Pretend We're Dead: Capitalist Monsters in American Pop Culture
In Pretend We're Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2006]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Pretend We're Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole.Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywood's profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities.Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailer's "true life novel" The Executioner's Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovan's Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (232 pages) 18 b&w photos |
| ISBN: | 9780822387855 |
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| 520 | |a In Pretend We're Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole.Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywood's profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities.Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailer's "true life novel" The Executioner's Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovan's Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror | ||
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Datensatz im Suchindex
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| indexdate | 2024-07-10T09:01:07Z |
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| spelling | Newitz, Annalee Verfasser aut Pretend We're Dead Capitalist Monsters in American Pop Culture Annalee Newitz Durham Duke University Press [2006] © 2006 1 online resource (232 pages) 18 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Pretend We're Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole.Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywood's profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities.Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailer's "true life novel" The Executioner's Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovan's Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror In English SOCIAL SCIENCE / Media Studies bisacsh American fiction 19th century History and criticism American fiction 20th century History and criticism Monsters in literature Monsters in motion pictures Popular culture United States https://www.degruyter.com/isbn/9780822387855 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Newitz, Annalee Pretend We're Dead Capitalist Monsters in American Pop Culture SOCIAL SCIENCE / Media Studies bisacsh American fiction 19th century History and criticism American fiction 20th century History and criticism Monsters in literature Monsters in motion pictures Popular culture United States |
| title | Pretend We're Dead Capitalist Monsters in American Pop Culture |
| title_auth | Pretend We're Dead Capitalist Monsters in American Pop Culture |
| title_exact_search | Pretend We're Dead Capitalist Monsters in American Pop Culture |
| title_exact_search_txtP | Pretend We're Dead Capitalist Monsters in American Pop Culture |
| title_full | Pretend We're Dead Capitalist Monsters in American Pop Culture Annalee Newitz |
| title_fullStr | Pretend We're Dead Capitalist Monsters in American Pop Culture Annalee Newitz |
| title_full_unstemmed | Pretend We're Dead Capitalist Monsters in American Pop Culture Annalee Newitz |
| title_short | Pretend We're Dead |
| title_sort | pretend we re dead capitalist monsters in american pop culture |
| title_sub | Capitalist Monsters in American Pop Culture |
| topic | SOCIAL SCIENCE / Media Studies bisacsh American fiction 19th century History and criticism American fiction 20th century History and criticism Monsters in literature Monsters in motion pictures Popular culture United States |
| topic_facet | SOCIAL SCIENCE / Media Studies American fiction 19th century History and criticism American fiction 20th century History and criticism Monsters in literature Monsters in motion pictures Popular culture United States |
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