Listening in Detail: Performances of Cuban Music
Listening in Detail is an original and impassioned take on the intellectual and sensory bounty of Cuban music as it circulates between the island, the United States, and other locations. It is also a powerful critique of efforts to define "Cuban music" for ethnographic examination or marke...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2013]
|
| Schriftenreihe: | Refiguring American Music
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | Listening in Detail is an original and impassioned take on the intellectual and sensory bounty of Cuban music as it circulates between the island, the United States, and other locations. It is also a powerful critique of efforts to define "Cuban music" for ethnographic examination or market consumption. Contending that the music is not a knowable entity but a spectrum of dynamic practices that elude definition, Alexandra T. Vazquez models a new way of writing about music and the meanings assigned to it. "Listening in detail" is a method invested in opening up, rather than pinning down, experiences of Cuban music. Critiques of imperialism, nationalism, race, and gender emerge in fragments and moments, and in gestures and sounds through Vazquez's engagement with Alfredo Rodríguez's album Cuba Linda (1996), the seventy-year career of the vocalist Graciela Pérez, the signature grunt of the "Mambo King" Dámaso Pérez Prado, Cuban music documentaries of the 1960s, and late-twentieth-century concert ephemera |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
| Beschreibung: | 1 online resource (352 pages) 23 photographs |
| ISBN: | 9780822378877 |
| DOI: | 10.1515/9780822378877 |
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| 520 | |a Listening in Detail is an original and impassioned take on the intellectual and sensory bounty of Cuban music as it circulates between the island, the United States, and other locations. It is also a powerful critique of efforts to define "Cuban music" for ethnographic examination or market consumption. Contending that the music is not a knowable entity but a spectrum of dynamic practices that elude definition, Alexandra T. Vazquez models a new way of writing about music and the meanings assigned to it. "Listening in detail" is a method invested in opening up, rather than pinning down, experiences of Cuban music. Critiques of imperialism, nationalism, race, and gender emerge in fragments and moments, and in gestures and sounds through Vazquez's engagement with Alfredo Rodríguez's album Cuba Linda (1996), the seventy-year career of the vocalist Graciela Pérez, the signature grunt of the "Mambo King" Dámaso Pérez Prado, Cuban music documentaries of the 1960s, and late-twentieth-century concert ephemera | ||
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:28Z |
| indexdate | 2024-07-10T09:01:07Z |
| institution | BVB |
| isbn | 9780822378877 |
| language | English |
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| physical | 1 online resource (352 pages) 23 photographs |
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| publishDate | 2013 |
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| publisher | Duke University Press |
| record_format | marc |
| series2 | Refiguring American Music |
| spelling | Vazquez, Alexandra T. 1976- Verfasser (DE-588)103739948X aut Listening in Detail Performances of Cuban Music Alexandra T. Vazquez Durham Duke University Press [2013] © 2013 1 online resource (352 pages) 23 photographs txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) Listening in Detail is an original and impassioned take on the intellectual and sensory bounty of Cuban music as it circulates between the island, the United States, and other locations. It is also a powerful critique of efforts to define "Cuban music" for ethnographic examination or market consumption. Contending that the music is not a knowable entity but a spectrum of dynamic practices that elude definition, Alexandra T. Vazquez models a new way of writing about music and the meanings assigned to it. "Listening in detail" is a method invested in opening up, rather than pinning down, experiences of Cuban music. Critiques of imperialism, nationalism, race, and gender emerge in fragments and moments, and in gestures and sounds through Vazquez's engagement with Alfredo Rodríguez's album Cuba Linda (1996), the seventy-year career of the vocalist Graciela Pérez, the signature grunt of the "Mambo King" Dámaso Pérez Prado, Cuban music documentaries of the 1960s, and late-twentieth-century concert ephemera In English MUSIC / Genres & Styles / Latin bisacsh Music Performance Cuba Music Cuba History and criticism https://doi.org/10.1515/9780822378877 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Vazquez, Alexandra T. 1976- Listening in Detail Performances of Cuban Music MUSIC / Genres & Styles / Latin bisacsh Music Performance Cuba Music Cuba History and criticism |
| title | Listening in Detail Performances of Cuban Music |
| title_auth | Listening in Detail Performances of Cuban Music |
| title_exact_search | Listening in Detail Performances of Cuban Music |
| title_exact_search_txtP | Listening in Detail Performances of Cuban Music |
| title_full | Listening in Detail Performances of Cuban Music Alexandra T. Vazquez |
| title_fullStr | Listening in Detail Performances of Cuban Music Alexandra T. Vazquez |
| title_full_unstemmed | Listening in Detail Performances of Cuban Music Alexandra T. Vazquez |
| title_short | Listening in Detail |
| title_sort | listening in detail performances of cuban music |
| title_sub | Performances of Cuban Music |
| topic | MUSIC / Genres & Styles / Latin bisacsh Music Performance Cuba Music Cuba History and criticism |
| topic_facet | MUSIC / Genres & Styles / Latin Music Performance Cuba Music Cuba History and criticism |
| url | https://doi.org/10.1515/9780822378877 |
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