Horrible White People: gender, genre, and television's precarious whiteness
Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleak...
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| Hauptverfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen |
| Beschreibung: | 1 Online-Ressource (xi, 259 Seiten) |
| ISBN: | 9781479805341 |
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| 520 | |a Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen | ||
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:07:05Z |
| indexdate | 2024-07-10T09:01:01Z |
| institution | BVB |
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| publisher | New York University Press |
| record_format | marc |
| spelling | Nygaard, Taylor Verfasser (DE-588)123055808X aut Horrible White People gender, genre, and television's precarious whiteness Taylor Nygaard, Jorie Lagerwey New York, NY New York University Press [2020] © 2020 1 Online-Ressource (xi, 259 Seiten) txt rdacontent c rdamedia cr rdacarrier Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen Geschichte 2000-2020 gnd rswk-swf Aesthetics Blackness Comedy Dystopia Family Feminism Football Girlfriends Housing Industry Studies Millennials NFL. Peak TV. Portals Postfeminism Postrace Precarity Protest Quality TV. Race Whiteness Race Race;Race;Whiteness;Gender;Genre;Sitcom Rom-com Sitcom Streaming Television White Fragility SOCIAL SCIENCE / Discrimination & Race Relations bisacsh Gender identity on television Sex role on television Television broadcasting Social aspects United States Whites on television Film (DE-588)4017102-4 gnd rswk-swf Fernsehen (DE-588)4016825-6 gnd rswk-swf Selbsthass Motiv (DE-588)1169588727 gnd rswk-swf Die Linke Motiv (DE-588)1176743287 gnd rswk-swf Weiße Motiv (DE-588)4140565-1 gnd rswk-swf Selbsteinschätzung (DE-588)4131522-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Fernsehen (DE-588)4016825-6 s Weiße Motiv (DE-588)4140565-1 s Die Linke Motiv (DE-588)1176743287 s Selbsteinschätzung (DE-588)4131522-4 s Selbsthass Motiv (DE-588)1169588727 s Geschichte 2000-2020 z DE-604 Lagerwey, Jorie Verfasser (DE-588)1201586313 aut Erscheint auch als Druck-Ausgabe, Hardcover 9781479885459 Erscheint auch als Druck-Ausgabe, Paperback 9781479805358 https://www.degruyter.com/isbn/9781479805341 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Nygaard, Taylor Lagerwey, Jorie Horrible White People gender, genre, and television's precarious whiteness Aesthetics Blackness Comedy Dystopia Family Feminism Football Girlfriends Housing Industry Studies Millennials NFL. Peak TV. Portals Postfeminism Postrace Precarity Protest Quality TV. Race Whiteness Race Race;Race;Whiteness;Gender;Genre;Sitcom Rom-com Sitcom Streaming Television White Fragility SOCIAL SCIENCE / Discrimination & Race Relations bisacsh Gender identity on television Sex role on television Television broadcasting Social aspects United States Whites on television Film (DE-588)4017102-4 gnd Fernsehen (DE-588)4016825-6 gnd Selbsthass Motiv (DE-588)1169588727 gnd Die Linke Motiv (DE-588)1176743287 gnd Weiße Motiv (DE-588)4140565-1 gnd Selbsteinschätzung (DE-588)4131522-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4016825-6 (DE-588)1169588727 (DE-588)1176743287 (DE-588)4140565-1 (DE-588)4131522-4 (DE-588)4078704-7 (DE-588)4022153-2 |
| title | Horrible White People gender, genre, and television's precarious whiteness |
| title_auth | Horrible White People gender, genre, and television's precarious whiteness |
| title_exact_search | Horrible White People gender, genre, and television's precarious whiteness |
| title_exact_search_txtP | Horrible White People gender, genre, and television's precarious whiteness |
| title_full | Horrible White People gender, genre, and television's precarious whiteness Taylor Nygaard, Jorie Lagerwey |
| title_fullStr | Horrible White People gender, genre, and television's precarious whiteness Taylor Nygaard, Jorie Lagerwey |
| title_full_unstemmed | Horrible White People gender, genre, and television's precarious whiteness Taylor Nygaard, Jorie Lagerwey |
| title_short | Horrible White People |
| title_sort | horrible white people gender genre and television s precarious whiteness |
| title_sub | gender, genre, and television's precarious whiteness |
| topic | Aesthetics Blackness Comedy Dystopia Family Feminism Football Girlfriends Housing Industry Studies Millennials NFL. Peak TV. Portals Postfeminism Postrace Precarity Protest Quality TV. Race Whiteness Race Race;Race;Whiteness;Gender;Genre;Sitcom Rom-com Sitcom Streaming Television White Fragility SOCIAL SCIENCE / Discrimination & Race Relations bisacsh Gender identity on television Sex role on television Television broadcasting Social aspects United States Whites on television Film (DE-588)4017102-4 gnd Fernsehen (DE-588)4016825-6 gnd Selbsthass Motiv (DE-588)1169588727 gnd Die Linke Motiv (DE-588)1176743287 gnd Weiße Motiv (DE-588)4140565-1 gnd Selbsteinschätzung (DE-588)4131522-4 gnd |
| topic_facet | Aesthetics Blackness Comedy Dystopia Family Feminism Football Girlfriends Housing Industry Studies Millennials NFL. Peak TV. Portals Postfeminism Postrace Precarity Protest Quality TV. Race Whiteness Race Race;Race;Whiteness;Gender;Genre;Sitcom Rom-com Sitcom Streaming Television White Fragility SOCIAL SCIENCE / Discrimination & Race Relations Gender identity on television Sex role on television Television broadcasting Social aspects United States Whites on television Film Fernsehen Selbsthass Motiv Die Linke Motiv Weiße Motiv Selbsteinschätzung USA Großbritannien |
| url | https://www.degruyter.com/isbn/9781479805341 |
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