South of Pico: African American Artists in Los Angeles in the 1960s and 1970s
Named a Best Art Book of 2017 by the New York Times and ArtforumIn South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the i...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBT01 UPA01 FCO01 Volltext |
| Zusammenfassung: | Named a Best Art Book of 2017 by the New York Times and ArtforumIn South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (416 pages) 93 illustrations (incl. 32 in color) |
| ISBN: | 9780822374169 |
| DOI: | 10.1515/9780822374169 |
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| 520 | |a Named a Best Art Book of 2017 by the New York Times and ArtforumIn South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond | ||
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| isbn | 9780822374169 |
| language | English |
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| spelling | Jones, Kellie Verfasser aut South of Pico African American Artists in Los Angeles in the 1960s and 1970s Kellie Jones Durham Duke University Press [2017] © 2017 1 online resource (416 pages) 93 illustrations (incl. 32 in color) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) Named a Best Art Book of 2017 by the New York Times and ArtforumIn South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond In English ART / American / African-American bisacsh https://doi.org/10.1515/9780822374169 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jones, Kellie South of Pico African American Artists in Los Angeles in the 1960s and 1970s ART / American / African-American bisacsh |
| title | South of Pico African American Artists in Los Angeles in the 1960s and 1970s |
| title_auth | South of Pico African American Artists in Los Angeles in the 1960s and 1970s |
| title_exact_search | South of Pico African American Artists in Los Angeles in the 1960s and 1970s |
| title_exact_search_txtP | South of Pico African American Artists in Los Angeles in the 1960s and 1970s |
| title_full | South of Pico African American Artists in Los Angeles in the 1960s and 1970s Kellie Jones |
| title_fullStr | South of Pico African American Artists in Los Angeles in the 1960s and 1970s Kellie Jones |
| title_full_unstemmed | South of Pico African American Artists in Los Angeles in the 1960s and 1970s Kellie Jones |
| title_short | South of Pico |
| title_sort | south of pico african american artists in los angeles in the 1960s and 1970s |
| title_sub | African American Artists in Los Angeles in the 1960s and 1970s |
| topic | ART / American / African-American bisacsh |
| topic_facet | ART / American / African-American |
| url | https://doi.org/10.1515/9780822374169 |
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