The Battle of the Sexes in French Cinema, 1930-1956:
In The Battle of the Sexes in French Cinema, 1930-1956, Noël Burch and Geneviève Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the...
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Hauptverfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2013]
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Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 URL des Erstveröffentlichers |
Zusammenfassung: | In The Battle of the Sexes in French Cinema, 1930-1956, Noël Burch and Geneviève Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956-when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"-are important, both as historical texts and as sources of entertainment.Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) |
Beschreibung: | 1 online resource (384 pages) 43 illustrations |
ISBN: | 9780822377252 |
DOI: | 10.1515/9780822377252 |
Internformat
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Datensatz im Suchindex
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author | Burch, Noël Sellier, Geneviève |
author_facet | Burch, Noël Sellier, Geneviève |
author_role | aut aut |
author_sort | Burch, Noël |
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dewey-raw | 791.43094409/04 |
dewey-search | 791.43094409/04 |
dewey-sort | 3791.43094409 14 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9780822377252 |
format | Electronic eBook |
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illustrated | Illustrated |
index_date | 2024-07-03T16:07:28Z |
indexdate | 2025-02-19T17:29:38Z |
institution | BVB |
isbn | 9780822377252 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032455914 |
oclc_num | 1226700286 |
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physical | 1 online resource (384 pages) 43 illustrations |
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publishDate | 2013 |
publishDateSearch | 2013 |
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publisher | Duke University Press |
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spelling | Burch, Noël Verfasser aut The Battle of the Sexes in French Cinema, 1930-1956 Noël Burch, Geneviève Sellier Durham Duke University Press [2013] © 2013 1 online resource (384 pages) 43 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) In The Battle of the Sexes in French Cinema, 1930-1956, Noël Burch and Geneviève Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940-44). The authors contend that the films produced from the 1930s until 1956-when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"-are important, both as historical texts and as sources of entertainment.Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Man-woman relationships in motion pictures Motion pictures France History 20th century Graham, Peter A. Sonstige oth Sellier, Geneviève aut https://doi.org/10.1515/9780822377252 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Burch, Noël Sellier, Geneviève The Battle of the Sexes in French Cinema, 1930-1956 PERFORMING ARTS / Film & Video / History & Criticism bisacsh Man-woman relationships in motion pictures Motion pictures France History 20th century |
title | The Battle of the Sexes in French Cinema, 1930-1956 |
title_auth | The Battle of the Sexes in French Cinema, 1930-1956 |
title_exact_search | The Battle of the Sexes in French Cinema, 1930-1956 |
title_exact_search_txtP | The Battle of the Sexes in French Cinema, 1930-1956 |
title_full | The Battle of the Sexes in French Cinema, 1930-1956 Noël Burch, Geneviève Sellier |
title_fullStr | The Battle of the Sexes in French Cinema, 1930-1956 Noël Burch, Geneviève Sellier |
title_full_unstemmed | The Battle of the Sexes in French Cinema, 1930-1956 Noël Burch, Geneviève Sellier |
title_short | The Battle of the Sexes in French Cinema, 1930-1956 |
title_sort | the battle of the sexes in french cinema 1930 1956 |
topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Man-woman relationships in motion pictures Motion pictures France History 20th century |
topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Man-woman relationships in motion pictures Motion pictures France History 20th century |
url | https://doi.org/10.1515/9780822377252 |
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