Black and blur:
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imaginatio...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2017]
|
| Schriftenreihe: | Consent not to be a single being
1 |
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-703 DE-739 Volltext |
| Zusammenfassung: | "Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Black and Blur-the first volume in his sublime and compelling trilogy consent not to be a single being-Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (360 pages) |
| ISBN: | 9780822372226 |
| DOI: | 10.1515/9780822372226 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:27Z |
| indexdate | 2024-07-20T06:40:07Z |
| institution | BVB |
| isbn | 9780822372226 |
| language | English |
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| spelling | Moten, Fred 1962- Verfasser (DE-588)1068658827 aut Black and blur Fred Moten Durham Duke University Press [2017] © 2017 1 online resource (360 pages) txt rdacontent c rdamedia cr rdacarrier Consent not to be a single being 1 Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) "Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary ImaginationIn Black and Blur-the first volume in his sublime and compelling trilogy consent not to be a single being-Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing In English MLA Book Awards William Sanders Scarborough Prize honorable mention SOCIAL SCIENCE / Black Studies (Global) bisacsh African Americans Race identity African diaspora Blacks Race identity United States Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8223-7006-2 (DE-604)BV044672096 Consent not to be a single being 1 (DE-604)BV047078028 1 https://doi.org/10.1515/9780822372226 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Moten, Fred 1962- Black and blur Consent not to be a single being MLA Book Awards William Sanders Scarborough Prize honorable mention SOCIAL SCIENCE / Black Studies (Global) bisacsh African Americans Race identity African diaspora Blacks Race identity United States |
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| title_full | Black and blur Fred Moten |
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| title_short | Black and blur |
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