Never Say I: Sexuality and the First Person in Colette, Gide, and Proust
Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel Proust, André Gide, and Colette, Michael Lucey consid...
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| Weitere Verfasser: | , , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2006]
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| Schriftenreihe: | Series Q
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel Proust, André Gide, and Colette, Michael Lucey considers these writers' production of a first-person voice in which matters related to same-sex sexuality could be spoken of. He shows how their writings and careers took on political and social import in part through the contribution they made to the representation of social groups that were only slowly coming to be publicly recognized. Proust, Gide, and Colette helped create persons and characters, points of view, and narrative practices from which to speak and write about, for, or as people attracted to those of the same sex.Considering novels along with journalism, theatrical performances, correspondences, and face-to-face encounters, Lucey focuses on the interlocking social and formal dimensions of using the first person. He argues for understanding the first person not just as a grammatical category but also as a collectively produced social artifact, demonstrating that Proust's, Gide's, and Colette's use of the first person involved a social process of assuming the authority to speak about certain issues, or on behalf of certain people. Lucey reveals these three writers as both practitioners and theorists of the first person; he traces how, when they figured themselves or other first persons in certain statements regarding same-sex identity, they self-consciously called attention to the creative effort involved in doing so |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (330 pages) 4 illustrations |
| ISBN: | 9780822388371 |
| DOI: | 10.1515/9780822388371 |
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| spelling | Lucey, Michael Verfasser aut Never Say I Sexuality and the First Person in Colette, Gide, and Proust Michael Lucey; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg Durham Duke University Press [2006] © 2006 1 online resource (330 pages) 4 illustrations txt rdacontent c rdamedia cr rdacarrier Series Q Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel Proust, André Gide, and Colette, Michael Lucey considers these writers' production of a first-person voice in which matters related to same-sex sexuality could be spoken of. He shows how their writings and careers took on political and social import in part through the contribution they made to the representation of social groups that were only slowly coming to be publicly recognized. Proust, Gide, and Colette helped create persons and characters, points of view, and narrative practices from which to speak and write about, for, or as people attracted to those of the same sex.Considering novels along with journalism, theatrical performances, correspondences, and face-to-face encounters, Lucey focuses on the interlocking social and formal dimensions of using the first person. He argues for understanding the first person not just as a grammatical category but also as a collectively produced social artifact, demonstrating that Proust's, Gide's, and Colette's use of the first person involved a social process of assuming the authority to speak about certain issues, or on behalf of certain people. Lucey reveals these three writers as both practitioners and theorists of the first person; he traces how, when they figured themselves or other first persons in certain statements regarding same-sex identity, they self-consciously called attention to the creative effort involved in doing so In English LITERARY CRITICISM / European / French bisacsh Autobiography in literature French literature 20th century History and criticism Homosexuality and literature France Homosexuality in literature Lesbianism in literature Self in literature Barale, Michèle Aina edt Goldberg, Jonathan edt Moon, Michael edt Sedgwick, Eve Kosofsky edt https://doi.org/10.1515/9780822388371 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lucey, Michael Never Say I Sexuality and the First Person in Colette, Gide, and Proust LITERARY CRITICISM / European / French bisacsh Autobiography in literature French literature 20th century History and criticism Homosexuality and literature France Homosexuality in literature Lesbianism in literature Self in literature |
| title | Never Say I Sexuality and the First Person in Colette, Gide, and Proust |
| title_auth | Never Say I Sexuality and the First Person in Colette, Gide, and Proust |
| title_exact_search | Never Say I Sexuality and the First Person in Colette, Gide, and Proust |
| title_exact_search_txtP | Never Say I Sexuality and the First Person in Colette, Gide, and Proust |
| title_full | Never Say I Sexuality and the First Person in Colette, Gide, and Proust Michael Lucey; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_fullStr | Never Say I Sexuality and the First Person in Colette, Gide, and Proust Michael Lucey; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_full_unstemmed | Never Say I Sexuality and the First Person in Colette, Gide, and Proust Michael Lucey; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_short | Never Say I |
| title_sort | never say i sexuality and the first person in colette gide and proust |
| title_sub | Sexuality and the First Person in Colette, Gide, and Proust |
| topic | LITERARY CRITICISM / European / French bisacsh Autobiography in literature French literature 20th century History and criticism Homosexuality and literature France Homosexuality in literature Lesbianism in literature Self in literature |
| topic_facet | LITERARY CRITICISM / European / French Autobiography in literature French literature 20th century History and criticism Homosexuality and literature France Homosexuality in literature Lesbianism in literature Self in literature |
| url | https://doi.org/10.1515/9780822388371 |
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