Entry Points: The Vera List Center Field Guide on Art and Social Justice No. 1
Providing a lively snapshot of the state of art and social justice today on a global level, Entry Points accompanies the inaugural Vera List Center Prize for Art and Politics, launched at The New School on the occasion of the center's twentieth anniversary. This book captures some of the most s...
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Weitere Verfasser: | , , , , , , , , , , , , , , , , , , , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2016]
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Schriftenreihe: | The Vera List Center field guide on art and social justice
1 |
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
Zusammenfassung: | Providing a lively snapshot of the state of art and social justice today on a global level, Entry Points accompanies the inaugural Vera List Center Prize for Art and Politics, launched at The New School on the occasion of the center's twentieth anniversary. This book captures some of the most significant worldwide examples of art and social justice and introduces an interested audience of artists, policy makers, scholars, and writers to new ways of thinking about how justice is defined, advanced, and practiced through the arts. In so doing, it assembles some of the latest scholarship in this field while refining our vocabulary for speaking about social justice, social engagement, community enhancement, empowerment, and even art itself. The book's first half contains three essays by Thomas Keenan, João Ribas, and Sharon Sliwinski that map the field of art and social justice. These essays are accompanied by more than twenty profiles of recent artist projects that consist of brief essays and artist pages. This curated and carefully considered map of artists and projects identifies key moments in art and social justice. The book's second half consists of an in-depth analysis of Theaster Gates's The Dorchester Projects, which won the inaugural Vera List Prize for Art and Politics. Produced to complement the project's exhibition at the Sheila C. Johnson Design Center, Parsons School of Design in September 2013, this analysis illuminates Gates's rich, complex, and exemplary work. This section includes an interview between Gates and Vera List Center director Carin Kuoni; essays by Horace D. Ballard Jr., Romi N. Crawford, Shannon Jackson, and Mabel O. Wilson; and a number of responses to The Dorchester Projects by faculty in departments across The New School.Published by Duke University Press and the Vera List Center for Art and Politics at The New School |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
Beschreibung: | 1 online resource (288 pages) 153 illustrations |
ISBN: | 9780822373957 |
DOI: | 10.1515/9780822373957 |
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520 | |a Providing a lively snapshot of the state of art and social justice today on a global level, Entry Points accompanies the inaugural Vera List Center Prize for Art and Politics, launched at The New School on the occasion of the center's twentieth anniversary. This book captures some of the most significant worldwide examples of art and social justice and introduces an interested audience of artists, policy makers, scholars, and writers to new ways of thinking about how justice is defined, advanced, and practiced through the arts. In so doing, it assembles some of the latest scholarship in this field while refining our vocabulary for speaking about social justice, social engagement, community enhancement, empowerment, and even art itself. The book's first half contains three essays by Thomas Keenan, João Ribas, and Sharon Sliwinski that map the field of art and social justice. These essays are accompanied by more than twenty profiles of recent artist projects that consist of brief essays and artist pages. This curated and carefully considered map of artists and projects identifies key moments in art and social justice. The book's second half consists of an in-depth analysis of Theaster Gates's The Dorchester Projects, which won the inaugural Vera List Prize for Art and Politics. Produced to complement the project's exhibition at the Sheila C. Johnson Design Center, Parsons School of Design in September 2013, this analysis illuminates Gates's rich, complex, and exemplary work. This section includes an interview between Gates and Vera List Center director Carin Kuoni; essays by Horace D. Ballard Jr., Romi N. Crawford, Shannon Jackson, and Mabel O. Wilson; and a number of responses to The Dorchester Projects by faculty in departments across The New School.Published by Duke University Press and the Vera List Center for Art and Politics at The New School | ||
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author2 | Amar, Kanwar Carin, Kuoni Chelsea, Haines Christoph, Schäfer Faustin, Linyekula Haines, Chelsea Horace D., Ballard Issa, Samb Jocelyn, Edens João, Ribas Kuoni, Carin 1961- Mabel O., Wilson Marina, Naprushkina Romi N., Crawford Sanja, Iveković Shannon, Jackson Sharon, Sliwinski Tenzing, Rigdol Theaster, Gates Thomas, Keenan |
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illustrated | Illustrated |
index_date | 2024-07-03T16:07:27Z |
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institution | BVB |
isbn | 9780822373957 |
language | English |
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owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
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record_format | marc |
series2 | The Vera List Center field guide on art and social justice |
spelling | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 Chelsea Haines, Carin Kuoni Durham Duke University Press [2016] © 2016 1 online resource (288 pages) 153 illustrations txt rdacontent c rdamedia cr rdacarrier The Vera List Center field guide on art and social justice 1 Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Providing a lively snapshot of the state of art and social justice today on a global level, Entry Points accompanies the inaugural Vera List Center Prize for Art and Politics, launched at The New School on the occasion of the center's twentieth anniversary. This book captures some of the most significant worldwide examples of art and social justice and introduces an interested audience of artists, policy makers, scholars, and writers to new ways of thinking about how justice is defined, advanced, and practiced through the arts. In so doing, it assembles some of the latest scholarship in this field while refining our vocabulary for speaking about social justice, social engagement, community enhancement, empowerment, and even art itself. The book's first half contains three essays by Thomas Keenan, João Ribas, and Sharon Sliwinski that map the field of art and social justice. These essays are accompanied by more than twenty profiles of recent artist projects that consist of brief essays and artist pages. This curated and carefully considered map of artists and projects identifies key moments in art and social justice. The book's second half consists of an in-depth analysis of Theaster Gates's The Dorchester Projects, which won the inaugural Vera List Prize for Art and Politics. Produced to complement the project's exhibition at the Sheila C. Johnson Design Center, Parsons School of Design in September 2013, this analysis illuminates Gates's rich, complex, and exemplary work. This section includes an interview between Gates and Vera List Center director Carin Kuoni; essays by Horace D. Ballard Jr., Romi N. Crawford, Shannon Jackson, and Mabel O. Wilson; and a number of responses to The Dorchester Projects by faculty in departments across The New School.Published by Duke University Press and the Vera List Center for Art and Politics at The New School In English ART / History / Contemporary (1945-) bisacsh Aesthetics Art and society Human rights Social justice in art Urbanization Amar, Kanwar ctb Carin, Kuoni ctb Chelsea, Haines ctb Christoph, Schäfer ctb Faustin, Linyekula ctb Haines, Chelsea edt Horace D., Ballard ctb Issa, Samb ctb Jocelyn, Edens ctb João, Ribas ctb Kuoni, Carin 1961- (DE-588)1230466002 edt Mabel O., Wilson ctb Marina, Naprushkina ctb Romi N., Crawford ctb Sanja, Iveković ctb Shannon, Jackson ctb Sharon, Sliwinski ctb Tenzing, Rigdol ctb Theaster, Gates ctb Thomas, Keenan ctb https://doi.org/10.1515/9780822373957 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 ART / History / Contemporary (1945-) bisacsh Aesthetics Art and society Human rights Social justice in art Urbanization |
title | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 |
title_auth | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 |
title_exact_search | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 |
title_exact_search_txtP | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 |
title_full | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 Chelsea Haines, Carin Kuoni |
title_fullStr | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 Chelsea Haines, Carin Kuoni |
title_full_unstemmed | Entry Points The Vera List Center Field Guide on Art and Social Justice No. 1 Chelsea Haines, Carin Kuoni |
title_short | Entry Points |
title_sort | entry points the vera list center field guide on art and social justice no 1 |
title_sub | The Vera List Center Field Guide on Art and Social Justice No. 1 |
topic | ART / History / Contemporary (1945-) bisacsh Aesthetics Art and society Human rights Social justice in art Urbanization |
topic_facet | ART / History / Contemporary (1945-) Aesthetics Art and society Human rights Social justice in art Urbanization |
url | https://doi.org/10.1515/9780822373957 |
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