Globalization and Race: Transformations in the Cultural Production of Blackness
Kamari Maxine Clarke and Deborah A. Thomas argue that a firm grasp of globalization requires an understanding of how race has constituted, and been constituted by, global transformations. Focusing attention on race as an analytic category, this state-of-the-art collection of essays explores the chan...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Durham
Duke University Press
[2006]
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Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
Zusammenfassung: | Kamari Maxine Clarke and Deborah A. Thomas argue that a firm grasp of globalization requires an understanding of how race has constituted, and been constituted by, global transformations. Focusing attention on race as an analytic category, this state-of-the-art collection of essays explores the changing meanings of blackness in the context of globalization. It illuminates the connections between contemporary global processes of racialization and transnational circulations set in motion by imperialism and slavery; between popular culture and global conceptions of blackness; and between the work of anthropologists, policymakers, religious revivalists, and activists and the solidification and globalization of racial categories.A number of the essays bring to light the formative but not unproblematic influence of African American identity on other populations within the black diaspora. Among these are an examination of the impact of "black America" on racial identity and politics in mid-twentieth-century Liverpool and an inquiry into the distinctive experiences of blacks in Canada. Contributors investigate concepts of race and space in early-twenty-first century Harlem, the experiences of trafficked Nigerian sex workers in Italy, and the persistence of race in the purportedly non-racial language of the "New South Africa." They highlight how blackness is consumed and expressed in Cuban timba music, in West Indian adolescent girls' fascination with Buffy the Vampire Slayer, and in the incorporation of American rap music into black London culture. Connecting race to ethnicity, gender, sexuality, nationality, and religion, these essays reveal how new class economies, ideologies of belonging, and constructions of social difference are emerging from ongoing global transformations.Contributors. Robert L. Adams, Lee D. Baker, Jacqueline Nassy Brown, Tina M. Campt, Kamari Maxine Clarke, Raymond Codrington, Grant Farred, Kesha Fikes, Isar Godreau, Ariana Hernandez-Reguant, Jayne O. Ifekwunigwe, John L. Jackson Jr., Oneka LaBennett, Naomi Pabst, Lena Sawyer, Deborah A. Thomas |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (424 pages) 1 illustration |
ISBN: | 9780822387596 |
DOI: | 10.1515/9780822387596 |
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520 | |a Kamari Maxine Clarke and Deborah A. Thomas argue that a firm grasp of globalization requires an understanding of how race has constituted, and been constituted by, global transformations. Focusing attention on race as an analytic category, this state-of-the-art collection of essays explores the changing meanings of blackness in the context of globalization. It illuminates the connections between contemporary global processes of racialization and transnational circulations set in motion by imperialism and slavery; between popular culture and global conceptions of blackness; and between the work of anthropologists, policymakers, religious revivalists, and activists and the solidification and globalization of racial categories.A number of the essays bring to light the formative but not unproblematic influence of African American identity on other populations within the black diaspora. | ||
520 | |a Among these are an examination of the impact of "black America" on racial identity and politics in mid-twentieth-century Liverpool and an inquiry into the distinctive experiences of blacks in Canada. Contributors investigate concepts of race and space in early-twenty-first century Harlem, the experiences of trafficked Nigerian sex workers in Italy, and the persistence of race in the purportedly non-racial language of the "New South Africa." They highlight how blackness is consumed and expressed in Cuban timba music, in West Indian adolescent girls' fascination with Buffy the Vampire Slayer, and in the incorporation of American rap music into black London culture. Connecting race to ethnicity, gender, sexuality, nationality, and religion, these essays reveal how new class economies, ideologies of belonging, and constructions of social difference are emerging from ongoing global transformations.Contributors. Robert L. Adams, Lee D. Baker, Jacqueline Nassy Brown, Tina M. | ||
520 | |a Campt, Kamari Maxine Clarke, Raymond Codrington, Grant Farred, Kesha Fikes, Isar Godreau, Ariana Hernandez-Reguant, Jayne O. Ifekwunigwe, John L. Jackson Jr., Oneka LaBennett, Naomi Pabst, Lena Sawyer, Deborah A. Thomas | ||
546 | |a In English | ||
650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies |2 bisacsh | |
650 | 4 | |a African Americans in popular culture | |
650 | 4 | |a African diaspora | |
650 | 4 | |a Black race | |
650 | 4 | |a Blacks |x Folklore | |
650 | 4 | |a Blacks |x Race identity | |
650 | 4 | |a Culture and globalization | |
650 | 4 | |a Globalization |x Political aspects | |
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700 | 1 | |a Clarke, Kamari Maxine |4 edt | |
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700 | 1 | |a Kamari Maxine, Clarke |4 ctb | |
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700 | 1 | |a Thomas, Deborah A. |4 edt | |
700 | 1 | |a Tina M., Campt |4 ctb | |
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Datensatz im Suchindex
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author2 | Ariana, Hernandez-Reguant Clarke, Kamari Maxine Deborah A., Thomas Grant, Farred Isar P., Godreau Jacqueline Nassy, Brown Jayne O., Ifekwunigwe John L., Jackson Jr Kamari Maxine, Clarke Kesha, Fikes Lee D., Baker Lena, Sawyer Naomi, Pabst Oneka, Labennett Raymond, Codrington Robert L., Adams Jr Thomas, Deborah A. Tina M., Campt |
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author_facet | Ariana, Hernandez-Reguant Clarke, Kamari Maxine Deborah A., Thomas Grant, Farred Isar P., Godreau Jacqueline Nassy, Brown Jayne O., Ifekwunigwe John L., Jackson Jr Kamari Maxine, Clarke Kesha, Fikes Lee D., Baker Lena, Sawyer Naomi, Pabst Oneka, Labennett Raymond, Codrington Robert L., Adams Jr Thomas, Deborah A. Tina M., Campt |
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illustrated | Not Illustrated |
index_date | 2024-07-03T16:07:28Z |
indexdate | 2024-07-10T09:01:07Z |
institution | BVB |
isbn | 9780822387596 |
language | English |
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publisher | Duke University Press |
record_format | marc |
spelling | Globalization and Race Transformations in the Cultural Production of Blackness Deborah A. Thomas, Kamari Maxine Clarke Durham Duke University Press [2006] © 2006 1 online resource (424 pages) 1 illustration txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Kamari Maxine Clarke and Deborah A. Thomas argue that a firm grasp of globalization requires an understanding of how race has constituted, and been constituted by, global transformations. Focusing attention on race as an analytic category, this state-of-the-art collection of essays explores the changing meanings of blackness in the context of globalization. It illuminates the connections between contemporary global processes of racialization and transnational circulations set in motion by imperialism and slavery; between popular culture and global conceptions of blackness; and between the work of anthropologists, policymakers, religious revivalists, and activists and the solidification and globalization of racial categories.A number of the essays bring to light the formative but not unproblematic influence of African American identity on other populations within the black diaspora. Among these are an examination of the impact of "black America" on racial identity and politics in mid-twentieth-century Liverpool and an inquiry into the distinctive experiences of blacks in Canada. Contributors investigate concepts of race and space in early-twenty-first century Harlem, the experiences of trafficked Nigerian sex workers in Italy, and the persistence of race in the purportedly non-racial language of the "New South Africa." They highlight how blackness is consumed and expressed in Cuban timba music, in West Indian adolescent girls' fascination with Buffy the Vampire Slayer, and in the incorporation of American rap music into black London culture. Connecting race to ethnicity, gender, sexuality, nationality, and religion, these essays reveal how new class economies, ideologies of belonging, and constructions of social difference are emerging from ongoing global transformations.Contributors. Robert L. Adams, Lee D. Baker, Jacqueline Nassy Brown, Tina M. Campt, Kamari Maxine Clarke, Raymond Codrington, Grant Farred, Kesha Fikes, Isar Godreau, Ariana Hernandez-Reguant, Jayne O. Ifekwunigwe, John L. Jackson Jr., Oneka LaBennett, Naomi Pabst, Lena Sawyer, Deborah A. Thomas In English SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African Americans in popular culture African diaspora Black race Blacks Folklore Blacks Race identity Culture and globalization Globalization Political aspects Ariana, Hernandez-Reguant ctb Clarke, Kamari Maxine edt Deborah A., Thomas ctb Grant, Farred ctb Isar P., Godreau ctb Jacqueline Nassy, Brown ctb Jayne O., Ifekwunigwe ctb John L., Jackson Jr. ctb Kamari Maxine, Clarke ctb Kesha, Fikes ctb Lee D., Baker ctb Lena, Sawyer ctb Naomi, Pabst ctb Oneka, Labennett ctb Raymond, Codrington ctb Robert L., Adams Jr. ctb Thomas, Deborah A. edt Tina M., Campt ctb https://doi.org/10.1515/9780822387596 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Globalization and Race Transformations in the Cultural Production of Blackness SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African Americans in popular culture African diaspora Black race Blacks Folklore Blacks Race identity Culture and globalization Globalization Political aspects |
title | Globalization and Race Transformations in the Cultural Production of Blackness |
title_auth | Globalization and Race Transformations in the Cultural Production of Blackness |
title_exact_search | Globalization and Race Transformations in the Cultural Production of Blackness |
title_exact_search_txtP | Globalization and Race Transformations in the Cultural Production of Blackness |
title_full | Globalization and Race Transformations in the Cultural Production of Blackness Deborah A. Thomas, Kamari Maxine Clarke |
title_fullStr | Globalization and Race Transformations in the Cultural Production of Blackness Deborah A. Thomas, Kamari Maxine Clarke |
title_full_unstemmed | Globalization and Race Transformations in the Cultural Production of Blackness Deborah A. Thomas, Kamari Maxine Clarke |
title_short | Globalization and Race |
title_sort | globalization and race transformations in the cultural production of blackness |
title_sub | Transformations in the Cultural Production of Blackness |
topic | SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh African Americans in popular culture African diaspora Black race Blacks Folklore Blacks Race identity Culture and globalization Globalization Political aspects |
topic_facet | SOCIAL SCIENCE / Ethnic Studies / African American Studies African Americans in popular culture African diaspora Black race Blacks Folklore Blacks Race identity Culture and globalization Globalization Political aspects |
url | https://doi.org/10.1515/9780822387596 |
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