Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity
In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses f...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2015]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (344 pages) 68 illustrations |
| ISBN: | 9780822375555 |
| DOI: | 10.1515/9780822375555 |
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| spelling | Field, Allyson Nadia Verfasser aut Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity Allyson Nadia Field Durham Duke University Press [2015] © 2015 1 online resource (344 pages) 68 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh African Americans in motion pictures History 20th century African Americans in the motion picture industry History 20th century https://doi.org/10.1515/9780822375555 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Field, Allyson Nadia Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity PERFORMING ARTS / Film & Video / History & Criticism bisacsh African Americans in motion pictures History 20th century African Americans in the motion picture industry History 20th century |
| title | Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity |
| title_auth | Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity |
| title_exact_search | Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity |
| title_exact_search_txtP | Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity |
| title_full | Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity Allyson Nadia Field |
| title_fullStr | Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity Allyson Nadia Field |
| title_full_unstemmed | Uplift Cinema The Emergence of African American Film and the Possibility of Black Modernity Allyson Nadia Field |
| title_short | Uplift Cinema |
| title_sort | uplift cinema the emergence of african american film and the possibility of black modernity |
| title_sub | The Emergence of African American Film and the Possibility of Black Modernity |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh African Americans in motion pictures History 20th century African Americans in the motion picture industry History 20th century |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism African Americans in motion pictures History 20th century African Americans in the motion picture industry History 20th century |
| url | https://doi.org/10.1515/9780822375555 |
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