Cuba Represent!: Cuban Arts, State Power, and the Making of New Revolutionary Cultures
In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discriminat...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2006]
|
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
Zusammenfassung: | In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes-a scholar and musician who has performed in Cuba-answers that question.Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation's history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government's resilience stems from its ability to absorb oppositional ideas and values |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (240 pages) 17 b&w photos |
ISBN: | 9780822388227 |
DOI: | 10.1515/9780822388227 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047048659 | ||
003 | DE-604 | ||
005 | 20201211 | ||
007 | cr|uuu---uuuuu | ||
008 | 201207s2006 |||| o||u| ||||||eng d | ||
020 | |a 9780822388227 |9 978-0-8223-8822-7 | ||
024 | 7 | |a 10.1515/9780822388227 |2 doi | |
035 | |a (ZDB-23-DGG)9780822388227 | ||
035 | |a (OCoLC)1226701304 | ||
035 | |a (DE-599)BVBBV047048659 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-703 |a DE-858 | ||
082 | 0 | |a 700.10309729109049 |2 22 | |
100 | 1 | |a Fernandes, Sujatha |e Verfasser |4 aut | |
245 | 1 | 0 | |a Cuba Represent! |b Cuban Arts, State Power, and the Making of New Revolutionary Cultures |c Sujatha Fernandes |
264 | 1 | |a Durham |b Duke University Press |c [2006] | |
264 | 4 | |c © 2006 | |
300 | |a 1 online resource (240 pages) |b 17 b&w photos | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) | ||
520 | |a In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes-a scholar and musician who has performed in Cuba-answers that question.Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation's history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government's resilience stems from its ability to absorb oppositional ideas and values | ||
546 | |a In English | ||
650 | 7 | |a ART / General |2 bisacsh | |
650 | 4 | |a Arts |x Political aspects |z Cuba | |
650 | 4 | |a Arts, Cuban |y 20th century | |
650 | 4 | |a Socialism and the arts |z Cuba |x History |y 20th century | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780822388227 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-198-DUA |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032456055 | ||
966 | e | |u https://doi.org/10.1515/9780822388227 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822388227 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822388227 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822388227 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822388227 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822388227 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1215/9780822388227 |l UBT01 |p ZDB-198-DUA |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822388227 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822388227 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804182033993302016 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Fernandes, Sujatha |
author_facet | Fernandes, Sujatha |
author_role | aut |
author_sort | Fernandes, Sujatha |
author_variant | s f sf |
building | Verbundindex |
bvnumber | BV047048659 |
collection | ZDB-198-DUA ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780822388227 (OCoLC)1226701304 (DE-599)BVBBV047048659 |
dewey-full | 700.10309729109049 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.10309729109049 |
dewey-search | 700.10309729109049 |
dewey-sort | 3700.10309729109049 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9780822388227 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04121nmm a2200517zc 4500</leader><controlfield tag="001">BV047048659</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201211 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201207s2006 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822388227</subfield><subfield code="9">978-0-8223-8822-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780822388227</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780822388227</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1226701304</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047048659</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.10309729109049</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fernandes, Sujatha</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Cuba Represent!</subfield><subfield code="b">Cuban Arts, State Power, and the Making of New Revolutionary Cultures</subfield><subfield code="c">Sujatha Fernandes</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2006]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (240 pages)</subfield><subfield code="b">17 b&w photos</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes-a scholar and musician who has performed in Cuba-answers that question.Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation's history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government's resilience stems from its ability to absorb oppositional ideas and values</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts</subfield><subfield code="x">Political aspects</subfield><subfield code="z">Cuba</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts, Cuban</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Socialism and the arts</subfield><subfield code="z">Cuba</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-198-DUA</subfield><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032456055</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1215/9780822388227</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-198-DUA</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822388227</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047048659 |
illustrated | Not Illustrated |
index_date | 2024-07-03T16:07:28Z |
indexdate | 2024-07-10T09:01:07Z |
institution | BVB |
isbn | 9780822388227 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032456055 |
oclc_num | 1226701304 |
open_access_boolean | |
owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-703 DE-858 |
owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-703 DE-858 |
physical | 1 online resource (240 pages) 17 b&w photos |
psigel | ZDB-198-DUA ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
publishDate | 2006 |
publishDateSearch | 2006 |
publishDateSort | 2006 |
publisher | Duke University Press |
record_format | marc |
spelling | Fernandes, Sujatha Verfasser aut Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures Sujatha Fernandes Durham Duke University Press [2006] © 2006 1 online resource (240 pages) 17 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes-a scholar and musician who has performed in Cuba-answers that question.Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation's history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government's resilience stems from its ability to absorb oppositional ideas and values In English ART / General bisacsh Arts Political aspects Cuba Arts, Cuban 20th century Socialism and the arts Cuba History 20th century https://doi.org/10.1515/9780822388227 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Fernandes, Sujatha Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures ART / General bisacsh Arts Political aspects Cuba Arts, Cuban 20th century Socialism and the arts Cuba History 20th century |
title | Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures |
title_auth | Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures |
title_exact_search | Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures |
title_exact_search_txtP | Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures |
title_full | Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures Sujatha Fernandes |
title_fullStr | Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures Sujatha Fernandes |
title_full_unstemmed | Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures Sujatha Fernandes |
title_short | Cuba Represent! |
title_sort | cuba represent cuban arts state power and the making of new revolutionary cultures |
title_sub | Cuban Arts, State Power, and the Making of New Revolutionary Cultures |
topic | ART / General bisacsh Arts Political aspects Cuba Arts, Cuban 20th century Socialism and the arts Cuba History 20th century |
topic_facet | ART / General Arts Political aspects Cuba Arts, Cuban 20th century Socialism and the arts Cuba History 20th century |
url | https://doi.org/10.1515/9780822388227 |
work_keys_str_mv | AT fernandessujatha cubarepresentcubanartsstatepowerandthemakingofnewrevolutionarycultures |