Cupboards of Curiosity: Women, Recollection, and Film History
In Cupboards of Curiosity Amelie Hastie rethinks female authorship within film history by expanding the historical archive to include dollhouses, scrapbooks, memoirs, cookbooks, and ephemera. Focusing on women who worked during the silent-film era, Hastie reveals how female stars, directors, and oth...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Zusammenfassung: | In Cupboards of Curiosity Amelie Hastie rethinks female authorship within film history by expanding the historical archive to include dollhouses, scrapbooks, memoirs, cookbooks, and ephemera. Focusing on women who worked during the silent-film era, Hastie reveals how female stars, directors, and others appropriated personal or "domestic" cultural forms not only to publicize their own achievements but also to reflect on specific films and the broader film industry. Whether considering Colleen Moore's thirty-six scrapbooks or Dietrich's eccentric book Marlene Dietrich's ABC, Hastie emphasizes how these women spoke for themselves-as collectors, historians, critics, and experts-often explicitly contemplating the role their writings and material objects would play in subsequent constructions of history.Hastie pays particular attention to the actresses Colleen Moore and Louise Brooks and Hollywood's first female director, Alice Guy-Blaché. From the beginning of her career, Moore worked intently to preserve a lasting place for herself as a Hollywood star, amassing collections of photos, souvenirs, and clippings as well as a dollhouse so elaborate that it drew extensive public attention. Brooks's short essays reveal how she participated in the creation of her image as Lulu and later emerged as a critic of film stardom. The recovery of Blaché's role in film history by feminist critics in the 1970s and 1980s was made possible by the existence of the director's own autobiographical history. Broadening her analytical framework to include contemporary celebrities, Hastie turns to how-to manuals authored by female stars, from Zasu Pitts's cookbook Candy Hits to Christy Turlington's Living Yoga. She discusses how these assertions of celebrity expertise in realms seemingly unrelated to film and visual culture allow fans to prolong their experience of stardom |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (256 pages) 12 b&w photos |
| ISBN: | 9780822388258 |
| DOI: | 10.1515/9780822388258 |
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| spelling | Hastie, Amelie Verfasser aut Cupboards of Curiosity Women, Recollection, and Film History Amelie Hastie Durham Duke University Press [2007] © 2007 1 online resource (256 pages) 12 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Cupboards of Curiosity Amelie Hastie rethinks female authorship within film history by expanding the historical archive to include dollhouses, scrapbooks, memoirs, cookbooks, and ephemera. Focusing on women who worked during the silent-film era, Hastie reveals how female stars, directors, and others appropriated personal or "domestic" cultural forms not only to publicize their own achievements but also to reflect on specific films and the broader film industry. Whether considering Colleen Moore's thirty-six scrapbooks or Dietrich's eccentric book Marlene Dietrich's ABC, Hastie emphasizes how these women spoke for themselves-as collectors, historians, critics, and experts-often explicitly contemplating the role their writings and material objects would play in subsequent constructions of history.Hastie pays particular attention to the actresses Colleen Moore and Louise Brooks and Hollywood's first female director, Alice Guy-Blaché. From the beginning of her career, Moore worked intently to preserve a lasting place for herself as a Hollywood star, amassing collections of photos, souvenirs, and clippings as well as a dollhouse so elaborate that it drew extensive public attention. Brooks's short essays reveal how she participated in the creation of her image as Lulu and later emerged as a critic of film stardom. The recovery of Blaché's role in film history by feminist critics in the 1970s and 1980s was made possible by the existence of the director's own autobiographical history. Broadening her analytical framework to include contemporary celebrities, Hastie turns to how-to manuals authored by female stars, from Zasu Pitts's cookbook Candy Hits to Christy Turlington's Living Yoga. She discusses how these assertions of celebrity expertise in realms seemingly unrelated to film and visual culture allow fans to prolong their experience of stardom In English HISTORY / General bisacsh Actresses United States Biography Motion picture actors and actresses United States Biography Women in the motion picture industry California Los Angeles Women motion picture producers and directors United States Biography https://doi.org/10.1515/9780822388258 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hastie, Amelie Cupboards of Curiosity Women, Recollection, and Film History HISTORY / General bisacsh Actresses United States Biography Motion picture actors and actresses United States Biography Women in the motion picture industry California Los Angeles Women motion picture producers and directors United States Biography |
| title | Cupboards of Curiosity Women, Recollection, and Film History |
| title_auth | Cupboards of Curiosity Women, Recollection, and Film History |
| title_exact_search | Cupboards of Curiosity Women, Recollection, and Film History |
| title_exact_search_txtP | Cupboards of Curiosity Women, Recollection, and Film History |
| title_full | Cupboards of Curiosity Women, Recollection, and Film History Amelie Hastie |
| title_fullStr | Cupboards of Curiosity Women, Recollection, and Film History Amelie Hastie |
| title_full_unstemmed | Cupboards of Curiosity Women, Recollection, and Film History Amelie Hastie |
| title_short | Cupboards of Curiosity |
| title_sort | cupboards of curiosity women recollection and film history |
| title_sub | Women, Recollection, and Film History |
| topic | HISTORY / General bisacsh Actresses United States Biography Motion picture actors and actresses United States Biography Women in the motion picture industry California Los Angeles Women motion picture producers and directors United States Biography |
| topic_facet | HISTORY / General Actresses United States Biography Motion picture actors and actresses United States Biography Women in the motion picture industry California Los Angeles Women motion picture producers and directors United States Biography |
| url | https://doi.org/10.1515/9780822388258 |
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