Archiveology: Walter Benjamin and Archival Film Practices
In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not functio...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2018]
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| Schriftenreihe: | A Camera Obscura Book
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 Volltext |
| Zusammenfassung: | In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Védrès's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (280 pages) 57 illustrations |
| ISBN: | 9780822372004 |
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| isbn | 9780822372004 |
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| spelling | Russell, Catherine Verfasser aut Archiveology Walter Benjamin and Archival Film Practices Catherine Russell Durham Duke University Press [2018] © 2018 1 online resource (280 pages) 57 illustrations txt rdacontent c rdamedia cr rdacarrier A Camera Obscura Book Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Védrès's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory In English IAMHIST prize winners Michael Nelson Prize PERFORMING ARTS / Film & Video / History & Criticism bisacsh Archives Film archives Motion picture film https://www.degruyter.com/isbn/9780822372004 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Russell, Catherine Archiveology Walter Benjamin and Archival Film Practices IAMHIST prize winners Michael Nelson Prize PERFORMING ARTS / Film & Video / History & Criticism bisacsh Archives Film archives Motion picture film |
| title | Archiveology Walter Benjamin and Archival Film Practices |
| title_auth | Archiveology Walter Benjamin and Archival Film Practices |
| title_exact_search | Archiveology Walter Benjamin and Archival Film Practices |
| title_exact_search_txtP | Archiveology Walter Benjamin and Archival Film Practices |
| title_full | Archiveology Walter Benjamin and Archival Film Practices Catherine Russell |
| title_fullStr | Archiveology Walter Benjamin and Archival Film Practices Catherine Russell |
| title_full_unstemmed | Archiveology Walter Benjamin and Archival Film Practices Catherine Russell |
| title_short | Archiveology |
| title_sort | archiveology walter benjamin and archival film practices |
| title_sub | Walter Benjamin and Archival Film Practices |
| topic | IAMHIST prize winners Michael Nelson Prize PERFORMING ARTS / Film & Video / History & Criticism bisacsh Archives Film archives Motion picture film |
| topic_facet | IAMHIST prize winners Michael Nelson Prize PERFORMING ARTS / Film & Video / History & Criticism Archives Film archives Motion picture film |
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