Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suite...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2014]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (248 pages) 19 photographs |
| ISBN: | 9780822377108 |
| DOI: | 10.1515/9780822377108 |
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| spelling | Grubbs, David Verfasser aut Records Ruin the Landscape John Cage, the Sixties, and Sound Recording David Grubbs Durham Duke University Press [2014] © 2014 1 online resource (248 pages) 19 photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices In English MUSIC / History & Criticism bisacsh Avant-garde (Music) History and criticism Improvisation (Music) History and criticism Sound recordings https://doi.org/10.1515/9780822377108 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Grubbs, David Records Ruin the Landscape John Cage, the Sixties, and Sound Recording MUSIC / History & Criticism bisacsh Avant-garde (Music) History and criticism Improvisation (Music) History and criticism Sound recordings |
| title | Records Ruin the Landscape John Cage, the Sixties, and Sound Recording |
| title_auth | Records Ruin the Landscape John Cage, the Sixties, and Sound Recording |
| title_exact_search | Records Ruin the Landscape John Cage, the Sixties, and Sound Recording |
| title_exact_search_txtP | Records Ruin the Landscape John Cage, the Sixties, and Sound Recording |
| title_full | Records Ruin the Landscape John Cage, the Sixties, and Sound Recording David Grubbs |
| title_fullStr | Records Ruin the Landscape John Cage, the Sixties, and Sound Recording David Grubbs |
| title_full_unstemmed | Records Ruin the Landscape John Cage, the Sixties, and Sound Recording David Grubbs |
| title_short | Records Ruin the Landscape |
| title_sort | records ruin the landscape john cage the sixties and sound recording |
| title_sub | John Cage, the Sixties, and Sound Recording |
| topic | MUSIC / History & Criticism bisacsh Avant-garde (Music) History and criticism Improvisation (Music) History and criticism Sound recordings |
| topic_facet | MUSIC / History & Criticism Avant-garde (Music) History and criticism Improvisation (Music) History and criticism Sound recordings |
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