Visual Occupations: Violence and Visibility in a Conflict Zone
In Visual Occupations Gil Z. Hochberg shows how the Israeli Occupation of Palestine is driven by the unequal access to visual rights, or the right to control what can be seen, how, and from which position. Israel maintains this unequal balance by erasing the history and denying the existence of Pale...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2015]
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| Schriftenreihe: | Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Visual Occupations Gil Z. Hochberg shows how the Israeli Occupation of Palestine is driven by the unequal access to visual rights, or the right to control what can be seen, how, and from which position. Israel maintains this unequal balance by erasing the history and denying the existence of Palestinians, and by carefully concealing its own militarization. Israeli surveillance of Palestinians, combined with the militarized gaze of Israeli soldiers at places like roadside checkpoints, also serve as tools of dominance. Hochberg analyzes various works by Palestinian and Israeli artists, among them Elia Suleiman, Rula Halawani, Sharif Waked, Ari Folman, and Larry Abramson, whose films, art, and photography challenge the inequity of visual rights by altering, queering, and manipulating dominant modes of representing the conflict. These artists' creation of new ways of seeing-such as the refusal of Palestinian filmmakers and photographers to show Palestinian suffering or the Israeli artists' exposure of state manipulated Israeli blindness -offers a crucial gateway, Hochberg suggests, for overcoming and undoing Israel's militarized dominance and political oppression of Palestinians |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (232 pages) 56 illustrations |
| ISBN: | 9780822375517 |
| DOI: | 10.1515/9780822375517 |
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Datensatz im Suchindex
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| author | Hochberg, Gil Z. |
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| discipline | Soziologie |
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| doi_str_mv | 10.1515/9780822375517 |
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| index_date | 2024-07-03T16:07:27Z |
| indexdate | 2024-07-10T09:01:06Z |
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| isbn | 9780822375517 |
| language | English |
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| spelling | Hochberg, Gil Z. Verfasser aut Visual Occupations Violence and Visibility in a Conflict Zone Gil Z. Hochberg Durham Duke University Press [2015] © 2015 1 online resource (232 pages) 56 illustrations txt rdacontent c rdamedia cr rdacarrier Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Visual Occupations Gil Z. Hochberg shows how the Israeli Occupation of Palestine is driven by the unequal access to visual rights, or the right to control what can be seen, how, and from which position. Israel maintains this unequal balance by erasing the history and denying the existence of Palestinians, and by carefully concealing its own militarization. Israeli surveillance of Palestinians, combined with the militarized gaze of Israeli soldiers at places like roadside checkpoints, also serve as tools of dominance. Hochberg analyzes various works by Palestinian and Israeli artists, among them Elia Suleiman, Rula Halawani, Sharif Waked, Ari Folman, and Larry Abramson, whose films, art, and photography challenge the inequity of visual rights by altering, queering, and manipulating dominant modes of representing the conflict. These artists' creation of new ways of seeing-such as the refusal of Palestinian filmmakers and photographers to show Palestinian suffering or the Israeli artists' exposure of state manipulated Israeli blindness -offers a crucial gateway, Hochberg suggests, for overcoming and undoing Israel's militarized dominance and political oppression of Palestinians In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Arab-Israeli conflict Mass media and the conflict Art and photography Political aspects Palestine Military surveillance Visual communication Political aspects Palestine Zionism https://doi.org/10.1515/9780822375517 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hochberg, Gil Z. Visual Occupations Violence and Visibility in a Conflict Zone PERFORMING ARTS / Film & Video / History & Criticism bisacsh Arab-Israeli conflict Mass media and the conflict Art and photography Political aspects Palestine Military surveillance Visual communication Political aspects Palestine Zionism |
| title | Visual Occupations Violence and Visibility in a Conflict Zone |
| title_auth | Visual Occupations Violence and Visibility in a Conflict Zone |
| title_exact_search | Visual Occupations Violence and Visibility in a Conflict Zone |
| title_exact_search_txtP | Visual Occupations Violence and Visibility in a Conflict Zone |
| title_full | Visual Occupations Violence and Visibility in a Conflict Zone Gil Z. Hochberg |
| title_fullStr | Visual Occupations Violence and Visibility in a Conflict Zone Gil Z. Hochberg |
| title_full_unstemmed | Visual Occupations Violence and Visibility in a Conflict Zone Gil Z. Hochberg |
| title_short | Visual Occupations |
| title_sort | visual occupations violence and visibility in a conflict zone |
| title_sub | Violence and Visibility in a Conflict Zone |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Arab-Israeli conflict Mass media and the conflict Art and photography Political aspects Palestine Military surveillance Visual communication Political aspects Palestine Zionism |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Arab-Israeli conflict Mass media and the conflict Art and photography Political aspects Palestine Military surveillance Visual communication Political aspects Palestine Zionism |
| url | https://doi.org/10.1515/9780822375517 |
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