressionist painter Oskar Kokoschka depicted the Jewish subject, and explores the development of pictorialist photography. Reflecting on the implications of the visualized, modern subject for textual and linguistic analyses of subjectivity, Soussloff concludes that the Viennese art historians, photographers, and painters will henceforth have to be recognized as precursors to such better-known theorists of the subject as Sartre, Foucault, and Lacan In English ART / Subjects & Themes / Portraits bisacsh Art Historiography 20th century Portraits, Austrian Austria Vienna 20th century Self (Philosophy) in art Subjectivity in art https://doi.org/10.1515/9780822388531 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Soussloff, Catherine M. The Subject in Art Portraiture and the Birth of the Modern ART / Subjects & Themes / Portraits bisacsh Art Historiography 20th century Portraits, Austrian Austria Vienna 20th century Self (Philosophy) in art Subjectivity in art |
| title | The Subject in Art Portraiture and the Birth of the Modern |
| title_auth | The Subject in Art Portraiture and the Birth of the Modern |
| title_exact_search | The Subject in Art Portraiture and the Birth of the Modern |
| title_exact_search_txtP | The Subject in Art Portraiture and the Birth of the Modern |
| title_full | The Subject in Art Portraiture and the Birth of the Modern Catherine M. Soussloff |
| title_fullStr | The Subject in Art Portraiture and the Birth of the Modern Catherine M. Soussloff |
| title_full_unstemmed | The Subject in Art Portraiture and the Birth of the Modern Catherine M. Soussloff |
| title_short | The Subject in Art |
| title_sort | the subject in art portraiture and the birth of the modern |
| title_sub | Portraiture and the Birth of the Modern |
| topic | ART / Subjects & Themes / Portraits bisacsh Art Historiography 20th century Portraits, Austrian Austria Vienna 20th century Self (Philosophy) in art Subjectivity in art |
| topic_facet | ART / Subjects & Themes / Portraits Art Historiography 20th century Portraits, Austrian Austria Vienna 20th century Self (Philosophy) in art Subjectivity in art |
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