Skin Acts: Race, Psychoanalysis, and the Black Male Performer
In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cult...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2014]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other-intersubjective, pre-discursive, and sensuous-forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (296 pages) 55 illustrations |
| ISBN: | 9780822376651 |
| DOI: | 10.1515/9780822376651 |
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| spelling | Stephens, Michelle Ann Verfasser aut Skin Acts Race, Psychoanalysis, and the Black Male Performer Michelle Ann Stephens Durham Duke University Press [2014] © 2014 1 online resource (296 pages) 55 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other-intersubjective, pre-discursive, and sensuous-forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness In English SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh https://doi.org/10.1515/9780822376651 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stephens, Michelle Ann Skin Acts Race, Psychoanalysis, and the Black Male Performer SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh |
| title | Skin Acts Race, Psychoanalysis, and the Black Male Performer |
| title_auth | Skin Acts Race, Psychoanalysis, and the Black Male Performer |
| title_exact_search | Skin Acts Race, Psychoanalysis, and the Black Male Performer |
| title_exact_search_txtP | Skin Acts Race, Psychoanalysis, and the Black Male Performer |
| title_full | Skin Acts Race, Psychoanalysis, and the Black Male Performer Michelle Ann Stephens |
| title_fullStr | Skin Acts Race, Psychoanalysis, and the Black Male Performer Michelle Ann Stephens |
| title_full_unstemmed | Skin Acts Race, Psychoanalysis, and the Black Male Performer Michelle Ann Stephens |
| title_short | Skin Acts |
| title_sort | skin acts race psychoanalysis and the black male performer |
| title_sub | Race, Psychoanalysis, and the Black Male Performer |
| topic | SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh |
| topic_facet | SOCIAL SCIENCE / Ethnic Studies / African American Studies |
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