Faces between fact and fiction: studies in photographic portraits in Norway
What is a photographic portrait? A moment in a life story or the essence of a life? A portrait of the sitter or a portrait of the photographer? Unmistakable truth or staged imposture? And when the portrait in full face is accompanied by a portrait in profile the subject we see in the picture is perh...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oslo
Novus Press
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | What is a photographic portrait? A moment in a life story or the essence of a life? A portrait of the sitter or a portrait of the photographer? Unmistakable truth or staged imposture? And when the portrait in full face is accompanied by a portrait in profile the subject we see in the picture is perhaps more properly an object? A suspect object of public control or an interesting object of scientific research? Often portraits appear in series Are these still photographs of individuals or are they meant to visualize typical features? Features of a period a social group an exotic culture perhaps a race? Are such series descriptive or normative? Does the photographic medium contribute to the canonization of certain groups and stigmatization of others? The photographic portrait conveys presence as well as absence The photographic portrait compels us to ask whether we are still here in our bodies or perhaps rather there in our pictures Whatever the answer the split between me and my picture prompts a reflexivity which is distinctive of Modernity and that Modernity largely owes to photography In the present anthology taking their starting points in various examples of Norwegian photographic portraiture a number of scholars discuss the position of photographic portraits between fact and fiction: Trond Bjorli Marthe T Fjellestad Aliona Pazdniakova Marie Fongaard Seim Thale Sørlie Mikkel B Tin. |
| Beschreibung: | 231 Seiten Illustrationen, Portraits |
| ISBN: | 9788283900231 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047044629 | ||
| 003 | DE-604 | ||
| 005 | 20210205 | ||
| 007 | t | ||
| 008 | 201204s2019 no ac|| |||| 00||| eng d | ||
| 020 | |a 9788283900231 |c paperback |9 978-82-8390-023-1 | ||
| 035 | |a (OCoLC)1195887856 | ||
| 035 | |a (DE-599)KXP1726256340 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a no |c XA-NO | ||
| 049 | |a DE-12 | ||
| 050 | 0 | |a TR | |
| 082 | 0 | |a 770 | |
| 084 | |a AP 95740 |0 (DE-625)8179: |2 rvk | ||
| 084 | |a AP 99025 |0 (DE-625)8250:683 |2 rvk | ||
| 245 | 1 | 0 | |a Faces between fact and fiction |b studies in photographic portraits in Norway |c Mikkel B. Tin (ed.) |
| 264 | 1 | |a Oslo |b Novus Press |c 2019 | |
| 300 | |a 231 Seiten |b Illustrationen, Portraits | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a What is a photographic portrait? A moment in a life story or the essence of a life? A portrait of the sitter or a portrait of the photographer? Unmistakable truth or staged imposture? And when the portrait in full face is accompanied by a portrait in profile the subject we see in the picture is perhaps more properly an object? A suspect object of public control or an interesting object of scientific research? Often portraits appear in series Are these still photographs of individuals or are they meant to visualize typical features? Features of a period a social group an exotic culture perhaps a race? Are such series descriptive or normative? Does the photographic medium contribute to the canonization of certain groups and stigmatization of others? The photographic portrait conveys presence as well as absence The photographic portrait compels us to ask whether we are still here in our bodies or perhaps rather there in our pictures Whatever the answer the split between me and my picture prompts a reflexivity which is distinctive of Modernity and that Modernity largely owes to photography In the present anthology taking their starting points in various examples of Norwegian photographic portraiture a number of scholars discuss the position of photographic portraits between fact and fiction: Trond Bjorli Marthe T Fjellestad Aliona Pazdniakova Marie Fongaard Seim Thale Sørlie Mikkel B Tin. | |
| 648 | 7 | |a Geschichte 1865-2018 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Porträtfotografie |0 (DE-588)4046840-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Norwegen |0 (DE-588)4042640-3 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Norwegen |0 (DE-588)4042640-3 |D g |
| 689 | 0 | 1 | |a Porträtfotografie |0 (DE-588)4046840-9 |D s |
| 689 | 0 | 2 | |a Geschichte 1865-2018 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Tin, Mikkel B. |d 1956- |0 (DE-588)1025978099 |4 edt | |
| 856 | 4 | 2 | |m V:DE-576;B:DE-14 |q application/pdf |u http://swbplus.bsz-bw.de/bsz1726256340inh.htm |v 20200807153226 |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20210205 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032451640 | ||
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |g 48 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 090512 |g 48 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |g 48 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 090511 |g 48 |
Datensatz im Suchindex
| _version_ | 1804182025717940224 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Tin, Mikkel B. 1956- |
| author2_role | edt |
| author2_variant | m b t mb mbt |
| author_GND | (DE-588)1025978099 |
| author_facet | Tin, Mikkel B. 1956- |
| building | Verbundindex |
| bvnumber | BV047044629 |
| callnumber-first | T - Technology |
| callnumber-label | TR |
| callnumber-raw | TR |
| callnumber-search | TR |
| callnumber-sort | TR |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 95740 AP 99025 |
| ctrlnum | (OCoLC)1195887856 (DE-599)KXP1726256340 |
| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770 |
| dewey-search | 770 |
| dewey-sort | 3770 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| era | Geschichte 1865-2018 gnd |
| era_facet | Geschichte 1865-2018 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03147nam a2200505 c 4500</leader><controlfield tag="001">BV047044629</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210205 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">201204s2019 no ac|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788283900231</subfield><subfield code="c">paperback</subfield><subfield code="9">978-82-8390-023-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1195887856</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1726256340</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">no</subfield><subfield code="c">XA-NO</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">TR</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">770</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 95740</subfield><subfield code="0">(DE-625)8179:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 99025</subfield><subfield code="0">(DE-625)8250:683</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Faces between fact and fiction</subfield><subfield code="b">studies in photographic portraits in Norway</subfield><subfield code="c">Mikkel B. Tin (ed.)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oslo</subfield><subfield code="b">Novus Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">231 Seiten</subfield><subfield code="b">Illustrationen, Portraits</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">What is a photographic portrait? A moment in a life story or the essence of a life? A portrait of the sitter or a portrait of the photographer? Unmistakable truth or staged imposture? And when the portrait in full face is accompanied by a portrait in profile the subject we see in the picture is perhaps more properly an object? A suspect object of public control or an interesting object of scientific research? Often portraits appear in series Are these still photographs of individuals or are they meant to visualize typical features? Features of a period a social group an exotic culture perhaps a race? Are such series descriptive or normative? Does the photographic medium contribute to the canonization of certain groups and stigmatization of others? The photographic portrait conveys presence as well as absence The photographic portrait compels us to ask whether we are still here in our bodies or perhaps rather there in our pictures Whatever the answer the split between me and my picture prompts a reflexivity which is distinctive of Modernity and that Modernity largely owes to photography In the present anthology taking their starting points in various examples of Norwegian photographic portraiture a number of scholars discuss the position of photographic portraits between fact and fiction: Trond Bjorli Marthe T Fjellestad Aliona Pazdniakova Marie Fongaard Seim Thale Sørlie Mikkel B Tin.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1865-2018</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Porträtfotografie</subfield><subfield code="0">(DE-588)4046840-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Norwegen</subfield><subfield code="0">(DE-588)4042640-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Norwegen</subfield><subfield code="0">(DE-588)4042640-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Porträtfotografie</subfield><subfield code="0">(DE-588)4046840-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1865-2018</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Tin, Mikkel B.</subfield><subfield code="d">1956-</subfield><subfield code="0">(DE-588)1025978099</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-576;B:DE-14</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://swbplus.bsz-bw.de/bsz1726256340inh.htm</subfield><subfield code="v">20200807153226</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210205</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032451640</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">48</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">48</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">48</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">48</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Norwegen (DE-588)4042640-3 gnd |
| geographic_facet | Norwegen |
| id | DE-604.BV047044629 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:06:48Z |
| indexdate | 2024-07-10T09:00:59Z |
| institution | BVB |
| isbn | 9788283900231 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032451640 |
| oclc_num | 1195887856 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 231 Seiten Illustrationen, Portraits |
| psigel | BSB_NED_20210205 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Novus Press |
| record_format | marc |
| spelling | Faces between fact and fiction studies in photographic portraits in Norway Mikkel B. Tin (ed.) Oslo Novus Press 2019 231 Seiten Illustrationen, Portraits txt rdacontent sti rdacontent n rdamedia nc rdacarrier What is a photographic portrait? A moment in a life story or the essence of a life? A portrait of the sitter or a portrait of the photographer? Unmistakable truth or staged imposture? And when the portrait in full face is accompanied by a portrait in profile the subject we see in the picture is perhaps more properly an object? A suspect object of public control or an interesting object of scientific research? Often portraits appear in series Are these still photographs of individuals or are they meant to visualize typical features? Features of a period a social group an exotic culture perhaps a race? Are such series descriptive or normative? Does the photographic medium contribute to the canonization of certain groups and stigmatization of others? The photographic portrait conveys presence as well as absence The photographic portrait compels us to ask whether we are still here in our bodies or perhaps rather there in our pictures Whatever the answer the split between me and my picture prompts a reflexivity which is distinctive of Modernity and that Modernity largely owes to photography In the present anthology taking their starting points in various examples of Norwegian photographic portraiture a number of scholars discuss the position of photographic portraits between fact and fiction: Trond Bjorli Marthe T Fjellestad Aliona Pazdniakova Marie Fongaard Seim Thale Sørlie Mikkel B Tin. Geschichte 1865-2018 gnd rswk-swf Porträtfotografie (DE-588)4046840-9 gnd rswk-swf Norwegen (DE-588)4042640-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Norwegen (DE-588)4042640-3 g Porträtfotografie (DE-588)4046840-9 s Geschichte 1865-2018 z DE-604 Tin, Mikkel B. 1956- (DE-588)1025978099 edt V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz1726256340inh.htm 20200807153226 Inhaltsverzeichnis |
| spellingShingle | Faces between fact and fiction studies in photographic portraits in Norway Porträtfotografie (DE-588)4046840-9 gnd |
| subject_GND | (DE-588)4046840-9 (DE-588)4042640-3 (DE-588)4143413-4 |
| title | Faces between fact and fiction studies in photographic portraits in Norway |
| title_auth | Faces between fact and fiction studies in photographic portraits in Norway |
| title_exact_search | Faces between fact and fiction studies in photographic portraits in Norway |
| title_exact_search_txtP | Faces between fact and fiction studies in photographic portraits in Norway |
| title_full | Faces between fact and fiction studies in photographic portraits in Norway Mikkel B. Tin (ed.) |
| title_fullStr | Faces between fact and fiction studies in photographic portraits in Norway Mikkel B. Tin (ed.) |
| title_full_unstemmed | Faces between fact and fiction studies in photographic portraits in Norway Mikkel B. Tin (ed.) |
| title_short | Faces between fact and fiction |
| title_sort | faces between fact and fiction studies in photographic portraits in norway |
| title_sub | studies in photographic portraits in Norway |
| topic | Porträtfotografie (DE-588)4046840-9 gnd |
| topic_facet | Porträtfotografie Norwegen Aufsatzsammlung |
| url | http://swbplus.bsz-bw.de/bsz1726256340inh.htm |
| work_keys_str_mv | AT tinmikkelb facesbetweenfactandfictionstudiesinphotographicportraitsinnorway |