Now that the audience is assembled:
Following his investigation into experimental music and sound recording in Records Ruin the Landscape, David Grubbs turns his attention to the live performance of improvised music with an altogether different form of writing. Now that the audience is assembled is a book-length prose poem that descri...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Following his investigation into experimental music and sound recording in Records Ruin the Landscape, David Grubbs turns his attention to the live performance of improvised music with an altogether different form of writing. Now that the audience is assembled is a book-length prose poem that describes a fictional musical performance during which an unnamed musician improvises the construction of a series of invented instruments before an audience that is alternately contemplative, participatory, disputatious, and asleep. Over the course of this phantasmagorical all-night concert, repeated interruptions take the form of in-depth discussions and musical demonstrations. Both a work of literature and a study of music, Now that the audience is assembled explores the categories of improvised music, solo performance, text scores, instrument building, aesthetic deskilling and reskilling, and the odd fate of the composer in experimental music |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) |
| Beschreibung: | 1 online resource (152 pages) 7 illustrations |
| ISBN: | 9780822371588 |
| DOI: | 10.1515/9780822371588 |
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| 520 | |a Following his investigation into experimental music and sound recording in Records Ruin the Landscape, David Grubbs turns his attention to the live performance of improvised music with an altogether different form of writing. Now that the audience is assembled is a book-length prose poem that describes a fictional musical performance during which an unnamed musician improvises the construction of a series of invented instruments before an audience that is alternately contemplative, participatory, disputatious, and asleep. Over the course of this phantasmagorical all-night concert, repeated interruptions take the form of in-depth discussions and musical demonstrations. Both a work of literature and a study of music, Now that the audience is assembled explores the categories of improvised music, solo performance, text scores, instrument building, aesthetic deskilling and reskilling, and the odd fate of the composer in experimental music | ||
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| indexdate | 2024-07-10T09:01:06Z |
| institution | BVB |
| isbn | 9780822371588 |
| language | English |
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| spelling | Grubbs, David Verfasser aut Now that the audience is assembled David Grubbs Durham Duke University Press [2018] © 2018 1 online resource (152 pages) 7 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020) Following his investigation into experimental music and sound recording in Records Ruin the Landscape, David Grubbs turns his attention to the live performance of improvised music with an altogether different form of writing. Now that the audience is assembled is a book-length prose poem that describes a fictional musical performance during which an unnamed musician improvises the construction of a series of invented instruments before an audience that is alternately contemplative, participatory, disputatious, and asleep. Over the course of this phantasmagorical all-night concert, repeated interruptions take the form of in-depth discussions and musical demonstrations. Both a work of literature and a study of music, Now that the audience is assembled explores the categories of improvised music, solo performance, text scores, instrument building, aesthetic deskilling and reskilling, and the odd fate of the composer in experimental music In English MUSIC / Genres & Styles / General bisacsh Avant-garde (Music) Improvisation (Music) Poetry Music in literature Music Performance Poetry https://doi.org/10.1515/9780822371588 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Grubbs, David Now that the audience is assembled MUSIC / Genres & Styles / General bisacsh Avant-garde (Music) Improvisation (Music) Poetry Music in literature Music Performance Poetry |
| title | Now that the audience is assembled |
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| title_full | Now that the audience is assembled David Grubbs |
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| title_full_unstemmed | Now that the audience is assembled David Grubbs |
| title_short | Now that the audience is assembled |
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| topic | MUSIC / Genres & Styles / General bisacsh Avant-garde (Music) Improvisation (Music) Poetry Music in literature Music Performance Poetry |
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