Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics
During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to studen...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2013]
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| Schriftenreihe: | Asia-Pacific: Culture, Politics, and Society
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) |
| Beschreibung: | 1 online resource (280 pages) 29 illustrations |
| ISBN: | 9780822377535 |
| DOI: | 10.1515/9780822377535 |
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| series2 | Asia-Pacific: Culture, Politics, and Society |
| spelling | Furuhata, Yuriko Verfasser aut Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics Yuriko Furuhata Durham Duke University Press [2013] © 2013 1 online resource (280 pages) 29 illustrations txt rdacontent c rdamedia cr rdacarrier Asia-Pacific: Culture, Politics, and Society Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Japan History 20th century Motion pictures Japan History 20th century https://doi.org/10.1515/9780822377535 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Furuhata, Yuriko Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Japan History 20th century Motion pictures Japan History 20th century |
| title | Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics |
| title_auth | Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics |
| title_exact_search | Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics |
| title_exact_search_txtP | Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics |
| title_full | Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics Yuriko Furuhata |
| title_fullStr | Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics Yuriko Furuhata |
| title_full_unstemmed | Cinema of Actuality Japanese Avant-Garde Filmmaking in the Season of Image Politics Yuriko Furuhata |
| title_short | Cinema of Actuality |
| title_sort | cinema of actuality japanese avant garde filmmaking in the season of image politics |
| title_sub | Japanese Avant-Garde Filmmaking in the Season of Image Politics |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Japan History 20th century Motion pictures Japan History 20th century |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Political aspects Japan History 20th century Motion pictures Japan History 20th century |
| url | https://doi.org/10.1515/9780822377535 |
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