Experimental Beijing: Gender and Globalization in Chinese Contemporary Art
During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic ex...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su-Ling Welland examines the interlocking power dynamics in this transformational moment and rapid rise of Chinese contemporary art into a global phenomenon. Drawing on ethnographic fieldwork and experience as a videographer and curator, Welland analyzes encounters between artists, curators, officials, and urban planners as they negotiated the social role of art and built new cultural institutions. Focusing on the contradictions and exclusions that emerged, Welland traces the complex gender politics involved and shows that feminist forms of art practice hold the potential to reshape consciousness, produce a nonnormative history of Chinese contemporary art, and imagine other, more just worlds |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (360 pages) 85 illustrations, incl. 19 in color |
| ISBN: | 9780822372479 |
Internformat
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| 520 | |a During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su-Ling Welland examines the interlocking power dynamics in this transformational moment and rapid rise of Chinese contemporary art into a global phenomenon. Drawing on ethnographic fieldwork and experience as a videographer and curator, Welland analyzes encounters between artists, curators, officials, and urban planners as they negotiated the social role of art and built new cultural institutions. Focusing on the contradictions and exclusions that emerged, Welland traces the complex gender politics involved and shows that feminist forms of art practice hold the potential to reshape consciousness, produce a nonnormative history of Chinese contemporary art, and imagine other, more just worlds | ||
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Datensatz im Suchindex
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| author | Welland, Sasha Su-Ling |
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| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.51/0905 |
| dewey-search | 709.51/0905 |
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| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:07:27Z |
| indexdate | 2024-07-10T09:01:06Z |
| institution | BVB |
| isbn | 9780822372479 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032455490 |
| oclc_num | 1226703937 |
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| physical | 1 online resource (360 pages) 85 illustrations, incl. 19 in color |
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| publishDate | 2018 |
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| publisher | Duke University Press |
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| spelling | Welland, Sasha Su-Ling Verfasser aut Experimental Beijing Gender and Globalization in Chinese Contemporary Art Sasha Su-Ling Welland Durham Duke University Press [2018] © 2018 1 online resource (360 pages) 85 illustrations, incl. 19 in color txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su-Ling Welland examines the interlocking power dynamics in this transformational moment and rapid rise of Chinese contemporary art into a global phenomenon. Drawing on ethnographic fieldwork and experience as a videographer and curator, Welland analyzes encounters between artists, curators, officials, and urban planners as they negotiated the social role of art and built new cultural institutions. Focusing on the contradictions and exclusions that emerged, Welland traces the complex gender politics involved and shows that feminist forms of art practice hold the potential to reshape consciousness, produce a nonnormative history of Chinese contemporary art, and imagine other, more just worlds In English ART / Asian / General bisacsh Art China Beijing Art, Chinese 21st century Art, Modern 21st century Artists China Beijing 21st century Globalization in art https://www.degruyter.com/isbn/9780822372479 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Welland, Sasha Su-Ling Experimental Beijing Gender and Globalization in Chinese Contemporary Art ART / Asian / General bisacsh Art China Beijing Art, Chinese 21st century Art, Modern 21st century Artists China Beijing 21st century Globalization in art |
| title | Experimental Beijing Gender and Globalization in Chinese Contemporary Art |
| title_auth | Experimental Beijing Gender and Globalization in Chinese Contemporary Art |
| title_exact_search | Experimental Beijing Gender and Globalization in Chinese Contemporary Art |
| title_exact_search_txtP | Experimental Beijing Gender and Globalization in Chinese Contemporary Art |
| title_full | Experimental Beijing Gender and Globalization in Chinese Contemporary Art Sasha Su-Ling Welland |
| title_fullStr | Experimental Beijing Gender and Globalization in Chinese Contemporary Art Sasha Su-Ling Welland |
| title_full_unstemmed | Experimental Beijing Gender and Globalization in Chinese Contemporary Art Sasha Su-Ling Welland |
| title_short | Experimental Beijing |
| title_sort | experimental beijing gender and globalization in chinese contemporary art |
| title_sub | Gender and Globalization in Chinese Contemporary Art |
| topic | ART / Asian / General bisacsh Art China Beijing Art, Chinese 21st century Art, Modern 21st century Artists China Beijing 21st century Globalization in art |
| topic_facet | ART / Asian / General Art China Beijing Art, Chinese 21st century Art, Modern 21st century Artists China Beijing 21st century Globalization in art |
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