The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies
In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2017]
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| Schriftenreihe: | Studies of the Weatherhead East Asian Institute, Columbia University
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.A Study of the Weatherhead East Asian Institute, Columbia University |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (320 pages) 11 illustrations |
| ISBN: | 9780822372462 |
| DOI: | 10.1515/9780822372462 |
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| spelling | Zahlten, Alexander Verfasser aut The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies Alexander Zahlten Durham Duke University Press [2017] © 2017 1 online resource (320 pages) 11 illustrations txt rdacontent c rdamedia cr rdacarrier Studies of the Weatherhead East Asian Institute, Columbia University Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies.A Study of the Weatherhead East Asian Institute, Columbia University In English SOCIAL SCIENCE / Media Studies bisacsh Mass media Japan History 20th century Motion pictures Japan History 20th century https://doi.org/10.1515/9780822372462 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Zahlten, Alexander The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies SOCIAL SCIENCE / Media Studies bisacsh Mass media Japan History 20th century Motion pictures Japan History 20th century |
| title | The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies |
| title_auth | The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies |
| title_exact_search | The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies |
| title_exact_search_txtP | The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies |
| title_full | The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies Alexander Zahlten |
| title_fullStr | The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies Alexander Zahlten |
| title_full_unstemmed | The End of Japanese Cinema Industrial Genres, National Times, and Media Ecologies Alexander Zahlten |
| title_short | The End of Japanese Cinema |
| title_sort | the end of japanese cinema industrial genres national times and media ecologies |
| title_sub | Industrial Genres, National Times, and Media Ecologies |
| topic | SOCIAL SCIENCE / Media Studies bisacsh Mass media Japan History 20th century Motion pictures Japan History 20th century |
| topic_facet | SOCIAL SCIENCE / Media Studies Mass media Japan History 20th century Motion pictures Japan History 20th century |
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