Tropical Renditions: Making Musical Scenes in Filipino America
In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identities, publics, and politics. To understand this dynamic, Balance advocates for a "dis...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2016]
|
| Schriftenreihe: | Refiguring American Music
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Zusammenfassung: | In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identities, publics, and politics. To understand this dynamic, Balance advocates for a "disobedient listening" that reveals how Filipino musicians challenge dominant racialized U.S. imperialist tropes of Filipinos as primitive, childlike, derivative, and mimetic. Balance disobediently listens to how the Bay Area turntablist DJ group the Invisibl Skratch Piklz bear the burden of racialized performers in the United States and defy conventions on musical ownership; to karaoke as affective labor, aesthetic expression, and pedagogical instrument; to how writer and performer Jessica Hagedorn's collaborative and improvisational authorial voice signals the importance of migration and place; and how Pinoy indie rock scenes challenge the relationship between race and musical genre by tracing the alternative routes that popular music takes. In each instance Filipino musicians, writers, visual artists, and filmmakers work within and against the legacies of the U.S./Philippine imperial encounter, and in so doing, move beyond preoccupations with authenticity and offer new ways to reimagine tropical places |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Beschreibung: | 1 online resource (256 pages) 20 illustrations |
| ISBN: | 9780822375142 |
| DOI: | 10.1515/9780822375142 |
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| isbn | 9780822375142 |
| language | English |
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| series2 | Refiguring American Music |
| spelling | Balance, Christine Bacareza Verfasser aut Tropical Renditions Making Musical Scenes in Filipino America Christine Bacareza Balance Durham Duke University Press [2016] © 2016 1 online resource (256 pages) 20 illustrations txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identities, publics, and politics. To understand this dynamic, Balance advocates for a "disobedient listening" that reveals how Filipino musicians challenge dominant racialized U.S. imperialist tropes of Filipinos as primitive, childlike, derivative, and mimetic. Balance disobediently listens to how the Bay Area turntablist DJ group the Invisibl Skratch Piklz bear the burden of racialized performers in the United States and defy conventions on musical ownership; to karaoke as affective labor, aesthetic expression, and pedagogical instrument; to how writer and performer Jessica Hagedorn's collaborative and improvisational authorial voice signals the importance of migration and place; and how Pinoy indie rock scenes challenge the relationship between race and musical genre by tracing the alternative routes that popular music takes. In each instance Filipino musicians, writers, visual artists, and filmmakers work within and against the legacies of the U.S./Philippine imperial encounter, and in so doing, move beyond preoccupations with authenticity and offer new ways to reimagine tropical places In English AAAS Filipino Section Book Award SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Filipino Americans in the performing arts Filipino Americans Ethnic identity Filipino Americans Music History and criticism Music Philippines History and criticism https://doi.org/10.1515/9780822375142 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Balance, Christine Bacareza Tropical Renditions Making Musical Scenes in Filipino America AAAS Filipino Section Book Award SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Filipino Americans in the performing arts Filipino Americans Ethnic identity Filipino Americans Music History and criticism Music Philippines History and criticism |
| title | Tropical Renditions Making Musical Scenes in Filipino America |
| title_auth | Tropical Renditions Making Musical Scenes in Filipino America |
| title_exact_search | Tropical Renditions Making Musical Scenes in Filipino America |
| title_exact_search_txtP | Tropical Renditions Making Musical Scenes in Filipino America |
| title_full | Tropical Renditions Making Musical Scenes in Filipino America Christine Bacareza Balance |
| title_fullStr | Tropical Renditions Making Musical Scenes in Filipino America Christine Bacareza Balance |
| title_full_unstemmed | Tropical Renditions Making Musical Scenes in Filipino America Christine Bacareza Balance |
| title_short | Tropical Renditions |
| title_sort | tropical renditions making musical scenes in filipino america |
| title_sub | Making Musical Scenes in Filipino America |
| topic | AAAS Filipino Section Book Award SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Filipino Americans in the performing arts Filipino Americans Ethnic identity Filipino Americans Music History and criticism Music Philippines History and criticism |
| topic_facet | AAAS Filipino Section Book Award SOCIAL SCIENCE / Ethnic Studies / Asian American Studies Filipino Americans in the performing arts Filipino Americans Ethnic identity Filipino Americans Music History and criticism Music Philippines History and criticism |
| url | https://doi.org/10.1515/9780822375142 |
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