On Site, In Sound: Performance Geographies in América Latina
In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation ar...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2018]
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| Schriftenreihe: | Refiguring American Music
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-473 DE-739 DE-858 Volltext |
| Zusammenfassung: | In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (256 pages) 15 illustrations |
| ISBN: | 9780822372653 |
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| 520 | |a In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence | ||
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| author | Dorr, Kirstie A. |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:27Z |
| indexdate | 2025-02-19T17:29:37Z |
| institution | BVB |
| isbn | 9780822372653 |
| language | English |
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| publishDate | 2018 |
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| publisher | Duke University Press |
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| series2 | Refiguring American Music |
| spelling | Dorr, Kirstie A. Verfasser aut On Site, In Sound Performance Geographies in América Latina Kirstie A. Dorr Durham Duke University Press [2018] © 2018 1 online resource (256 pages) 15 illustrations txt rdacontent c rdamedia cr rdacarrier Refiguring American Music Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence In English MUSIC / Ethnomusicology bisacsh Music and globalization Latin America Music Political aspects Latin America Music Social aspects Latin America Music Latin America History and criticism https://www.degruyter.com/isbn/9780822372653 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dorr, Kirstie A. On Site, In Sound Performance Geographies in América Latina MUSIC / Ethnomusicology bisacsh Music and globalization Latin America Music Political aspects Latin America Music Social aspects Latin America Music Latin America History and criticism |
| title | On Site, In Sound Performance Geographies in América Latina |
| title_auth | On Site, In Sound Performance Geographies in América Latina |
| title_exact_search | On Site, In Sound Performance Geographies in América Latina |
| title_exact_search_txtP | On Site, In Sound Performance Geographies in América Latina |
| title_full | On Site, In Sound Performance Geographies in América Latina Kirstie A. Dorr |
| title_fullStr | On Site, In Sound Performance Geographies in América Latina Kirstie A. Dorr |
| title_full_unstemmed | On Site, In Sound Performance Geographies in América Latina Kirstie A. Dorr |
| title_short | On Site, In Sound |
| title_sort | on site in sound performance geographies in america latina |
| title_sub | Performance Geographies in América Latina |
| topic | MUSIC / Ethnomusicology bisacsh Music and globalization Latin America Music Political aspects Latin America Music Social aspects Latin America Music Latin America History and criticism |
| topic_facet | MUSIC / Ethnomusicology Music and globalization Latin America Music Political aspects Latin America Music Social aspects Latin America Music Latin America History and criticism |
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