Bad modernisms:
Modernism is hot again. At the dawn of the twenty-first century, poets and architects, designers and critics, teachers and artists are rediscovering the virtues of the previous century's most vibrant cultural constellation. Yet this widespread embrace raises questions about modernism's rel...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham ; London
Duke University Press
2006
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 FUBA1 UBG01 UPA01 Volltext |
| Zusammenfassung: | Modernism is hot again. At the dawn of the twenty-first century, poets and architects, designers and critics, teachers and artists are rediscovering the virtues of the previous century's most vibrant cultural constellation. Yet this widespread embrace raises questions about modernism's relation to its own success. Modernism's "badness"-its emphasis on outrageous behavior, its elevation of negativity, its refusal to be condoned-seems essential to its power. But once modernism is accepted as "good" or valuable (as a great deal of modernist art now is), its status as a subversive aesthetic intervention seems undermined. The contributors to Bad Modernisms tease out the contradictions in modernism's commitment to badness.Bad Modernisms thus builds on and extends the "new modernist studies," recent work marked by the application of diverse methods and attention to texts and artists not usually labeled as modernist. In this collection, these developments are exemplified by essays ranging from a reading of dandyism in 1920s Harlem as a performance of a "bad" black modernist imaginary to a consideration of Filipino American modernism in the context of anticolonialism. The contributors reconsider familiar figures-such as Virginia Woolf, D. H. Lawrence, Josef von Sternberg, Ludwig Wittgenstein, W. H. Auden, and Wyndham Lewis-and bring to light the work of lesser-known artists, including the writer Carlos Bulosan and the experimental filmmaker Len Lye. Examining cultural artifacts ranging from novels to manifestos, from philosophical treatises to movie musicals, and from anthropological essays to advertising campaigns, these essays signal the capaciousness and energy galvanizing the new modernist studies.Contributors. Lisa Fluet, Laura Frost, Michael LeMahieu, Heather K. Love, Douglas Mao, Jesse Matz, Joshua L. Miller, Monica L. Miller, Sianne Ngai, Martin Puchner, Rebecca L. Walkowitz |
| Beschreibung: | 1 Online-Ressource (365 Seiten) Illustrationen |
| ISBN: | 9780822387824 |
| DOI: | 10.1515/9780822387824 |
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| spelling | Bad modernisms Douglas Mao & Rebecca L. Walkowitz, editors Durham ; London Duke University Press 2006 1 Online-Ressource (365 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Modernism is hot again. At the dawn of the twenty-first century, poets and architects, designers and critics, teachers and artists are rediscovering the virtues of the previous century's most vibrant cultural constellation. Yet this widespread embrace raises questions about modernism's relation to its own success. Modernism's "badness"-its emphasis on outrageous behavior, its elevation of negativity, its refusal to be condoned-seems essential to its power. But once modernism is accepted as "good" or valuable (as a great deal of modernist art now is), its status as a subversive aesthetic intervention seems undermined. The contributors to Bad Modernisms tease out the contradictions in modernism's commitment to badness.Bad Modernisms thus builds on and extends the "new modernist studies," recent work marked by the application of diverse methods and attention to texts and artists not usually labeled as modernist. In this collection, these developments are exemplified by essays ranging from a reading of dandyism in 1920s Harlem as a performance of a "bad" black modernist imaginary to a consideration of Filipino American modernism in the context of anticolonialism. The contributors reconsider familiar figures-such as Virginia Woolf, D. H. Lawrence, Josef von Sternberg, Ludwig Wittgenstein, W. H. Auden, and Wyndham Lewis-and bring to light the work of lesser-known artists, including the writer Carlos Bulosan and the experimental filmmaker Len Lye. Examining cultural artifacts ranging from novels to manifestos, from philosophical treatises to movie musicals, and from anthropological essays to advertising campaigns, these essays signal the capaciousness and energy galvanizing the new modernist studies.Contributors. Lisa Fluet, Laura Frost, Michael LeMahieu, Heather K. Love, Douglas Mao, Jesse Matz, Joshua L. Miller, Monica L. Miller, Sianne Ngai, Martin Puchner, Rebecca L. Walkowitz Geschichte 1900-2000 gnd rswk-swf LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh Englisch (DE-588)4014777-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Geschichte 1900-2000 z DE-604 Walkowitz, Rebecca L. 1970- (DE-588)123933927 edt Mao, Douglas 1966- (DE-588)131906534 edt Erscheint auch als Druck-Ausgabe 978-0-8223-3784-3 (DE-604)BV021691484 https://doi.org/10.1515/9780822387824 Verlag URL des Erstveröffentlichers Volltext |
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| title | Bad modernisms |
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| title_full | Bad modernisms Douglas Mao & Rebecca L. Walkowitz, editors |
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| title_full_unstemmed | Bad modernisms Douglas Mao & Rebecca L. Walkowitz, editors |
| title_short | Bad modernisms |
| title_sort | bad modernisms |
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